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|THE HUGO REISINGER SALE. 
oe art event of the week has been the 
e of the oils, watercolors and etchings, 
ed by the late Hugo Reisinger, 


a 4 
& 7 


Plaza ballroom on Tuesday and Wednes- 


‘Thursday evening. 

__ The grand total ofthe three sessions, al- 
lowing for a deduction of some $320, due 
_to the reselling on Thursday evening of 


sion at the American Art Galleries on 


| and not taken by the customer—and which 
resale fell short of the original one to this 
amount—was $217,925. The best figures 
were obtained from the oils of the mod- 
ern American-French schools at the first 
| session, or $139,335. The modern German 
pictures, sold on Wednesday evening, as 
had been anticipated, while the auctioneers 
stated that they brought within 5% of their 
cost to Mr. Reisinger—only really reached 
the sum of some $50,000 for some 65 ex- 
amples—the remainder of that evening’s 
sale total of $68,625 or some $18,000 hav- 
Ing been obtained for 22 examples of the 
modern Dutch masters, of the five English 
and Scotch painters, A. John, Lavery, Greg- 
ory, Grosvenor Thomas and Sauter, one 
of the Italian Mancini and one, and a good 
one, of the Spaniard Sorolla. 

The watercolors and etchings, save for 
28 etchings by Zorn, a few by Pennell and 
one each by von Menzel and Seymour Ha- 
den—not a remarkable lot—stilf sold well, 
and some, notably the Pennells and the 
Zorns, brought American auction record 
prices, the total for 86 numbers having been 
| $10,285. 
| The modern Americans really bore off 
| the honors of the sale and held their own 
|} well with the French pictures. When 

Twachtmanns bring $4,350 and $3,330 from 

dealers, a Weir, $3,000, a Murphy $4,950, a| 

| Chase still life, $1,550 from a Museum, a 
Waugh $1,200, and a Bellows $1,075, at auc- 
tion, they take commercial as well as artistic 
rank with the best modern foreign works, 
long so popular with American collectors, 
and have at last and-belated, “come into 
their own.” 


Story of First Session. 


| At_the first session for 84 nos. by mod- 
| ern Foreign and American artists in the 
| Catalog, all oils, save three or four examples 
in watercolor and pastel, the good total of 
| $139,335 was obtained. 

_This made an average of some $1,500 a 
picture, and while the bidding, save for an 
example here and there, was not spirited, 
on the whole it did not lag. There were 
| several American art auction records brok- 
| en, both for native and foreign works, and 
the prices, as arule, were higher than those) 
| paid by Mr. Reisinger. 

i _The American pictures at this first ses- 
sion held their own well. One of the two ex- 
amples of the late John H. Twachtmann 
Wild Cherry Tree” brought the record auc- 
tion figure for his work of $4,350, and an-| 
other example brought $3,300. J. Alden 
Weir’s “Midday” also broke his auction rec-| 
ord at $3,000, while a late example of ia. 


a a 
‘ti< 


a ; o< 


day evenings, and the third and final oe . 
3 iad ah _|*Dogwood Blossoms,” and George Bellows’ | 
-|“Morning Snow” brought $1,075. 

| On the other hand two good Hudson} 


three pictures bought on Tuesday evening | 


a 


Murphy almost reached his record 

, and a Winslow Homer watercolor , 
laine Coast” made a record for his water- | 

colors at $1,600. A typical panel by Dewing | 


7 besept $3,400 and a Chase still life of} | 
tea 1S , 
ed. | $1,550. Childe Hassam’s “Leda and the 
as told below, have been disposed ei 


of in three evening sessions, two in the _ 


} record price for his still lifes) of 


Swan’ brought $2,000, and his ‘Brooklyn 
Bridge in Winter,” $2,225. 


tor Beatty, $1,200 for Willard Metcalf’s| 


| River vistas by Leon Dabo only brought 


- |$375 and $425 respectively, and Carl Marr’s | 
| good portrait of Prince Luipold of Bavaria | 
; | fetched $475, about a quarter of the figure; — 


lit wotid kave reached if sold in Munich. 

| The high figure of the sale was $10,200, 
| paid by Mrs. Hugo Reisinger for a good 
| “silvery” Corot. 


| $1,700 and a larger example $2,300, a Renoir | — 


$4,950, a Pissaro $1,850, a small pastel by 
L’Hermitte $1,950, a Claude Monet, one of 
the “Thames series,” $9,300, a record for 
America; a fine Boudin “Beach at Etretat” 
$400, and Zorn’s “The Bather” $7,000, also | 
an American record. 


seen by their purchases and Durand-Ruel | 


the French Impressionists. There were 
few new collectors who bought. The large 
number of purchases by a Mr. Charles were 
credited to Mrs. Charles B. Alexander, who | 
was present. 


First Session. ; 
The following is a list of the pictures sold f 
| Tuesday eve., with the numbers, artists’ | 


where obtainable, and the prices: 


tel), 104x6%,> Ralph'’H. Booth. .. 2.4. 260 

2—Dewing, T. W., “Girl Playing the Lute” 

(Pastel), 10%x7, Mrs. Hugh Murray.. 300 
| 3—Horton, D, S., “Whitby Sancs” (Pastel), 

14%x18, Robert Glendenning ....... 40 
| 4—Davies, A. B., “At. the Waterfall,” 17x22, 

Aj CEES ATGGeE) ET es serventrat Se ercue baie coe wads, Sine leugile 560 

5—Dearyih, H. G., “Flecks of Fvam,”’ 18x21, 

Rey (ae) RELL Viselaahe 8 Sa Stoel owen pia 

6—Haseam, C., “Dryads,” 1334x1614, M. 'L. F 

MING Le Uemae nn Roa wieeiee 1+ © siehb Gores tersiate * «2% 625 | 
| 7—Hitehcock, G., ‘‘Flowering Holland,” 17x- 
Pee eae A co 1) OPES OLS Firs). avenstaderets Abate Wuweahare 225 
| 8—Weir, J. A., “Moonlight,” 24x20, A. A. 

PRR ohe note «reais tess TeOen PL Ree 825 
| 9—Robinson, T., “In the Orchard,” 20x16%, pre 
/10—Dewing, T. W., “Lady in Black and Rose,” 
PIS Viel) MORALES ws ecules aes Besos ole ® 450 
11—Hassam, C., “Sunset,” 22x20, John W. 

ESR CEVoRE eo 6 fle asa ius Tecate oe Saye hes tiete.# 8a sere 3,400 | 
'12—Hormer, W., “Rocky Coast” (Watercolor), 
19621 AL ASUS BOIS 6 0, fs cee ve Vets 625 
'13—Fronberg, L., ‘Ballet Girl in Pink’’ (Pas- Pye 
. teaky, (24e1034,-1). Charles W,. . . one Oe 1,600 
'14—Hassam, C., “Morning, Seville,” 251%4x18, A§ 
TCS A TOCIMEY sures acc Nh Geuawis ae aan oe" Ola 625 
'15—Frieseke, F. C., ‘‘In the Doorway,” 3134x- Ps 
Fave. Wea MMidcbeth! 1.5). 0.5. Pra tuy tees 575 
\16—Browne, G. E., ‘Silver Mist,” 21%4x26, 
iy Miss Helen Curtis ....... Fda eternal 5° 400 
'17—Lawson, E., “‘Abandoned Graveyard in P 
Spring,’ 25x30, Chas. Daniel.......... 225 | 
18—Meteéalf, W. L., “Dogwood Blossoms,” 29- ) 
| mapao, John W, ‘Beatty......... stesbee 1,200 | 
19—Dougherty, P, “The Cleft,’? 30x25, Hol- i 
TRG GIICTICS Coy aces ence eas verre sana 425 
'20—Horton, W. S., “Aigue-Marine,” 25x30, . 
RONG enNING i ces oto e ee es te eeee 125 
'21—Reid, R., “Meditation,’’ 30x25, D. Charles 500 
22—Hassam, C., ‘“‘Leda and the Swan,” 25x30, , 
SSD he US ee a ee oe ee eee 2,000 
23—Weis; J, A., “Willimantic Thread Fac- 

tay,” 2414x33%4, A. A. Healy........ 725 
24—Twachtman, J. H., “Water Fall, Yellow- 
| stone Park,” 30x30, Knoedler & Co.... 3,300 


b OT —_— 


— 9 


The Carnegie | 
Institute of Pittsburgh paid, through Direc- | 


A small Cazin brought} 


The dealers were out in force, as will be| j 


names, titles and sizes in inches, first height _ 
|}and then width, the names. of the buyers. . 


he 


1—Dewing, T. W., “The Musician” (Pas- fe 


Pes, 


| bought at good figures the best examples of| | 


30—Dabi bu 
iP x io ee leries 


te) Palisades, Eeedoon River,”’ 


Co. 
| 41—Har ignies, H., @French Landscape”’ 
if (Watercolor), 8%x12, Rudert, Agent.. 
Ah eae ne, 5 E., “Le pert D’Anderine,” 
9%x13%, Seaman, Agent 
|43—Fantin. Latour, H 2 Aurora,’ 1134- 
Lorenz, Agent 
| 44—Deg ciara ef G. E., “Ballet rls Dressing” 
(Pastel), 7x9, Knoedler & C 
| teat eG fe. SMan Driving Cows,” 4x6, 


it harles | 
Fong isaac, C., -Emtants a Pabte.” 1134x16%, 
Glendenning 
| 47—Fantin- Eapour,) H. J-.T.; “The yee ues 
~ Women in a Wood,” "1034x14%, C 
Kraushaar 
| #8—Tsabey, loa oe “After the Storm,” 15x- 
mr tien, Holland Galleries 
| 49—Stevens, A., “Vue De Treport,” 1334x- 
10%, Knoedler & Co 
- 50—Fromentin, E., “Algerian Washerwomen,” 
1014x1334, Hugo A. Koehler.. 
aaa J “The Harvesters,” a4%9%4, 


4 
i we Fillmore. 


j53—1a Touche, G, “The oneyawons: 1534x- 
1334, Rudert, Agent 

| 54 Ia Touche, G., «Petit Souper,” 1534x13%, 
j Rudert, Agent 
+55—Renoir, F. A., “Baigneuse,” 16x1234, M 

L jell inek 
_|56—Fantin-Latour, H. J. T., “Still Life: 

ers, 3 eats Knoedler & Co 
-57—Corot, 4. -C., “Environs de Beauvais,” 
18x eran Hugo Reisinger 
|58—Boudin, a E., ‘“‘Le Port de Saint Valery, 
gi Basse, 18x14%, Mrs. Hugh Mur- 


|59—Thasilow, 


Flow- 


; “Scene in Venice,” 
184%, O Bernet, Agent 
- 60—Stevens, A., “In Deep Thought,” 18%4x23, 
Knoedler & Co. 
ee enoir, BE A., “Young Girl’ (Pastel), 
18Y%x23%, Durand-Ruel : 
_ |62—Pissarro, C., ‘“fPlace de la Republique, 
Rouen: Effet de Pluie,” 1814x2134, Du- 
rand- Ruel 
e3—Degas, FH. “Danseuses: 
Jaunes,”’ raisxi8, Durand-Ruel 
/64—Sisley, A., “Noyer A  Veneux-Nadon,” 
19Y%4x25%, Durand-Ruel 
65—L’Hermitte, L. A., “Harvesting” (Pastel), 
2134 xt/, O. Bernet, Agent 
|66—Boudin, LL. E.; “Cherbourg,” 
Seaman, Agent 
167—Cazin, J. C., “Octroi D’Issy,”’ 
A. F. Pillsbury 
68—Raffaelli, J. F., “Bain de Mer, Treport,”’ 
j 21x24, M, L. Jellinek 
BY 69—Courbet, :. “Landscape,” 


Du Bois 
170—Dupré, J., “The Storm,” 214%x25%, Hol- 
land Galleries 
A, | WHR) aN Pa Girl: 
Kesti,”’ 27x20%, O . Bernet, Agent 
|72—Delvaille, Mo Gees yeune ~ Kemme 
Toilette,” 29x24, Louis Lazard 
_ |73—Moret, «., “Etretat: Sunset,” 
Durand-Ruel 
|74—Pissarro, C., ““Femme 4 la Chévre,”’ 32x- 
ecuien ees Ruel 


a ae 


1834x24, 


on the Hudson,” ae 


1,000 
1,200 
1,050 


1,850 
6,300 


~ 2,000 


1,900 
1,100 


77-2 Monet, ee. 


ag Wis 
 |81—Ménard, R., 
nie W. V. 
is - |82—Boudin, L. E., 


| 83—Stevens, 


4 


y 78—Zorn, 
_|79—Zorn, A. a 


example of Lenbach, 


scene by the Spaniard, Sorolla; for $3,300. 


Wed. 


75—Thaulow, F., “Winter Scene, 
_ 25%4x32, goaee S. Phillips 

'76—Rafiael lli, S BBG ““A Cathedral: 
_. France,’ 32x26, D. Charles 

“Waterloo Bridge: 

Gris, > 26x36. Mr. Ralph 

"Ad ieee he Bather,” 39x27, Mrs. 

Hugo Reisinger 

“Nude at the Shore,” 111%4x- 
Peo) MG L. Jellinek 

80—Claus, Ba “on L’Ombre,” 2372x3634, Jos. 


Breck 
“Dryades”’ (Pastel), 28x35%5, 

Kramer 

“Beach at: Etretat,” 31x43, 

os. ite Breck 

“Jour de Régates, Menton,” 
32 x26, eel Agent 

84—Liljefors, B. A.,° “Heath Grouse Out in 
ss Frost, fe 8534x41, Lorenz, nan 


Norway,” 
2,100 


1,250 
9,300 | 
7,000, 
425 | 
425 
1,025 | 
4,100 | 
825 | 
800 i 
$139, 335 


Second Session. 


At the second session, Wed. eve., a total} 


of $68,625 was obtained for some 88 works—| _ 


one, a copy of an old master, having been 
withdrawn, 
modern school with a few modern English 
and Scotch pictures, and one example of 
Sorolla. 

This total, 
session, is accounted for by the fact that mod- 
ern German art and painters, with a few ex- 
ceptions, such as Bocklin, Lenbach, Leibl 
and Stuck, are not’ known to nor appreci- 
ated by American collectors and art lovers,| 
while the prevalent prejudice 
Germany and its productions, undoubt- 
edly also affected the sale. This prejudice 
unquestionably affected the attendance, 


which was not nearly as large as that of | 


mostly oils of the German| 


against | 


about half ‘that of the first jae 


Tuesday evening, had few representative A 


dealers or collectors and no modish people 
and was almost entirely composed of Ger- 
mans or Germans born in America. 

The comparatively low figures for which 


most of the pictures sold, however, are said} 4 


by the auctioneers to have been only about|— 
Reisinger} — 
in Ger-| — 


5% below that at which Mr. 
purchased them. Of the dealers 
many, Heinemann of Munich alone bought 
under his own name. It must be said} 
that several of the examples of 


noted| 


German artists were not truly representa-| | 


tive, and it seemed evident that Mr. Reis-| 


inger had purchased these for names rather ee 


than quality. 


The highest figure of the sale, $8,200, was | a 


paid, as she paid the highest figure at Tues-| 


day’s sale, for the Corot, by Mrs. Reisinger, 
for Arnold Bocklin’s good, but not truly 


representative, “At the Spring.” The one} 
again not typical, 
“Ecstasy,” was bought for $2,700 by Mr. A. 
Chatain, the former “Expert” 
& Co., now resident in Chicago. Knoedler 
& Co. secured the fine and typical beach 


Joseph Stransky, the music director, bought 
some $12,000 of the German pictures. 


The following is a list of the pictures sold | 
evening, with the numbers, artists’, 
name, titles end sizes in inches, first height | 
‘and then width, the names of the buyers, | 
where obtainable, and the prices: 
85—van Mastenbroek, J. H.,. “In Holland’’ 
(Watercolor), 84x10, Joseph Hueber. 
86—Valkenburg, H., “ bees Scene” (Water- 
color), 134%x19¥%, C, Seyfarth 
87—van Mastenbroek, 1 ae “Summer After- 
noon in Rotterdam” (Watercolor), 10x14, 
PT) PTO cw dein occisners edhe ine me tiene : 
88—Jongkind, J. “Marine,” 9%x123, 
D. Charles 1 
m 


-$ 125 


130 


of Glaenzer| — 


‘3 
> 


(Watercolor), 


ote eee 


ysen, ‘‘Landscape: 
Ke ow” (Watercolor), 
“Alone™ feWiatercalor), 18x13, 
Tarn, ake ce Sue Le ol wilels.@ siglm &.0 » 6.0 6 6 ee ate 
“ae tee Landscape at Tealletng 
BS: ncrcutk 13%4x19 ie Kleinberger. . 
_ 93—Maris, f., “Youn 
yaee ha? ae BY, Knoedler 
ae sadist Ess “Landscape” (Watercolor), 
"4x22, D. Charles 


“ole —Israels, 6 To e 


ey 


—van M: stenbroek, J. H., “Harbor of pow 


; erdam,”’ (Watercolor), 20x29, Raws. 

96M esda W., “Marine,” 304x194, C 
Du Beis I Rg ot oie cocks ¢ « ws 

97—Mesda van Houten, Mme. GA “In Gel- 


derland”’ (Watercolor), 24x32, ’Dudensing 


98—John, A. E., “Girl on Welsh Mountain,” 
shia he Mitioedlen 0s .einte le)... 0 
99—Lavery ., “Afternoon in the Woods, 
Tanger, cre, wr ashaal et aes 


100—Gregory, 'R , “Landscape,” 24x36, T. Ed- 
101—Sauter, G : “‘prost and Fog?” 2454x32, 


Seaman, A aa ie Ce ear ied Ste os 
102—Brangwyn, F., “Venice,” 3734x39%, Lor- 
RS a | Oe 2 Pe ee 


WG2- | Bean Gy “Eandscape,” .28x36,.C. Du 


eee ewe eee eee tere ee eee ewr eee Oereeereese 


ois 
104—Mancini, F. G., “Prof. M. with Halo” 
: (Watercolor and Pastel), 241%4x18%, De- 
(Eicoy is ° 1, OUSCE CG i ee a 
105—Larsen, C. F. E., ‘Girl Reading’ (Water- 
x color), 201%4x28%, Bosedais/ SOS ge 
| 107—Sorolla_ BY eek arg 5 “Water Joy,” 32x- 
F 414, Kuoed Ps chs bn RSs asses 
/108—Kuehl, G., “View Through Window,” 9%- 
x53, we oo ke os ks 
| 109—von Gerhardt, K. F. E., “Head of Young 
y Womar.,”’ 15x13, Baba. Aen sacle «ares 
| 110—Meissner, E. Ae, *“Ram’s Head,” 11%4x- 
Bet ame ew Antihe ve Os. fas cs ise os 2 es 
|} 111—von Keller, A., “Nude,” 1534x733, O. 
1 LOSE EO? ARs PR ae a a Senta a 
}112—von Menzel, Adolf, “Man Reading” 
‘ (Gouacne), 11x8%, Josef Stransky....... 
- 113—Reinicke, P. ., -Cathedral in Seefeld’’ 
it (Watereolor), 14x113%4, R. Lorenz, Agent 
/ 114—von Bartels, H., “On Way to Market” 
a (Watercolor), taxis, O. C. Seyfarth..... 
¢ 115—Piltz, -O;, “Ol d Woman Drinking Coffee,” 
BORG, Je HuCbEer - 6 es. ee ee... 
116—de Munkacsy, M., “Study of Head,’’ 13x10, 
LUE yon “a2 ere | 0 ae er 
| 117—Liebermann, aie “Polospiel,” 1134x18%, 
I Peo. av ne be vs as 
118—Harburger, E., ‘ “Divine Drink,” 13x16¥%, 
“py cue) HG 2 5.5 kee ans pale a 
119—Looschen, Prof, H., “Die Blaue Uhr,” 
EG Salis ce 1S eS) yc ob en 
120—von Hofmann, L., ““Nude in Open Air” 
Measteerizni7. b. (edwards... ...5o. 2.65% 
Br Mt asent C., “Surprised,” 17x11%, Adolf 
Lt 122—Sperl, J.. ““Mountain Landscape”’ (Water- 
- say color), 19x14, Maurice Dehnhof......... 
123—Jank, A., “Horse Race,” 144%4x1934, H. F. 
Ce EE ee ar ae a 
| 124—Ostermayer, E. L., soley ae Musician”’ 
(Pastel), 1934x1134, F Marburg..... 
| 125—Kuehl, G., “Salon Boke,” 21x3534;* + D. 
“es ee SR Ra aan 
126—von Stuck, Franz, ‘Teasing,’ 18%x19¥Y, 
Sale a aS 


C 
127—Kampf, a., 
eB. A‘lbert 


ee es € 6 2 06 ss 00 we 6 6 wee 6 fee oe 


ee ve) oP. E, “Landscape,” 18x20%, 
Te Kifncer, Prof. M., “‘Landscape,” ©1934x19; 
ee NE ALIS Gi eS a). Ze se cee soe sis 00 piel 
; 130—Scho6nleber, G., ‘‘Colmar Landscape,” 18- 
ie OTE PISTOL Melee a0 sc ¢ ecaveoe a v's vies 06 
131—Klinger, Prof. M., “Landscape,” 20%x18™%, 
RRR en CRED. Cie! fb syaris.e alerele ais 6 Leis 
132—Schramm-Zittau, Prof. R., “Ducks,” 1334- 
x233%, M. L. Tellinek 8 at ee ae are 
~133—Oppler, §&., “Tennis eer at Ostend,” 
ee 3 - Seaman, PNG ET «oats cee. 2 28s 
134—Leibl, “Actor, “ Sye17, E Stransky. 
| 135—von thae’ nw aS H., “Girl Reading,” 3334- 
2 xi, J. Stransky Ce eee. he 
| 136—von Hofinann, Pan Dance Gir 25x19, 
Meet Mircctland)......:.-.sas0s--.-ee 


137—Liebermann, M., in Bathing” 

(Watercolor), 1914x254 O. Dressler. 

. 138—Feudel, C., “Madonna, Child and St. John: 

a Madonna of Chair,” 28%x28%, With- 


drawn Lwithoeawe) {eS oy Pee 


ae i 


_ «.. 1,000 
fatercolor), 14x ‘ 


oe politan Araceae AR ORaey Ice te oe ee 1,100 
© +} 146—Schuer, G., “Still Life: Fruit,” oe re 
260 Be Strans o SOEUR Tene ee pees see ee wes clenss 3,100 
_ | 147—Putz, L., “Japanese Still Life,” 25x30 
250° va Jelinek’ Rites fra eves Pahesenels Sete Comme 
ae es 
400 148—Osswald, F.}°“Still. Life: Pinks,” ae ae 
SB. Meiedtacte Week « ui Justxnn. wove 170 
80 Pip Heeb; O.,. “Bathing Scene,” 22x32, Jel- ; 
PEM ah ATTIC Le tetas fates. «5 Sig MIMAIRIE GuSTaTh «) wee R ane OaeTe 300 
1,050 © »)|150—Fleischer, i “Nude: Study of Boy,” 
ee 344x214, Fuchs, in ace eit oe eee 100 
625  |151—Arntzenius, F, “Old poe at Hooven” 
(Watercolor), 1714x25, O. C. Seyfarth... 180 
125 152—Zugel, H. J., “Cattle at. Pool,” 22x34, D. 
har lesmanyccuk ss «am cee aie eae re ere ie 950 
200 153—Thoma, H., ““Noon Hour,” 2634x3234, D 
Heinemaii -..'0.0 toad soe ivi lowes 1,000 | — 
,150 (154—Ziigel, H. J., ““Oxen,” 21x3134, Knoedler. 1,000 | 
Fr 155—Liebermann, M., «At Seashore: Terrace __ 
700 on Elbe, near Hamburg,’ Ms 27x32, Wal- 
| pete ate Pi We oc < Sent tO Se A ae SA 1,200 
|156-—Zugel, H . J., “Country Folk Coins from 
750 Market,” 22x34, Seaman, ‘Arent 2. <os. <i: 1,100 
eee Soe a ‘Man at Work,” oy3x25, ‘Adolph 
225 | NIN enim Ee AN vices ene enol osc gaactases aoe. s isas 6,6 225 
158—Liebermann, M., “Nordwijk;” 28x35%, D 
(COG ed RES eS Ard 3 Barat i cs i ae eet 1,000 
3,300 159—Dill, L., “Landscape: Abend: Im Moor” 
(Watercolor),. 2834x3654, C) Du Bois... . 940 
130 - 160—Skarbina, F., “Das Rote Service,” 3834x- 
h Aware oe ritsChland cn seer cee see 350 
190 61—Leistikow, W., “Danish Landscape,” 29%4x- 
OIE OUT UTAS ICV cs apetielars: Coa. 5 Alctercine eee tien 1,025 
60 162—Schuch, C., “Landscape,” 33x27, Stoehr.. 800 
163—Miunzer, A, “Girl With Puppet, ‘< (2914x- 
170 37M, Deuteeh. he es. fe eee he 200 
'164—Triibner, W., “Castle Heimsbach,” 31x37, 
700 . JIB Ee] ey 93 nilay do Naa es PD 2 eet aks care rope eet Ie ee 725 
'165—Crodel, P., ‘“Mountain Village in Winter,” 
375 28x40 (Minneapolis Museum), Joseph W. 
BOG erred Peete aus ms teevineta  asetcacee’ s ghtte taeome Taleee 475 
275 '166—Hibner, U., ‘‘Marine,” 31x40, sy 900 
167—Mohrbutter, A., “Nude” (Pastel), 40x31, 
150 IO ee Dies Sea G KAR aden Seana GAR er EE ore 150 
168—von Habermann, H., “In Studio,” 3934x- 
380 3734, Metropolitan IMaTSE1IMN Girernie aoe ore 750 
169-——von enbach;y Profs Bit )“Eecstasy,.2 =.45x- 
5250 BBG rich DEANS en coe aise ore oe tele whe glace ,700 
/170— hes H, J., “Sheep Homeward Bound, os 
150 35 4x48, Bie SUOE DL cans ae inane ptiitis eis iets 1 
|171—Zigel, H. J., “Sheep Going to Pasture,” 
110 SOL GSE eae tOCUIe se sugince ole ha ne othenes ss 1 
1172—Putz, L., “Hochsommer,” 4514x494, De- 
100 ETO LE VT SO TITIN Siete oe na acide’ ws sha eimatiovel’s oasis lar eie 
70 , ' $68,625 
Third Session. 
280 At the third and concluding session at 
300 the American Art Galleries, Thursday eve- 
ning, while the attendance was not large, it 
70 was sufficient to comfortably fill: the large 
425 lower gallery. Mr. Otto Bernet acted as 
auctioneer. 
950 The following is a list of the works, then | 
130 with the numbers, artists’ names, titles and 
'sizes in inches, first height and then width, 
325 | the names of the buyers, where obtainable, 
219 ~~ and the prices: 
173Williams, G. A., “Fascination” (Water- 
600 color), 534x1¥%, A, deller......-... $ 20.00 
1174—W illiams, G. ‘Ay “Aura” (Watercolor) 
725 6x2, RR. A. Heller....+..+s+e55 iE Jaa ye 9, 20004 
4175—‘“*Roman Ruins’ (Mosaic), 4x6% (withdrawn) 
360 176—Tessavi, V., “Shepherdess”? (Watercolor), __ . 
11x8, O. im Seviareltcn aries ps 309 mates 65.00 | 
310 }177—z Althaus, F., “Scene in Devonshire” 
4.100 | (W atercolor), 10%x12%, O. C. Sey- q 
4 Perachith, MU Scie a aes Li SEA ee Diente sea 65.00 
1.750 |178—Reinicke, PR, *On Terrace” (Gouache), - 
; 914x16%, T Ww ALOT SEIT pik.» aco wk, sis ee 70.00 | 
400 179—Althaus, e). “Market tas in Village? yi 4 | 
(Watercolor), 1334 x10, C. Seyfarth. 55.00 
900 | 180—Schonleber, G., een (Gou: ache), 
8x15%, Mm OWalleratein 1... Tecanni ees 160.00 
| 181—von Huctela H., “Fish Market at Con- 
carneau”’ (Watercolor), 1234x173%4, R. 
Sue Erderheimer eo Se 


21 145—Trtibner, W., 


/ 139— Schra 

23%, 
-140—Putz, I, 
141—Slevogt, — 
Charles | 


ittau, Prof.-R., “Ducks,” 
elinek—- ener. ..c ees so. ok: 
“Mara,” 22x18, Jellinek Pal. carters 

pe ndscape,” 25x30), 


Oe a ee ae det Se Dn} 


D Shave 9 6 ©) 6 w © ere 0 @ 


x31%, D. 
144—Bocklin, 
Reisinger 


Or Re PANS 9 Se GSS Te tL® © ig 6 C10 wie 2 O 


RVAPREOONe 6. Wildl ee 9) 46 Seles © «ke 6.0.8 #15..9 @ 


- 8,200 


7005" 


i — >, Francis 


vA" Caller’ (Water- 
R. Erderheimer 
Seroct Scene,” 19%4x- 


‘thei 
pre panes Pe aR, 
* color), 16%4x17%, 
186—Arntzenius, H. P., 
15, Seyfarth 
187—Simoni, a Boy: aN Jester’? (Water- 
color), 1414x20%, F 
-188—Reinicke, Re “Tn Diaz igh (Water- 
=) yeolor); 21x15 34, R. Erderheimer 
189—Van der indt; -(C., ‘Barn .--House” 
PWetctcolon): 16%4x26%, O.. CG.» Sey- 


| farth 
/190—Gorter, A. M., 
1814x25, es ‘Englehart 
ia Feel, A. “Moonlight in Katw 
land’’ (Watercolor), Eeeeey ” Min- 
neapolis =e 


/ | 192—Reinicke Disagreement’’ 


P 3 
fase ce oe 234x194, O. Gerdau & 


fe) 
é 14092 -Arnicentus. oe eart and —Horse” 

; (Watercolor), "21x25 %, T.. Wallerstein... 

} 194-— Laing, in ., - The Storm at Seda: 24x- 

- 20, Minneapolis Museum 
Etchings and Color Prints. 
| 196—Brangwyn, F., “Gate of Naples,” Carne- 
gie Institute 
497—Brangwyn, F., “Inn of Parrot, Dixmn- 
den,”’ Carnegie Institute 
i ei Eeeerrs F,, ‘Rialto, Venice,” 
oan tr ae 


199—Haden, Sir F. ae 5 “Sunset in Ireland, ah 


| 

| 1S So Ee ey ee Sa 
iF 200-—Hokkei, U., “Falcon on Perch,” D. Kep- 
ne 
A 


204—Liebermann, 
Schultheis 
205—-Liebermann, 4 Boys Bathing,” 
Eneleherh ..-2.----2 ener ey eerste 
206—Liebermann, M., “Mending Nets,” 
Schultheis 
207—Liebermann, “Potato Harvest,” i 
REE SLCUAGR Rite ciicd cee Ses ow ee ele eis woe 
eee, H., “Portrait of Thomas A. Edi- 
Pike Kegereiss 
209—Lund, He, “Portrait of Theodore Roose- 
velt,” D: (Charles 
\ 210—Menzel, ‘A. y., “Das Letzte,” F. Draz. 
211—Meid, + “Unter den Linden, Berlin,” 
Miss P. ‘Cohen 
212- Mallets Ji F., 
eed 
-213—Millet, ee Bis 
row,’ * Otto. Gerdau Co 
-214-—Munch E., ‘““Head of Girl,’’ D. Charles. . 
_|215-—Rennell J., “London from My Window,” 
R. Lorenz, Agent 
(es peta f.8 7 Land Trinity 
We. 


PAV omar Churning,” 


Building,” 


at ary 4 


ae vennel Z 
N. ee Lorenz, Agent 
, J», “Palisades and Palaces,” 


Se SL a a aa ; 
Church from River,” 


Shiels a ew a a eee ee 


ug Lorenz, PROCITE cs we one 2 oops se ele ns 
flamers ie ien Square,” Mrs. J. 
Abraham ene aay Sigal > iene 
(223—Rembrandt, ‘‘Negress Lying Down,” W. 
Teehiiney ....- serene eee serene 3 
224—-Schinnerer, as “Ter Teich Bethesda, 
eee WISECHIG Gas 6 Glee sw ais vee 
‘225—Slevost, “Georgiritter Attending 
Mass,” ae Retilaea Eaten ete 6. pono 0! om 


226—Slevogt, M., “L’ Andrade as Don Juan,” 
Wm. Kindermeister 


Ls Ay 7 


ats Biss ew pres, sve be 8S 


: sf 2302-Whistler, es 


~ 


| 233—Zorn, A, L., 


227—Struck, Ei, “‘Jeeishe Rabpiee B,. Erders ee 


hei 

228—Struek, , “New York from East River,”’ 
W. Fitzgerald 

‘| 229—Struck, H., ‘“‘Schierke in Winter,” O. Gor- 
au. © 

; a eann Drouet,” 

Gs Ly Baldwin 

231—Whistler, J. A. M., 
win 

232—Zorn, 
bus,” 


; ., ‘Interior Parisian Omni- 

David Keppel 

“Toast,’’ David Keppel 

234—Zorn, A. L., “Sunday Morning in Dal- 
arne,” David Keppel 

-235—Zorn, “Night Effect, 
Rouillier 


Rarisee 


237—Zorn, A. L., ““Hon. Grover 
Seaman, Agent 

238—Zorn, A. L., “Zorn and His Model,” Sea- 
man, Agent 

239—Zorn, 


Cleveland,”’ 


243—Zorn, ost “ida 1). Charles 
| 244—Zorn, A. L., ‘““Mending,” D. Keppel 
}245—Zorn, A. L., “Auguste Rodin,” 


enz, A'gent 
| 246— Zorn, Ns Ey “Sandiamn.” A. Rowillier.- 
”“Cercles d’ Kau,” R. Lorenz, 


247 ZL Ofte An) We, 

Agent 

248—Zorn, A. L., “Edo,’”’ R. Lorenz, Agent. . 
“Precipice,” D. Keppel... 
“Two Bathers,’” M. L. 


249—_Zorn, A. L., 
250—Zorn, A. L., 

linek 
251—Zorn, A. L., “Wet,” R. Lorenz, Agent.. st 
252—Zorn, A. Ie, “Dagmar,’ 18a Lorenz, ses oes 150.00 | 
253—Zorn, A. i Ser “Frightened, aR: 

Agent 

Lei; Az L., “Girl’ With Flair Ribbon,” 

W. Fitzgerald 

A. L., “Vallkulla,’ F. S. Oppen- 


| 254— 
| | 255—Zorn, 

Peking? IR. oretiz, Agent. 4 
, “Seaward Skerries,” 


“The Letter,’’ Edwin cn hed 250.00 
oat lve > Ve Se ee - 110.00 | 


967 Zorn’ 
| glehart 
258—Zotn, A. L., 
259— Zorn, A. we 

$ 10,285.00 | 


139,335.00 | 
| 2nd Sessi 68,625.00 


$218,245.00 
320.00 | 


$217,925.00 


tome 


Loss on 3 pictures resold 


Final Grand Total 


re 


+ 


—* ma : 


r E ‘6 


$109,585 on inst NIGHT 


“ ae pees Rectiteaees art sale which 
‘began last night in the ballroom of the 
Plaza Hotel under the ‘auspices of the’ 
n Art Association crowded that 
to the limit with all the art en-. 


ists: in town and many who came. 
‘0 a distant cities; ~~ 
at was the first such sale of the. 
‘and the partisan) audience, as 
poll increasingly evident each year, 
betrayed much interest inthe pictures. 
“by Americans. A Corot landscape last 
hight brought $10,200, and a Monet | 
sold for $9,300, and a Zorn. for $7, 000, ! 
‘put after an American picture sold for 
,000 or more Mr, Kirby always had to | 
rap for order before the sale could pro-| 
S-eeed,. 
The Twachtman landscapes sold to) 
‘Knoedier & Co, for $4,350 and $3,300, 
which indicates that this excellent. 
vAmerican impressionist is looming 
head; a J. Alden Weir aban i 
rought $2,000, a Childe Hassam $2,2 
adJ. Francis Murphy $4,950 and a esha 
ing $3,400. 
it is understood that Dewing’s “Lady 
in Black and Rose’’ went to the Pitts-— 
urg Institute, since it was purchased 
Director Beatty of that institution. 
rt. Beatty also gave $1,200 for the W. 
L. Métcalf landscape and $1,550 for W. 
. Chase’s big fish picture. Joseph 
Breck of Minneapolis bought the large: 
. udin painting of sea and cliffs for 
4100, and A. Augustus Healy of the. 
| ooklyn Museum got an Alden Weir | 
‘landscape for $725. 
The total for the eighty-four pictures ' 
was $139,335. | 
The list of pictures with names of 
‘artists. and buyers and prices follows: | 


“4I—Thomas W. Dewing, ‘‘The Mu- 


' 
i 
Ga 
f 


Ve sician,’ Ralph H. Booth..... $260 | 
fe 2—Thomas W. Dewing, “Girl Play- 
oe: aad the Lute,’’ Mrs, Hugh Mur- ee ; 
| OME coin tad bh wisn a fim ose Ale g wisi de ow | 
| 4—Arthur B. Davies, “At the Water- | 
; ; pe (ges. Ca Bener: ar ks YS enn Ta 560 | 
| ea Dearth, ‘‘flecks of Foam,’’ } 
EB. Pts CTH OUIG... « SS e tee ieia $75 
| €-Childe Hassam, “Dryads,” Myla: i 
i POT IAMUO ne he ep alan aa ia aiig-ivie ie fv! 625 
) %—-George Hitchcock, ‘‘Flowering 
; Stotiand.?? “6. Dubois, esos... 225 
| §8—J, Alden Weir, ‘‘Moonlight,” aA. , 
Bes SAGAS Pye he aida es < xis Sain een 
| 9—Theodore Robinson, ‘‘In the Or- 
\ Pastis, D. CHaPles 7.2 tatvag esa e 450 
| 310—T. W, Dewing. ‘Lady in Black 
lara and Rose,’ Jno. W. Beatty.... 3,400)! 
baie—Ohilde  Hassam, ‘“‘Sunset,” |C. | 
{ RPTL SOAS a 0 555g Weyer 4 bm ctntele,s Pee §25 « 
| 12—-Winslow Homer, ‘‘Rocky~ Coast,”’ 
rey SR eae pry es) Ty tae) |e) «Je aida oleae 6 (ee ala 1,600 
13—Louis Kronberg, “Ballet Girl in 
iat ee, CHGPIOS 6p. 2 aos alata $75 
'44—Childe HMassam, “Morning:  Se- 
i Mai SEES own, coe ee ote 625 
\35—F. Cc. Frieseke, ‘in the Door- 
\ wav.” William Macbeth....... 575 


f, fo Seite Blake ey 4 
wl Dougherty, ae ie ide 
Holland Galleries......5.0.0.2% ey 0) 


* 


P2106 RFs ale ie er aie” 6 Sie, ee! e. Alps ee 


“Leda andthe 
“Swan,” ne Dubois Bar ss: sul ese eats 2,000 


iloalt Pa eae 125 
24a. a, Twachtman, “Water Fall, Bid) 


Yellowstone .Park,’’ M, Knoed- 


POTS PRC UCOE Yay ee Vix ake side A 3,300 
85—Childe Hassam, ‘‘Brooklyn Bridge... / 


ed Winter,” Mr, Rudert, 
ca k Mera Url Mere ary rere Mal WA eA art RE 2.225 
2627, “aapa Weir, “Midday,” ‘AS, 
tf age TN OLS [et ta! S Patine 3,000. 
sier. Francis Murphy, “Tandseape, * 
Charles Lansing Baldwin..,... 4,950 
28—J. Henry "Pwachtman, — “Wiid 
Cherry — Tree,” M. Knoedler, 4 
BS OOS ch] OER RV. erg RES te a 4,850 
| 29-——-Allen Tucker, “Corn Stacks,” D. 
| CHEPIES htt oe Bod ae. ee ee 200 
80——Leon Dabo, “Hvening on the Hud- | 
son,’’ Holland Galleries... .2 0. 875) 
$i—Leon Dabo, ‘The Palisades, Hud- 
son River,” A. Barton Hep- 
} 8 08 2s a ere ays frees ARs NO Wea pints aay 2s 425 
$2—Richard FE. Miller. “Summer 
Reverie,” Detroit Museum. .... 875 
| $8--W. M. Chase; ‘English Cod,” 
Ona We WB eeita yin ay Ge eee 1,550 
| 84---W.. EH, Schofield, “A. Pennsylvania | 
BKarm,”’. D. Charles wnt Sais Ror as 476 
85—Prof. Carl von Marr: ‘‘Portrait- of 
Prince Luitpold of Barvaria,’’ 
Oe DUD GISH alee ala ere ees eens 475 
&6—IF'rederick Jp Waugh, “Sea ; 
and Foam,” Miss R.’°H:. Lorenz, 
HALO TAB it piel se aoa oe eae Caen ras 1,200 
87—hH. W. Redfield, “December,’’ 
| D7 SCM Arles) 2icaeare se ee eae tes 750 
| $8—-Ernest Lawson,’ ‘Road at the 
‘Palisades,”’ Knoedler: & Co. V25 
3a3-—George W. Bellows, “A Morning 
Snow,’” Dy Charles. 04405 a ia iL OD 
|} 49-—Alfred Stevens, Ca cab M. | 
. Knoedler’ & CoO. ares 500 | 
41—-+H: Harpignies, “Rrench  Dand- { 
| scape,” A. Rudert, agent...... 200 | 
42—-Bdouard Lepine, “Le Port | 
WAnderine,’ W. W. Seaman, 
7 heat y 1) MeO ARIAL Hae crease) SAAD i Seoe $25) 
(48 —Henri Fantin-Latour, “Aurora,” tee 
R. H. Lorenz, ABONt. «ee. eee 500 
44--Hdgar Degas, “Ballet” Girls 
Dressing,’ Knoedler, & Co... 900) 


146—c. EH. Jacque, “Man Driving 


Caws Dei Charles's gi wwe sr ates 500 
46—Camille _ Pissarro, ‘Wnfants -a © ge 
Table,”’. Robert Glendenning... 664 


| 47—Henri F: faune Latour, ‘‘The Chat: 
; Tivo Women in a Wood,” CNN 


| Kraven aar aise cer ve cas ere eos 700 
48—Eugene. L. Isabey, ‘“‘After the 
Storm,’ Holland Galleries. ...) . 376 
1 49—Alfred Stevens, “‘Vue de Treport,”’ 
“Knoedler &)-Co ov. ahs eee hee 450 
| 60—Eugene  Fromentin, “Algerian 
| Washerwomen,” Hugo A, 
BOOMER OSL bea asin srerne «he nna ra Thi 7715 
| lJ; Cc. Cazin, ‘4a*he* Harvesters,’’ y 
WW amore ae eee 1,700 
52-—-N. V. Diaz, “Enfant au Chien,’’ 
W. W.. Seaman, agent........, 1,526 
| §8—Gaston La Touche, “The Honey- 
moon,’ A. Rudert, agent..... - 7,760 


| §4—-Gaston La Touche, “Petit 
Souper,”” A, Rudert, agent..... 1,100 
| §5-—Pierre Auguste Renoir, ‘Baig- 


neuse,’”’ M. kL, Fellineir piso. hake 4,950 
66—Henri Fantin-Latour, “Still, Life: 
Flowers,’’ Knoedler & Co..u... «850 


67—J. Bi .C.. Corot, “Environs ~ de 
Beauvais,’ Mrs. Hugo Reisinger.10,200 
68—Eugene Boudin, ‘‘Le Port de 
chen Valery,” Mrs. Hugh Mur- 


EY wen ho decane, AAS le, ANd go ele 875 
59-—Frits Thaulow, “Scene in Vens 
ice,’’ O, Bernet, agent Se A ‘ait 1,000, 

| 60—Alsred Stevens, “Tn Deep 
Thought,’ Knoedler & Co..... 1,200 
61—Pierre Auguste Renoir, “Young 
Gish? Durand HRuey ssc 1,050 
62—Camille Pissaro, “Place de la Re- 
publique, Rouen,”’ Durand- 
Peep ah ys hak ws as GS 1,850! 


638—-H. G. Edgar Degas, “Danseuses: 
Robes jaunes,’” Durand-Ruel.. 6,300! 
( 64-—Alfred Sisley, “Noyer a Veneux- ay 


Nadon.,”’ Durand-Ruel a ex Ws Bo hag 2.000 
65—-Leon L’Hermitte, “‘Harvesting,”’ 
Ss BRernet, agent.c1 --- ssaesowe 1,900 ' 
66—Eugene Boudin, “Cherbourg,” : 


W. W. Seaman, agent.......2 1,100 | 


kee sar 
fale 


Peewee a ts oD; 


ee 


~ Mrs. Hhigo “Roisin 
ig: Rig - 5 
3 Pt 1 POU eK Fo, ae 
eh Ponts. aS oseph. ia 


coat ‘“Dryades,” : Wo We 


be nae 
+ . f 


: | 
Philharmonic Conductor a 
tive Bidder on German | 
Art Works. : 


$8,200 18 LEADING PRICE 


Reisinger art sale, conducted last night 
by the American Art Association in the 


| ballroom of the Hotel Plaza, brought for- 


‘ward the German works that Mr. 
had intended selling in Berlin, 
‘and also English and Dutch paintings. 

There was a great deal of curiosity 
jin advance as to the outcome, because 
| most of the artists were only slightly , 
‘known here, and almost none of them | 
had auction records. The Boecklin “Girl 
at the Spring” was purchased by Mrs. 
Hugo Reisinger for $8,200, the leading | 

price of the evening. 
| Josef Stransky, the leader of the 
Philharmonic Orchestra, and a noted! 
jamateur of German art. was one of the 
rincipal buyers, getting the “Actor” by | 

1 for $4,100, a still life by Schuch | 
| for $3,100 and Lieberman’s “Polo Play- 
ers’ for $1,250. 

There were other good prices, but upon | 
ithe whole there was nothing like the| 
Velectricity in the air that occurred dur- 
ing the previous evening when the Amer- . 
ican pictures were disposed of. The total 
for the evening was $68,625, making 
the grand total $207,960. Of this total, 
the sixty-four paintings that were to 
have been sold in Berlin brought $50,280. | 


| 
. { 
The second session of the Hugo | 


en meee en 


‘the landscape by Wilhelm Trubner, for 
| which. ‘tne alse paid $1,100, was in 
violent greens and might almost be 
classed as “modern art.” 
The list of pictures with titles, narnes 
jof buyers and prices follows: 
35—J. Ae shi ee eee “In of 
and,” Jose OL gx hone 
86—-Hendrick Valkenburg, Oetosgia ‘a y 
Scene,’’ L) ¥ t +n oe 20 
8%—J. H. van Siaptenbrock, “Sum - ' 
a Afternoon in Rotterdam,” 


\ 


tall ie ye ps ee aoe ee Cd Sa eD 
4 $8--J. B. Jongkind, “Marine,” D. | 
Cig kins woke seg Oe 


Charles 
oF es Maris, “Ducks,” ‘Knoedler 
‘| 80—Anton Mauve, “Bleaching,” D. ; ; 
PROS his Satake, oP adie dled oe aoe 1,700) 
$1—H. Van de Sande-Bakhuysen, _ 


“Landseape; Leading Home 
the Cow,” C. ica rey oe 
91A— Jozef Israels, erties x gs 
| Wacker ; Flieryets ee 
| 92-—Theophile de Bock, “Landscape 
at Twilight,” F. Kleinberger.. 160 
i 93-—Jacob Maris, “The Young’ 
Artist,’’ Knoedler & Co...... 2,5 00! 
$4—Jan van Essen, hg. wick see Dy? 
guide (ip tia Ow ai ated PO tee 3 
i $§—J. H, van Mastenbroek, “Harbor : 
of Rotterdam,’’ Alfred Rau. 250 
| 96—H, W. Mesdag, ‘Marine,’ C. 


Dubois SAW ig OS Ae Lows 40 
67—Mme, S&S. Mesdag van Houten, 

“In Gelderland,’ R. Duden- 

Bing: G27 ORs aan Scie ere ea 80 


98—-A, I. John, “Girl on Welsh 
Mountain,’ dsnoedler & Co... 1,050 
$9-—-John Lavery, 


Young Woman,’ W. W. Sea- 


“Afternoon in the 
: Woods, ¢Tangiers,” oC. 0 OW. 
( EYAUBV aay i iG, a veneer aleans ike 625 
'} 100—Robert Gregory, ‘‘Landscape,”’ T. 
| MO Wards. 155.0 's'x.9 suas ae 126] 
i Rae ere Sauter, ‘Frost and Fog,’’ 
| W. Seaman, agent BTS NG 200 
i 102-—-Frank. Brangwyn, “Venice,” R. 
H Hy Leven’, “ee ent Poeun an 2,150 | 
! 403—Grosvenor Thomas, ‘‘Landscape,”’ 
if Ge Sabo ley cy ee ea er ae 700 
i 104—-Antonio Mancino, “Prof, M. 
i with Halo,’ Detroit Museum,. 750 
105—Carl Larsoon, “Girl Reading,”’ 
Seymour Rosedale,........5.. 226 
| 167—Joaquin Sorolla, “Water Joy,” 
Kinoedien ee: Ge ore sae 3,300 
108~—-Gotthard Kuehl, “View Through 
a Window,” D. Charles....... 130 
109—Karl von Gebhardt, “Head of a | 


| THON: HABSNG yale tise ase a Fey aiesaaah ap 199 
'1 110—Ernest Adolph Meissner, ““Ram’s i 
Head,” 0. C. Seyfarth 4 oars gare 60 
|| 111—-Albert von Keller, ‘“Nude,’’ Oscar 
DTessier jis eee Sak ky eee ee 170 
112—-Adolf von Menzel, “Man Read- | 
ing,’ Joseph Stransky ... 44... 700 | 
118—-Paul Rene Reinicke, ‘Cathedral 
in’ Seefeld,” R. °-H. Lorenz, | 
BODES sienik 6s oN wep le ATER ed Ren 375 
114—-Hans von Barteis, “On the Way i 
to Mara&et,” ©. C. Seyfarth. 275 | 
115—Otto Piltz, “Old Woman Drink- 
} ing Coffee,” Joseph Huber. 150 
116—Mihaly de Munkacsy, Ve Study of 
a Head,” FU Kleinberger.. 380 
117—Max Liebermann, “Polospiel,”’ 
Joseph Stransky Py trate She aie 1,250 
118—Edmund Harburger, “A Divine 
Drink,’’ Gustave L. Herz..... 150) 
119—-Prof. Hans Looschen, “Die Blaue: 
Up, AR Bteehr eee, 110 
120—Prof. L. von Hoffman, ‘Nude in 
. Open Air,” T. Hdwards. 100 
4794——-Carl Holiman, “Surprised, ° 
A GOD NM ay Si. i565 s'5.y seweee tos 5 
1422—Johann Sperl, ““Mountain, Land- 
| scape,’ M. Denhory. evn 280 
128—Angelo Jank, “Horse Race,” H. 
BW HATBOMC es. ae bees we 300 
'424——bh, L. Ostermayer, “The Oriental 
Musician,’ F. N. Marburg.. TO} 
ia96—Gotthard Kuehl, “Salon Beke," 
DS VESTA i bie ba glen Be Bi 426 
l49¢—Franz von Stuck, “Teasing,” C. 
TrPpOle iio sb on bes Cea oe Se 950 
io7—Prof. Arthur Kampf, Spanish 
Dancer,” H. FY Alpert... oo 130 
128—Felix P. Bracht, ‘‘Landscape,”’ 
PAO TRIE NEQAD «550 Be din fala. ef ky er ailareeale 3.25 
129-——Prof. Max Klinger, ‘‘Landscape,”’ 
PPRAGL SEPAUSS 6. ae ee ab oe ee ace 210 
180—Gustay  Schonleber, “Colmar 
Taamdscape,’’ Maurice Denhof, 600 


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ay "olds t 


ere eee 


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ee ee 


Lee 3 aepde - Ban's 
re -¥ ; 33 na 

Bs | aaaset Terrace es "on the Elbe, 
Ae haar “Hamburg,” T. Waller- 
eh Johann Bibel, Country 
Coming from Market,” 


ee © wees 


166-1 


ee sheese 
srr tem eae ew ee 
ae 


oe ee ee 


A! 1a 
alther Taliticow. 


? “Danish 
uf ndscape,” hats Stransky. 
les ‘Landscape,’”’ 


see ewe hore eee es 


. BE. Stoehr 

162— f. Adolf Munzer, “Girl with 
p A. Deutsc 
‘164—with thelm rubner, “Castle Heims- 
bach,” Maurice Denhof...... 
pital tt Crodel, “Mountain Village 
in Winter,”’ Minneapolis 
Rrngeum of Art... 3. cess 
ee-—vine Hubner, “Marine,” M. L. 


461—al tea” "Stone SA RS RT Se 


hrbutter, “Nude,” Dr. 
Sn Aas ood von 


+4 ee wweane 


EEA Oa RoC 
Habermann, “In 


the Studio,’ Metropolitan 

; See ORE «) 2 6 of a es anlar am 
/169—Prof. ranz von Lenbach, “In 
t _ wcnaries West...... 


\470-—Heinrich Johnonn Zugel, “Sheep 
Homeward Bound,” H. £. 
MRS A eked Ship ad ns Acd\a) aber d wise 
171—-Heinrich Johonn Zugel, “Sheep 
eee " reer es’ H. &E. 


ee 


i 
| 


ie 1 
hann eaigei “Oxen,” 


$950 PAID FOR ZORN WORK! 


last night, the water colors and etchings: | 


The final session of the sale of the; 
Hugo Reisinger art collection was con- | 
ducted by the American Art Associa-{ 
tion in their galleries on Madison Square | 


béing offered. 
“The audience was a large one and, as 
before, many dealers and connoisseurs | 
from out of town attended. The bid- | 
ding was brisk and the prices were good, ; 
though net particularly sensational. The! 
Zorn etchings were the feature of this 

division: of the sale, and one called the | 

"The Toast,” a brilliant impression from 
this well known plate, brought the best ; 
price of the evening, selling to David} 
Keppell for $950. Joseph Breck, of the |. 
Minneapolis Institute of Art mind seve 
eral i ie pe # 


Wehinh ‘halen a grand total for the 
inger collections of $218,690. It§ 
remembered as one of the most int 
ing art sales of the winter. * 

The list of art works sold last. 
with buyers and prices, follows: 


; WATER COLORS. } 
180—Gustay Schoenleber, ‘Autumn,’ i 
phe Wallersteen. Pi lget 4 ho Re Le $160.) 
184--G, Kuehl, “Augustus Bridge in 
Dresden, ” Henry Schultheis. 180 
486-—F., Arntzenius, “Street Scene,” 
OC. Bevgarth. /\cueraaoes 110) 
187—S. Simoni, ‘Cavalier and Jester,” 
Pranois®. Drag ova eee 13¢ 
189--C, Van der Windt, ‘Farm j 
House,” Q. C...Seyfarth..... 119 
A190—Arnold Mare Gorter, ‘‘Novem- 


ber,” Charles Bngelhart...... 13 


“Ag3--F,. Arntgenius. Haase and 

Horse,” T..” Wallersteen, Sd En 
194—James G, Laing, *The storm at 

Sea,”’ Joseph ‘Breck. ...5..3 4% 130 
i HWTCHINGS. | 
°199—-Sir Francis Seymour Hayden, i 

“Sunset in Ireland,’ . Albert } 

Pec hed ui cic le dw asanetaeeea ale 425 
'16—Joseph Pennell, ‘London from { 

My Window, » Miss R.. He i 

Lorenz, agente ys ai demas 110 
$31—w histler, “The Forge,” Charles 

te Baldwin HOLDS vere ape mr gn yah Me 200} 
“ 232-——-Zorn, “interior of a Parisian | 
3 Omnibus,” D, Keppell....... 600} 

233—~Zorn, “The Toast,’ D. Keppell.. 950; 
e84--Zorn, “Sunday Morning in 

Dalarne,’ D. Keppell san sete 175 
235-——-Zorn, . ‘Night Effect, Paris, 

Albert Rouiilier PEAT EAL SABER 124: 160 
936-—-Zorn, ‘Augustus Saint-Gaudens,’”’ 
} Dd. Charles ARAVA MLL: Sera A age, 15) 
'287—Zorn, “Hon. Grover . Cleve- 

land,” W. W. Seaman, agent, . 120 
meer aces “Jorn and His Model,’’ 

Lie WW SRC TIA. Thy ROME oi 4 re nella 385 


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4 Mwachiman’s YW at ; 
: Landscape, 3 1». Prapcie® 3 
7 Pe B4:0%0 to Charles | “ity 
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A ae Sis se We 

NotHInG so far in the art season has 

transpired of such interest as the dispersal of 
the Hugo Reisinger collection. 

A feature of the sale was the high prices paid 

for the American pictures. J. H. Twachtman’s 


Wild Cherry Tree brought a record auction price 


for works by that artist, M. Knoedler & Co. 
paying $4,350. The same firm paid $3,300 for 


| Twachtman’s Water Fall, Yellowstone Park. 


Landscape, by J. Francis Murphy, went for 


$4,950 to Charles Lansing Baldwin. A collector 


represented by M. Rudert paid $3,225 for Childe 


Hassam’s Brooklyn Bridge in Winter. 


victoire pour l’art francais. On 
‘a juger par les détails que voici: 


ait représenté par un tableau, Jes 
le Beauvais, qui, a la vente de l’ate- 
aitre, en 1877, avait fait 1,850 francs... 
0, le tableau montait 4 8,050 francs ; 

sndu en 1907 pour la somme de 20,000 fr., 
, été autre jour adjugé $1,000 francs. 
laude Monet figurait avec deux tableaux : 
@ Etretat, adjugé 37,000 francs, et Wa- - 
? Bridge par temps gris qui, acheté . 
aa eae 1907, fut adjugeé 46,500 francs. — 


b 

6,000 francs en 1806, ; 
- La femme a la cheore, de Pissarro : payée 
| _§,000 francs, en 1907 : adjugée, 25,000 francs ; ; 
Les Danseuses en robe jaune, de Degas, 20,000 ° 


rancs. Et parmi les autres tableaux francais: 
Etretat, par Boudin, 20,500 francs; Le port. 
de Saint-Valéry, étude par le méme, 3,375. 
francs; Cherbourg, par le méme, 5,500 
francs. . | 
| Fleurs, par Fantin-Latour, 4,250 fr.; Petit. 
: | Souper, pat La Touche, 5,500 tr.; Jeune fille,- 
| petit tableau, par Renoir, 5,250 fr.; Place de 
| la République, a Rouen, par Pissarro, 9,250 
francs ; Bords du Loing, 20 Sisley, 10,000 fr.; 
la Mozsson, pastel de Lhermitte, 9,500 fr. ; 
V’Octroi @’/ssy, par Cazin, 11,500 fr.; les 
_Moissonneurs, par le méme, 8,500 fr.; Le 
Tréport, par Raffaélli, 18,125 fr.; une Cathe- 
drale, par le méme, 6,250 fr.; Ja Tempéte, par 
Jules Dupré, 9,500 fr.; /es Dryades, pastel, de 
René Ménard, 5,125 fr.5 Je Port, par Lépine; 
4,125 fr.; un Ballet, pastel, par Degas, 4,750 
francs ; un Enfant au chien, par Diaz, 7,725. 
francs, etc. wah “tg 


i ; 


: 
: 
i 


~ Renoir fut fété avec sa Baigneuse qui,, 
_achetée 10,000 francs en 1907, tut adjugée 5 


Be Une autre Baigneuse, de Ziem celle-la, eut 
cag he a 35,000 francs, apres avoir fait” 


ee en 1909; ala vente Reisinger, 31,000 * 


! 


ed dec abicaus 


7" presque vide; un seul’ 
ullemand était venu de Munich, 
1 présence fut impuissante A galvani- 
t les enchéres, ainsi qu'on en va juger :’ 
wer, de Menzel, acquis en 1907, a7 
fort, pour 20,000. francs, adjugé 45200 | 
En extase, de Lembach, le peintre. 
é de Bismarck, acheté en 1905, a Mu- 
0,000 francs, adjugé 13,500 francs ; 
yleau d’Alfred Mohrbutter, payé 10,000 
; dans une exposition officielle dart. 


Berlin, adjugé goo francs. caer i 
Et Max Liebermann, que les Francais ont, 
un temps, et qui ne craignit pas dese. 
éshonorer en signant l’infame et sot mani- 
des intellectuels boches! ses Joneurs’ 
Polo, achetés 30,000 francs a Berlin, ad- 
gés 6,250 francs ; son tableau, Aw bord de 
la mer, payé en 1912, a Munich, 40;000 francs, | 

jugé 6,800 francs. ; es . 
; Sst tableau de Munkacsy, morcéau de son. 
Dernier jour dun condamné, payé en 1890 
/ 30,000 francs, adjugé 2,000 francs pour le 
compte dun marchand autrichien. On en’ 
pourrait citer d’autres encore: mais, ainsi’ 
“quil apparait nettement, chez les Boches, il 
n’y a pas que le mark qui subisse des fléchis- 


psements, — 


De cette vente qui fut, je le répéte, une 
-yictoire pour l’art frangais, et d’autres. 
ventes dont nous n’avons pas la place de 
nous entretenir ici, il faut que H Com- 
pagnie des Commissaires-priseurs retienne 
un enseignement, ou quelle y puise un 
regain d’émulation. Certes, tout le monde 
gait — demandez-le donc aux courtiers as- 
sermentés —- que le marché de Paris est. 
loin d’étre endormi: ce qu’on y vend ‘se 
yend trés bien, Alors, il conviendrait 
peut-étre de faire montre d’un zéle plus 
ardent, pour neé pas étre submergé ie 
une besogne, 1m ossible a accomplir, 
lorsque la paix sera‘vente. wee 


Valemont. 


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ON FREE PUBLIC VIEW 


FROM 9 A.M. UNTIL 6 P.M. 


AT THE AMERICAN ART GALLERIES 
MADISON SQUARE. SOUTH, NEW YORK 


FROM THURSDAY, JANUARY 1[3th, 1916 
| UNTIL 
THE. MORNING OF THE DATE OF SALE INCLUSIVE 


THE PRIVATE COLLECTION 


OF THE LATE 


HUGO REISINGER 


OF NEW YORK CITY 


TO BE SOLD 
AT UNRESTRICTED PUBLIC SALE 
ON TUESDAY AND WEDNESDAY EVENINGS 
JANUARY 18th AND 19th 
IN THE GRAND BALLROOM OF THE PLAZA 


FIFTH AVENUE, 58th TO 59th STREET 
AND CONCLUDING ON THURSDAY EVENING 
JANUARY 20th 
AT THE AMERICAN ART GALLERIES ~ 


BEGINNING EACH EVENING AT 8 O’CLOCK 


ILLUSTRATED CATALOGUE 


OF 


THE VALUABLE PICTURE 


BY 


FOREIGN AND AMERICAN MASTERS 
COLLECTED BY THE LATE 


HUGO REISINGER 


TO BE SOLD 


AT UNRESTRICTED PUBLIC SALE 
ON THE EVENINGS AND AT THE PLACES 
HEREIN STATED 


BY DIRECTION OF 
KUNO FRANCKE AND FREDERICK DESSIN, EXECUTORS 


PURSUANT TO ORDER OF SURROGATE COHALAN 


MESSRS. WETMORE & JENNER 
ATTORNEYS FOR THE EXECUTORS 


THE SALE WILL BE CONDUCTED BY 
MR. THOMAS E. KIRBY 
AND HIS ASSISTANT, MR. OTTO BERNET, OF 
THE AMERICAN ART ASSOCIATION, MANAGERS 
MADISON SQUARE SOUTH, NEW YORK 
1916 


THE AMERICAN ART ASSOCIATION 
DESIGNS ITS CATALOGUES AND DIRECTS 
ALL DETAILS OF ILLUSTRATION 
TEXT AND TYPOGRAPHY 


CONDITIONS OF SALE 

1. Any bid which is merely a nominal or fractional advance 
may be rejected by the auctioneer, if, in his judgment, such bid 
would be likely to affect the sale injuriously. 

2. The highest bidder shall be the buyer, and if any dis- 
pute arise between two or more bidders, the auctioneer shall either 
decide the same or put up for re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the pur- 
chase money as may be required, and the names and addresses 
of the purchasers shall be given immediately on the sale of every 
lot, in default of which the lot so purchased shall be immediately 
put up again and re-sold. 

Payment of that part of the purchase money not made at 
the time of sale shall be made within ten days thereafter, in 
default of which the undersigned may either continue to hold the 
lots at the risk of the purchaser and take such action as may be 
necessary for the enforcement of the sale, or may at public or 
private sale, and without other than this notice, re-sell the lots 
for the benefit of such purchaser, and the deficiency (if any) 
arising from such re-sale shall be a charge against such purchaser. 

4. Delivery of any purchase will be made only upon pay- 
ment of the total amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 
9 A. M. and 1 P. M., and on other days—except holidays—between 
the hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American 
Art Galleries, or other place of sale, as the case may be, and 
only on presenting the bill of purchase. 

Delivery may be made, at the discretion of the Association, 
of any purchase during the session of the sale at which it was sold. 

5. Shipping, boxing or wrapping of purchases is a business 
in which the Association is in no wise engaged, and will not be 
performed by the Association for purchasers. The Association 
will, however, afford to purchasers every facility for employing 
at current and reasonable rates carriers and packers; doing so, 
however, without any assumption of responsibility on its part 
for the acts and charges of the parties engaged for such service. 

6. Storage of any purchase shall be at the sole risk of the 
purchaser. Title passes upon the fall of the auctioneer’s hammer, 
and thereafter, while the Association will exercise due caution in 
caring for and delivering such purchase, it will not hold itself 
responsible if such purchase be lost, stolen, damaged or destroyed. 


Storage charges will be made upon all purchases not removed 
within ten days from the date of the sale thereof. 

7. Guarantee is not made either by the owner or the Asso- 
ciation of the correctness of the description, genuineness or 
authenticity of any lot, and no sale will be set aside on account’ 
of any incorrectness, error of cataloguing, or any imperfection 
not noted. Every lot is on public exhibition one or more days 
prior to its sale, after which it is sold “as is” and without recourse. 

The Association exercises great care to catalogue every lot 
correctly, and will give consideration to the opinion of any trust- 
worthy expert to the effect that any lot has been incorrectly 
catalogued, and, in its judgment, may either sell the lot as cata- 
logued or make mention of the opinion of such expert, who thereby 
would become responsible for such damage as might result were 
his opinion without proper foundation. 


SPECIAL NOTICE. 


Buying or bidding by the Association for responsible parties 
on orders transmitted to it by mail, telegraph or telephone, will 
be faithfully attended to without charge or commission. Any 
purchase so made will be subject to the above Conditions of Sale, 
which cannot in any manner be modified. The Association, how- 
ever, in the event of making a purchase of a lot consisting of 
one or more books for a purchaser who has not, through himself 
or his agent, been present at the exhibition or sale, will permit 
such lot to be returned within ten days from the date of sale, 
and the purchase money will be returned, if the lot in any material 
manner differs from its catalogue description. 

Orders for execution by the Association should be written 
and given with such plainness as to leave no room for misunder- 
standing. Not only should the lot number be given, but also the 
title, and bids should be stated to be so much for the lot, and 
when the lot consists of one or more volumes of books or objects 
of art, the bid per volume or piece should also be stated. If the 
one transmitting the order is unknown to the Association, a deposit 
should be sent or reference submitted. Shipping directions should 
also be given. 

Priced copies of the catalogue of any sale, or any session 
thereof, will be furnished by the Association at a reasonable charge. 

AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


ie fy 2 ‘ 


FIRST EVENING’S SALE 
TUESDAY, JANUARY 18, 1916 


IN THE GRAND BALLROOM OF 
THE PLAZA 
FIFTH AVENUE, 58rx ro 59rx STREET 


BEGINNING AT EIGHT O’CLOCK 


AMERICAN ARTISTS 


ob” Thomas W. Dewing, N.A. 


AMERICAN: 1851— 


1—THE MUSICIAN 


2 es (Pastel) Malfth 4. Kitt, 


mn 
Height, 1014 inches; width, 6% inches 


~ Ow the end of a narrow window seat, a tall young lady 
with dark hair inclining to red is seated with her back to 
the spectator. She has turned her head to her right and 
studies a piece of music held at arm’s length, her face 
being in profile, and her left hand supports the neck of 


her ’cello. 
Signed at the lower left, T. W. Dewina. 


Purchased from N. E. Montross, New York, 1909. Vat - OIKX =- SK 


30° 
Thomas W. Dewing, N.A. 
AMERICAN: 1851— 


2—GIRL PLAYING THE LUTE 


I00 7 (Pastel) Yas ie Peep 


Height, 1014 inches; width, 7 inches 


SEATED on a piano bench, her music spread on a spindle — 
rack before her, a young lady in a bluish-green dress, dé- 
colleté, is lightly fingering a lute. She has a mass of 
warm red hair and appears in profile to the left, in a 


soft, diffused light. 


Signed at the lower right, T. W. Dewina. 


Purchased from the artist. (nt. JIx- GuXyF- 


William Samuel Horton 
AMERICAN: 1865— 


3—WHITBY SANDS 


( Pastel) hi A a 
pas 6 KI. Height, 1414 inches; length, 18 inches Me : F 


Brown sands in broad stretches reach from the fore- 
ground out into the North Sea, which in the distance 
lies seemingly flat and quiet, under a high horizon, 
while in the middleground it breaks in a low white surf 
along the beach. The beach is filled with merrymakers 
and idlers, many of them watching a group of the pier- 
rots performing on a stand. 


Signed at the lower right, W. S. Horton. 


Purchased from Messrs. Bernheim jeune & Cie, Paris, 1914. 


Ay? ' Arthur B. Davies 


5 AMERICAN: 1862— 


4—AT THE WATERFALL 


PbO Height, 17 inches; length, 22 inches 4.2 bgnw 


Povurine over a ledge of rock high on the right, and 
close to the spectator, a waterfall comes tumbling in 
white foam which fills most of the picture. On a shelf 
of rock beside it, in the immediate right foreground, a 
red-haired woman, nude, is seated on her heels, with 
elbows on knees and chin in hand, looking out thought- 
fully across the fall. 

Signed at bottom to left of center, A. B. Davies. 


Purchased from William Macbeth, New York, 1910. Vat. AXK 


ae Henry Golden Dearth 
3 AMERICAN: 1863— 


5—FLECKS OF FOAM 
F775" Height, 18 inches; length, 2114 inches a G O 


A tow, rambling, rocky coast is brilliant with spots of 
color—blue, red, yellow, green, black, pink, brown—on 
a gorgeous summer day, and a woman in white, sheltered 
under a red parasol, is seated on a rock shelf looking 
over a sea that all but laps her feet. The spent waves 
circling among outlying boulders are foam-flecked ; far- 
ther away are emerald shallows; and the distant sea is 
blue under a horizon of faint rose. 


Signed at the lower right, Dearru. 


Purchased from M. Knoedler & Co., New York, 1908.42 ~ 


—_ J 
‘y Childe Hassam, N.A. 
AMERICAN: 1859— 


: 6—DRY ADS A G 
x 
Soe Ses Height, 1814 inches; length, see WEY, uh 


LicHTty the leaves rustle on delicate ae of slender 
trees, swayed by soft zephyrs of Nature’s kindly season, 
and two young women have gone back to the days of the 
nymphs, and in the freedom of the nude sport among the 
trees along the bank of a turquoise river. They are 
climbing out of the water to a low green and yellow 
bank, and loosened leaves of varied light colors flutter 
in the air about them. | 


Signed at the lower left, Cuitpze Hassam, 1906. 


Purchased from N. E. Montross, New York, 1906. Va&. WAKA 


tact SX 
A. ae fone 


1 
p 


George Hitchcock 
AMERICAN: 1850— 


7—FLOWERING HOLLAND 


, 


Height, 17 inches; length, 22 inches  G, Lv l.46 i 


A euimpse of Holland in April, when even the soft gray 
skies of the humid Low Countries cannot lessen or lower 
the gorgeous golden-yellow, the vigorous réds and 
orange, the varied pinks and full-flushed white of the 
great tulip beds, or the luscious green of the succulent 
grasses in the meadows about them. Here, in the fore- 
ground, the tulips are white, in the middle distance they 
are golden, the blazing gold encompassed within beds 
of orange, crimson, pinks and varied yellows, beyond 
which are flat green meadows dotted with brown wind- 


mills. 
Signed at the lower right, G. Hircwcock. ' 


Purchased from M. Knoedler & Co., New York, 1907. -GRIM 4 AENXX pA 


J. Alden Weir, P.N.A. 
| AMERICAN: 1852— 


8S—MOONLIGHT 
ih wh bf ? Height, 24 inches; width, 20 inches (6.00. 


Tue full moon, well up in the sky, is visible near the 
upper right-hand corner of the picture, through the 
branches of a spreading tree, which, with those of a 
neighbor, throw a leafy screen across the heavens. ‘The 
trees grow just within a corner, and on the farther side, 
of a tall fence, or palisade, in the middle distance, and 
trees of denser foliage are in silhouette beyond them. 
A silvery greenish mist shimmers in the atmosphere 
and gives the landscape a vague, mysterious charm. 


Signed at the lower left, J. Atp—EN WER. 


Purchased from N. E. Montross, New York, 1908. Vel wry > ae 
Coacf anxy - Vel wryKX- 


Theodore Robinson, S.A.A. 
AMERICAN: 1852—1896 


9—IN THE ORCHARD 
: KO “1 Height, 20 inches; width, 161, inches y tart 


Bricut sunlight beats upon the blooming trees of an 
orchard in springtime and percolates among the blos- 
soms and tender green leaves, the tangle of arboreal 
flowers and twisted trunks and branches forming a back- 
ground that fills the upper part of the picture. In the 
foreground below, patched with sunshine and shadow 
and flecked with color, a ‘young mother, in white waist 
and pale blue skirt, is looking down upon a small girl in 
: a white cap who looks up at her. 


Signed at the lower left, Tu. Rosrnson. Y 


; ’ a fj 
Shown at Inaugural Exhibition, The Memorial Gallery, 1918. teclaatin Bey. 


Thomas W. Dewing, N.A. 
AMERICAN: 1851— 


10—LADY IN BLACK AND ROSE 


(Panel) 
AXKOO 7 Height, 20 inches; width, 15%; chet ee Kall 


A TALL young woman is seated at a light mahogany 
table, with her back to the observer, turned slightly © 
toward the right. She has been reading, but has looked 
up from her book and straightened in her chair, turning 
her head to the right so that her face is in profile. One 
hand rests on the open book and the other drops to the 
chair, which is a straight-back Windsor with spreading 
legs, painted a delicate green. She wears a black dé- | 
colleté bodice and a skirt of soft rose hue; the lght 
from the left and above falls broadly on her exposed 
shoulders, while her face is shadowed by her abundant 
dark hair. She is seen against a neutral background 
of pale olive hue above vague shadews where hints of 
color lurk. 

Signed at the lower left, T. W. Dewina. 


Shown at the American Art Exhibitions at the Royal Academy 
of Arts, Berlin, and the Royal Art Society, Munich, 1910. 


Purchased from N. E. Montross, New York, 1909. Vge. Cy xA 


oxi ttt 


HASSAM, N.A. 


 CHILDE 


kd 


Childe Hassam, N. A. 


_ AMERICAN: 1859— 
Ae, — ae 
11—SUNSET ~, | 


Height, 22 inbhes-widih, eee 
b28 37 4 Zt. Lw kyow 


A ROSEATE hue from a pale red sunset sky seems to per- 
vade the atmosphere and suffuse the face of the land- 
scape. In the background low hills or rolling fields, 
green and mottled, extend to the horizon, and at their 
foot in the middle distance a river crosses the view. On 
its farther bank, at the left, is a group of slender trees, 
just at the water’s edge, and on the nearer bank, in the 
right foreground, a similar cluster of saplings rises, 
one or two of the ambitious tops reaching up out of 
the picture. Their sparse foliage is in autumn colors 
and the haze of the season is in the air. Just beyond 
the tree clump a flat-bottomed boat is drawn up at the 
bank, long oars protruding over the stern. 


p) 


Signed at the lower right, CuitpE Hassam, 1903. 
Purchased from N. E. Montross, New York, 1906. Val WAKK 
BP 
Cr ros a 


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Winslow Homer, N.A. 
AMERICAN: 1886—1910 


12—ROCKY COAST 


(Water Color) 


/ Z, 00-4 Height, 14 inches; length, 2144 inches A Ly letto 


Tue rocky coast of Maine speaks forth with all the 
force of its own rugged vigor, and the full volume of 
the Homeric interpretation. The rocks, gray and 
brown and speckled, patched with pink and black and 
tinged with green, slope irregularly from the left down 
to the ocean, which comes into view only at their foot in 
the right foreground. Its blue waters break lightly 
there in a low white surf, and extend to a far white hori- 
zon, against which are seen the sails of distant ships. 
The sky aloft is filled with swiftly moving storm-clouds, 
blue-black and gray, and on top of the rocks is to be 
seen a fisherman or sailor, in oilskins, boots and sou?- 
wester, who has come down to the coast, and, steadying 
himself against a projecting rock, peers out to sea. 


Signed at the lower left, Homer, 1894. 


Purchased from M. Knoedler & Co., New York, 1908. Lb 1908 $ O8K- 


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Louis Kronberg 
AMERICAN: 1871— 


13—BALLET GIRL IN PINK 


S78 (Pastel) y) Uy, , 


Height, 24 inches; width, 1934 inches 


A BALLET girl in the customary costume of tight bodice, 
cut low, and diaphanous skirts, the whole costume in a 
delicate purplish pink, is portrayed in a dressing room, 
seated and completing or readjusting her attire. She 
is facing the spectator, turned slightly to her left, and 
leans forward to tie about her left ankle the pink rib- 
bons that hold her dancing slippers. 


Signed at the lower left, Louis Kronsere; and at the 
lower right is: Paris, 1912. 


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Purchased from M. Knoedler & Co., New York, ‘Soe. Ab» b YUXX- 


Childe Hassam, N.A. 
AMERICAN: 1859— 


14—MORNING: SEVILLE 
Ld) Weanles 


W 4 aC Height, 251, inches; width, 18 inches 


Tue point of view is high above a winding street, down 

_and into which the eye travels to find numerous people 
sauntering or gossiping in the. shade, the sunlight strik- 
ing down from the left and defining the shadows of the 
houses on that side upon the faces of those opposite. 
On both sides the buildings are of several stories, and 
the facades are full of color, pink, pale blue, light green, 
red and yellow. 


Signed at the bottom, center, Cu1rtpE Hassan, 1906. 


Purchased from N. E. Montross, New York, 1911. Vuk. wr) xk: 
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Frederick C. Frieseke 


AMERICAN: CONTEMPORARY 


.15—--IN THE DOORWAY 


SIS- Height, 31%, inches; width, 2542 inches 4. Iuathlls 


FuLi-LencTH figure of a round-faced young woman in 
an outdoor costume of solid blue, wearing a deep bowl- 
shaped hat of a darker, deeper blue. She stands at the 
threshold of a doorway leading to a garden, holding 
out before her at shoulder height a cage with a green 
bird, and out through the doorway the spectator looks 
upon a garden vibrating with light and color. 


Signed at the lower left, F. C. Frresexe. 
Purchased from William Macbeth, New York, 1918. Val U.ex- 


ce ee sale 


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AMERICAN: 1871— 


4 () O George Elmer Browne y 


16—SILVER MIST 


ALOO Height, 211% inches; length, 26 inches Yyyy bz, iy iS Z ’ 


Two groups of three or four very tall and slender trees, 
each, grow at either side of a road through a green 
clearing bordering a woodland. Their location in the 
center of the composition, with their branches just meet- 
ing high aloft, gives the aspect of a tall arched gate- 
way, through which the spectator looks to a full, white 
moon. <A faint mist pervades the atmosphere, and 
bathes the moonlit scene in a greenish silvery glow. 


Signed at the lower left, Gzo. Etmer Browne. 


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Purchased from the artist, 1910. WAL: 


gs Ernest Lawson, A.N.A. 


LV AMERICAN: 1873— 
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17—ABANDONED GRAVEYARD IN SPRING 


age rH 5 Height, 25 inches; length, 30 inches Wso Suuul 
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Sprine comes with glorious brightness of sunshine, and 
a vague haze only sensible in the distance, and three 
little girls answer the call of the warm air to outdoors, 
and are seen seated on the ground amid the crumbling 
white tombstones of a hillside cemetery abandoned to 
fate. Green is the grass around them and the ground 
is full of color, but the straggling trees are still bare 
and spread skeleton branches against hill and hazy sky. 


Signed at the lower left, E. Lawson. 


Purchased from the artist, 1914. 


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Willard Leroy Metealf 
AMERICAN: 1858— 


18—DOGWOOD BLOSSOMS 


Ji00- Height, 29 inches; width, 26 incre vo Badly 


Sprine is advancing in the country, the fields are a fresh 
green, and the tender leaves of the trees are stili yellow- 
ish, their full green not attained. Among a group of 
very slender, tall young trees, at the outlying corner 
of an open wood, with green-gray rocks protruding 
from the grassy carpet around them, two young women 
are seen gathering wild flowers. One, in a white waist 
and red skirt, stoops to pick some which grow beside a 
rock, while her companion, in dark dress with a blue 
apron, is plucking branches from a dogwood tree in full 
blossom. 

Signed at the lower left, W. L. Metcatr, 1906. 


From the Corcoran Art Gallery Exhibition of Contemporary 
American Oil Paintings, Washington, D. C., 1907. 


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Paul Dougherty, N.A. 
AMERICAN: 1877— 


19—THE CLEFT 


Ao ous _ Height, 30 inches; width, 25 inches bstle / y, : 


Tau brown cliffs at the seashore mount almost out of 
the picture on the right, against a turbulent sky, and 
in the distance on the left are lesser gray rocks. Up 
greenish-gray shelving strata at-the foot of the tall 
cliffs comes a rushing surf, which in the ages of attack 
has worn a huge cleft in the rocky wall. 


Signed at the lower right, Paut Dovcuerty. 


Purchased from William Macbeth, New York, 1908. 


William Samuel Horton 
AMERICAN: 1865— 


20—AIGUE-MARINE 
~ JO ¢€ ~ Height, 25 inches; length, 30 inches Mee UM Mtttih, 


EVERGREENS and trees with bare branches, all snow- 
laden, rise in a foreground garden, and in fields beyond 
a marble fence, out of a thick blanket of snow. In the 
distance, beyond a body of pale and cold green water— 
aqua-marine—lies a mountain range, snow-capped, the 
flanks greenish and purple in the cold lights. There is 
a peculiar, aqua-marine radiance over the whole. 


Signed at the lower left, W11t11am S. Horton. 


Purchased from Messrs. Bernheim jeune & Cie, Paris, 1914. 


Robert Reid, N.A. 
\ n/ AMERICAN: 1863— 
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ae 21—MEDITATION . 


Height, 30 inches; width, 25 inches yy) 
S002 eigh inches; wi in é th, Wp 


“On THE Water, Dreamine,” it might be called; 
dreaming with a sense of perfect restfulness and se- 
curity, on placid waters that mirror the beauties of 
nature around them and do not interrupt the silence of 
the countryside even with the sound of a ripple. A small 
stream broadens into a pool in the foreground, and here 
a blond-haired young woman, in a white waist with 
sleeves rolled up, and a gray skirt, is seated in a square- 
ended punt, her head turned three-quarters from the 
spectator. Her paddle is idle, lying in the boat, ana. 
with elbow on knee and chin resting in her hand she 
gazes dreamily into the softly colored water. In the 
middle distance a small bridge crosses the stream, and 
beyond and overhead is a thin, light mass of pale green 
and greenish-yellow foliage. 


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Signed at the lower right, R. Ren. 


Illustrated in “Masterpieces of American Painting, a selection of 
Photogravures after Paintings exhibited at the Royal Acad- 
emy of Arts, Berlin, 1910.” 


Purchased from the artist, 1908. 


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Childe Hassam, N.A. 
AMERICAN: 1859— 


4 22--LEDA AND THE SWAN | \. 5 
Lo0o 4 Height, 25 inches; length, 30 inches _ - hw hiy20 


THE nude figure of Leda, who reclines on one elbow on 
-a yellow and green bank, her feet dangling in the blue 
water of a stream before her, is turned from the specta- 
tor and her face is in profile as she looks down at the 
swan approaching from the left. The figures are in the 
light of an open space between groups of slender trees — 
which rise screen-like on the nearer edge of the stream. 
The trees appear dark green against the low, sun-bathed 
hillside that forms the farther bank. In the narrow a 
foreground the grass and matted leaves, green and yel- ; 
low, are varied with flower notes in a depression at the 
water’s edge—between the soft flesh tones of the nude 
figure and the bold white of the swan—and out in the 
stream the moving and mottled waters are streaked with 
silvery ripples. 


Signed at the lower right, Cu1tpE Hassam, 1902. 


From the W. T. Evans Collection, New York, 1918.-#/24/— 9/300. 


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Julian Alden Weir, P.N.A. 
AMERICAN: 1852— 


23—WILLIMANTIC THREAD FACTORY 


ce Height, 241, inches; length, 331, inches Ue ua 


Tux home of industry bespeaks its part in the pictur- 
esque. The artist, not expending himself too greatly 
upon detail of the factory, as such, allows the building 
to be seen in a kindly effect of light and line, the gray- 
ish-white mass appearing beyond a rolling, grass-coy- 
ered hillside and standing out against higher, tree- 
crowned hills whose green slopes are populous with the 
houses and general buildings of a New England city. A 
narrow strip of a severe sky is visible over the town hills, 
and shapely trees and bushes and bits of color dot the 
sward of the foreground. 


Signed at the lower left, J. AtpEN Wet. 
From the Frederic Bonner Collection, New York, 1912- #394 S600Mn. Y) y 


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John Henry Twachtman 
AMERICAN: 1858—1902 


24—WATER FALL, YELLOWSTONE PARK 


TuE spectator is in a cafion or valley among the moun- 
tains, its sides steeply sloping from heights which mount 
out of the picture on either hand, their recession in per- 
spective permitting a glimpse of the sky—blue and 
white—high over the center, where the eye travels past 
green, rounded summits. Slightly below these summits 
a mountain river comes into view, tumbling abruptly 
over a ledge, and streaming in a heavy curtain of white 
foam to depths below, to which the observer looks down 
over foreground treetops. There, below, the stream in 
sinuous course hurries in clouded-emerald hues between 
rocky banks of wonderful color, from rust-brown and 
sandy red through purpled shadows to a fairy opales- 
cence shimmering in the sunshine, and seeming almost 
to transform these rockribs of the globe into struc- 
tures of a different world. 


Signed at the lower right, J. H. Twacurman. 


Shown at the American Art Exhibitions at the Royal Academy 


Arts, Berlin, and the Royal Art Society, Munich, 1910. Vigeha9" 
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Height, 80 inches; width, 80 inches tYi4 LNnoctlle ‘ % 3 


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Childe Hassam, N.A. 
AMERICAN: 1859— 


25—BROOKLYN BRIDGE IN WINTER 


v4 yy, 2 5G Height, 32 inches; width, 25 ge 


Aut lower New York on a stormy winter’s day is sum- 
marized or epitomized in this picture of its first and 
most famous bridge. The spectator is led out on the 
structure and turned about to face Manhattan, late in 
the afternoon but before the rush Brooklynward has 
set in. Snow is deep and plentifully footmarked on the 
Promenade, and snow fills the air which is further sur- 
charged with moisture. The snow is turning to rain, 
and among the muffled pedestrians those with umbrellas 
have raised them. Puffs of smoke and steam add pic- 
turesquely to the gray murk, as the early winter even- 
ing is setting in, and lights begin to flare yellow and 
red in the tall World building at the end of the struc- 
ture on the left, the mass of the building outlined in 
spectral form in the misty atmosphere against the dark- 
ening gray sky. 


Signed at the lower right, Cu1tp—E Hassam, 1894. 


Purchased of James P. Silo, New York, 1909 


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Julian Alden Weir, P.N.A. 


AMERICAN: 1852— 
26—MIDDAY 


On a still, summer day, the sky a deep blue and the 
sunlight bright, a corner of a farmyard is shown in the 
slightly hazy atmosphere of a heated noontime. The 
green grass in the foreground is well worn down, and 
in the middle distance toward the right it is yellow 
in the sunshine, near a fenced-in corner of the barn- 
yard, while toward the left an end of a yellow barn 
comes into the picture. Light green trees are massed 
in the background, and branches of a tree whose trunk 
is not seen project across the sky in the foreground. 


Signed at the lower right, J. AtpEN Weir, ’91 


Shown at the 101st Annual Exhibition of the Pennsyloania Acad- 
emy of Fine Arts, Philadelphia, 1906. 


From the sale of the collection of William T. Evans, New York, FSb-r $550 


1913, who purchased the canvas from the artist. 


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Height, 84 inches; width, 24 in-hes 4 I), ¥ Mutt 


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J. Francis Murphy, NA. 
AMERICAN: 1853— 


27—_LANDSCAPE 


Tue thin gray haze of an autumn day overhangs a. 
landscape quiet, deserted, peaceful as the season of 
harvest labor’s close, with the verdure of meadows still 
soft in its clear green, blended with faint yellows that — 
are never emboldened or disheartened to become brown. 
In the distance the meadows are bounded on the right 
by a long, low hill, ending near the center of the com- 
position in a huge mound whose crown rises above the 
longer hill’s flat back. To left the low, variable land 
of the meadow is bordered by a thick wood, whose foli- 
age has all turned to a light brown, touched occasion- 
ally with light yellow and a pale red, the leafage blend- 
ing in a soft jumble in its mass, while in front of it in 
the meadow the trunks of slender detached trees stand 
out in irregular line. 


Signed at the lower right, J. Francis Murpuy, 1909. 


Carnegie Institute Exhibition, Pittsburgh, 1909. : aA Ke : 
Anglo-American Exposition, London, 1914. fe 


American Art Exhibitions, Royal Academy of Arts, Berlin; Royal 
Art Society, Munich, 1910. ; 


Reproduced in “Masterpieces of American Painting, a Selection 
of Photogravures after Paintings exhibited at the Royal 
Academy of Arts, Berlin, 1910.” 


Height, 24 inches; length, 36 oo ¥ Let, : a 


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John Henry Twachtman 
AMERICAN: 1853—-1902 


28—WILD CHERRY TREE 


Me Ss 50 4 Heght, 30 inches; width, 30 inches Jb. Mioc ds 7; é . 


Tue wild cherry tree of the title grows close in the fore- 
ground, just to left of the center, springing up close 
beside a broad, blue-gray rock, which protrudes from a 
rolling field that is yellowish-green in a bright sun. The — 
tree’s slender, willowy branches distribute its feathery 
foliage almost wholly across the picture, emphasizing 
and relieving rather than obscuring the fair land- and 
sea-scape beyond. The land falls away to a hazy, gray- 
blue sound, where sail are seen; gabled buildings are 
along its nearer shore, and the farther shore is per- 
ceived in a line of distant blue hills. ; 


Signed at the lower right, J. H. Twacurman. 


Exhibited at the Pennsylvania Academy of Fine Arts, 1907. 
Illustrated in “Masterpieces of American Painting,’* under the 
title “Landscape in Spring.” 


*“ Masterpieces of American Painting, a Selection of Photo- 
gravures after Paintings exhibited at the Royal Academy of Arts, 
Berlin, 1910.” Berlin Photographic Company, New York. 


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F754 Height, 271, inches; length, 36 inches 


iz h Allen Tucker 


AMERICAN: 1866— 


29—CORN STACKS 


Across the background is a line of tall, slender, branch- 
less trees, of the clinging foliage that enwraps the trunk 
almost from ground to tip, their tops reaching almost 
to the upper line of the canvas and the foliage rustling 
in an early autumn breeze. In front of them is a corn- 
field that has been reaped and the tall stalks are stacked 
in rows at either side, bright sunshine illumining the 
scene from the left. 


Signed at the lower right, A. Tucxrr, 1906. 


Purchased at the 102d Annual Exhibition of the Pennsylvania 
Academy of Fine Arts, Philadelphia, 1907. 


Leon Dabo 
AMERICAN: 1868— 


30—EVENING ON THE HUDSON 


Tuer broad Hudson is a soft leaden gray in the early 
evening light, modified by patches of lighter and darker 
color as the small wavelets or ripples play in slow mo- 
tion and catch the last reflections of the western sky. 
Toward the right are various sailboats. Across the 
background runs a low shore, with an arm of water seen 
behind it, below a ridge of mountains or a heavy bank 
of rolling clouds, outlined in the dusk against the fad- 


ing sky. 
Signed at the lower right, Leon Dano. 


Purchased from the artist, 1911. 


to4 OO 1 Height, 2414 inches; length, 2814 inches Pe oF i 


A,tMland Calloi, 


Leon Dabo 
AMERICAN: 1868— 


31—THE PALISADES, HUDSON RIVER 


KES Height, 30 inches; length, 34 inches a: hin, be Lay 7 


A NocTURNE of spacious proportions. With just a 
glimpse of low foreground shore, touched with violet 
sunset light, the broad Hudson spreads away, gray and 
majestic, to the dark, mysterious Palisades mounting 
high across the background; at their foot the river’s 
edge is bordered by myriad lights. 


- Signed at the lower left, Leon Daso. 


Shown at the American Art Exhibitions, Royal Academy of Arts, 
Berlin; Royal Art Society, Munich, 1910. 


Illustrated in “Masterpieces of American Painting, a Selection 
of Photogravures after Paintings exhibited at the Royal 
Academy of Arts, Berlin, 1910,” under the title: “Evening 
on the Hudson.” 


Purchased from the artist, 1911. 


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Richard E. Miller, A.N.A. 
AMERICAN: 1875— 


82—SUMMER REVERIE fy 7 yy y ( 4 
STE q Height, 36 inches; width, 2834 inches (| ™ 


A BEAUTIFUL young woman in light and filmy summer 
garments is seated on the ground at the foot of a 
slender tree, beside a pond encircled by green trees and 
blossoming shrubbery. Her figure is turned toward — 
the right, three-quarters front, and her face is almost 
-in profile. Dark wavy hair frames a shapely head, her 
cheeks are a delicate rose, and with partly closed eyes 
she looks into space and dreams. Behind her is her 
white parasol, beside her her straw hat trimmed with 
green. Her white lace skirt seems to borrow an ethereal 
green from the arboreal surroundings and their reflec- 
tions in the water, and across it is tied with a pink rib- 
bon her short-sleeved, décolleté overdress, of mauve and 
lavender tones. One hand lies languidly across her lap, — 

the other dangles a colored fan at her side. 


Signed at the lower right, M1uER. 


Purchased from William Macbeth, New York, 1912. Vuk AK, 


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William Merritt Chase,N.A. 
American: 1849— . ae 


-883—ENGLISH COD 


S350 Heght, 29 inches; length, 36 inches ha or 


THREE fine cod, freshly caught—hig fellows, with plenty 
of flesh—are lying on a brownish table, and are seen’ 
against a dark brown background. One is lying partly 
on a large platter, of decorated china, and on him and 
on his nearest neighbor the light is concentrated, while 
the third fish is in transparent shadow. The texture of 
the fish, the moist, glistening aspect of the scales, the 
rare tints of delicate green, pale rose, gray and brown, ~ 
in numerous variants, are rendered with the artist’s — 
inimitable paar: and show forth his consistent faith-— 
fulness to ‘ “quality” in his characteristic treatment and 
handling of color in still-life painting. 


Signed at the lower right, Wm. M. CHase. 


Exhibited at the American Art Exhibitions, Royal Academy of 
Arts, Berlin, and at the Royal Art Society, Munich, 1910. 


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Walter Elmer Schofield 


AmeERIcAN: 1867— 


34—A PENNSYLVANIA FARM - 


AIRE Height, 30 inches; length, 88 inches y, I) Se ye , 


A TRANSVERSE stone fence, runnng diagonally, separates 
a rolling field of the foreground from the farmyard of 
lower land just beyond it, where a high, grayish-yellow 
farmhouse stands on the left. 'The house has dormer 
windows and a porch with a reddish-brown roof. A 
little away in the middle distance is the brown wagon 
shed, and in the background stands a large white barn, 
with a wing and steep brown roof. In the intervening 

_ land and along the stone wall in front are numerous 
trees, which are stripped of their leaves and stand gray 
and bare in the bleakness of winter. In depressions in 
the ground, and along inclines, the yellow-green grass 
is striped and banked in white with soft snow. 


Signed at the lower right, ScHoFIELb. 


Purchased from Louis Katz, New York, 1912. 


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Carl Marr 
AMERICAN: 1858— 


35—PORTRAIT OF PRINCE LUITPOLD 


OF BAVARIA 
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A sTERLING portrait of a sturdy man, the famous Re- 
gent, observed at a little more than half-length, stand- _ 
ing and facing the left, three-quarters front. His left 

hand _ rests on his hip, the elbow bent, and his right hand 
on a table or shelf at his side. He is in dark clothes, 
and the light is concentrated on his noble head. The 
gray hair is sparse over his high forehead, and he wears 
-a gray beard and mustache. His face is heavily seamed 
with the years, but his gray-blue eyes are calm and keen. 
He wears a white ruff, and the decoration of an order of 
honor hangs from a gold chain about his shoulders. — 
Dark brown background. 


Signed at the lower right, Cant Marr. 


Purchased from the artist, 1913. 


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Frederick J. Waugh 
American: 1861— 


36—SEA AND FOAM 


u/, A 4) O-+7 Height, 36 inches; length, 47 i 6. 3 Z, a 
ledge 7 


Micuty billows heave themselves against a huge 

of rocks which extends across the picture. Over the 
crest of the ledge but little of a dull blue sky can be — 
seen. One great wave breaking on the ragged land 
tosses its mounting spray high out of the canvas; its 
recoiling mass tumbles forward into the turbulence of — 
smashed and retreating predecessors, which is aug- 
mented by new oncomers. The rocks are purple and 
brown and yellowish-gray, the waters a deep rich green, 
passing through lighter and yellowish-green tones to the 
white of the dashing spray, in an interesting play of dif- 


_ fused light. 
Signed at the lower right, Wavuex. 


From the sale of the collection of William T. Evans, New York, £70- F700 
1918, who purchased the canvas from the artist. . r 


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Edward Willis Redfield 
AMERICAN: 1868— | 


37—DECEMBER 


JE0 be Height, 36 inches; length, 50 inches y,) btearlo | a 


A SPARKLING stream crosses the picture, beyond a nar- 
row foreground where brown weeds or bushes raise en- 
tangled stems at the water’s edge, above a light blanket 
of snow. Across the river, the farther bank rises higher. 
Twisted trees grow at intervals on its slope, and far- 
ther back an orchard partly screens a white house and 
various farm buildings. The trees all are brown, in the 
bleak season of the year, and their shadows mark the 
snow-covered ground, cast long by a setting sun which is _ 
going down behind the spectator. 


Signed at the lower right, E. W. Repriexp. 


Purchased from the artist, 1908. 


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Ernest Lawson, A.N.A. 
AMERICAN: 1873— 


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388—ROAD AT THE PALISADES 3 _ 
Height, 401, inches; length, £014 inches Ys, Yotoca Sy a 
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A ¥Farrzy scintillating landscape of kaleidoscopic color oa 
—refracted sunlight vibrating from land and water, am 
from rocks, trees and sky. The spectator looks upon 
a precipitous face of the Palisades in a season and at an = 
hour of chromatic glory, the cliff mwunting out of the <— Be 
picture high above the foreground on the left, and os 
declining to the river bank in the middle distance. Along — 
the foot of it runs a road, sharing in its brilliant color 
and crossing a stone bridge above many-hued rocks. 
The river is a mirror of a robin’s-egg sky alive with 
white cloud strata, and the iridescence of road, rocks 
and steep incline is emphasized by leafless, slender trees, 
which bring the brilliant landscape more intimately 


home. 
_ Signed at the lower left, E. Lawson. 


Purchased from the artist, 1911. 


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George Bellows 
AMERICAN: 1882— 


39—A MORNING SNOW 


SOTE” Height, 441/, inches; length, 631% inches uh thay | 


A portion of the Riverside section, New York, comes 
under view on a morning when there has been a con- 
siderable fall of snow. The air is fresh, crisp and a 
little moist, and the sun is out early, dappling the snow 
with bluish shadows. A man and a boy, well muffled, 
are trudging along a park path, where a laborer is 
clearing away the snow; down near the water level 
people are going to work near a spile driver, and to 
right, under the ledge of a hill, the smoke and steam 
of a locomotive curl upward, rising above the picture 
beyond a group of trees. At the left a schooner is tied 
to a wharf, while in the center of the composition the 
eye roams over the broad river, partly snow and ice 
covered but blue out in the channel, where tug boats 
are already busy, and on to the high Palisades shore 
with its factories at the water edge and houses on the 


heights. 
Signed at the lower left, Gro. Brtiows. 


Purchased from the artist, 1910. 


» BELGIAN AND SCANDINAVIAN 
ARTISTS 


lfred Stevens 
Beucian: 1828—1906 


Ot Height, 91, inches; width, 13 inches 


‘Srraicut and far before the eye reaches a gently- 


moving greenish-turquoise sea, the ruffled wavelets, oc- 
casionally white-tipped, coming directly toward the 


spectator, and the water shallowing, but with no land - 
visible. In the sky, filled with a misty vapor, is a pale 
_ greenish light, and one large puff of cloud is a warm 


rose-cream. Several sailboats are within the range of 
vision, as are a single steamer and a small boat pro- 


pelled by oars. 
Signed at the lower left, A. Stevens. 


Purchased from the Berlin Photographic Co., New York, 1907. 


Henri Harpignies 


PO” Frencu: 1819— 
41—FRENCH LANDSCAPE 


Tuis is a view across an open valley, broken by a road- 
way and by irregular pools of water, extending to dis- 


tant tree-covered slopes. On the left, irregular masses 


of foliage are in strong silhouette against a luminous 
sky; and on the right, rounded trees crown the steep 
declivity of a low hill. Near the foreground a few 
slender poplars grow on a low bank, between a sandy 
road and a pool of water which reflects the light of the 
sky at the zenith. 


From the A. Augustus Healy Collection, New York, 1907. #q- 3 220 4 


Signed at the lower left, H. Harvianis. $2 


st 


(Panel) G. fittoe ty, ¢ a 


(Water Color) . | 
4004 Height, 81/4, inches; length, 12 inches re Sperlang 


Stanislas Victor Edouard 
Lepine 
Frencu: 1836—1892 


42—LE PORT D’ANDERINE 
L454 Height, 94 inches; length, 13814 inches 


A SHELTERED harbor is pictured when the sun is low. 
Water and sky are of a dull, soft blue, the sky lightly 
strewn with faint gray clouds and the water mottled 
with grayish-white reflections of buildings of the town, 
which les at the left. Single-masted boats are lined up 
at the waterfront, and the bow of a square-rigger enters 
the picture on the right. In the background are low 


green hills. 
Signed at the lower left, S. Lupine. 


ria BYE ew a ~ < 


. Ae wana 
os 5 1 we 
2 a nena LIA im © tae ene 2 


Purchased fs 


Henri J. T. Fantin-Latour 
Frencu: 1836— 


43—AURORA 


S004 Height, i inches; width, 6 inches sae ates | y 4 | 


AvRORA comes trip- 
ping blithely along, 
in the direction of the 
spectator, over a 
landscape whose fea- 
tures are indefinite in 
its as yet incomplete 
emergence from the 
depths of night. She 
comes, a fair nude 
figure, with subtle 
grace and undulant 
motion, her head 
thrown back, and 
arms behind her head, 
holding lightly a rose 
mantle which floats 
half-length at her 
back. Her figure is 
mysterious in the 
half-light, and = far 
away at the horizon 
vaporous cloud stra- 
ta, just discernible : 


in the dark sky, are tinged a faint pink by the dawn 
she heralds. 


Signed at the lower right. a 


Purchased fromeiéesst—Tapardheet§—Gere, New York, 1910. Vet IG. 


abe Ay Ton fle~ 


acKXx 


Sa 


SS as 


Hilaire Germain Edgar Deg. 
y Al Frencn: 1834— 


44—BALLET GIRLS DRESSING 


1D! (Pastel) ; 


ty KS SEO. Height, 7 inches; length, 914 inches 4. Ite led + h 
FA 


sais spectator, admitted to the.stage dressing rooms, 
: finds two of the professional entertainers completing 
their toilets. One, in gray, yellow and brown, seen at 

S Aalt-length, is standing before her mirror arranging 
eA ‘her headdress. Ina room beyond, a companion in white 


tA 


1 A / ballet costume more or less complete is seen against 
red walls. 
PP /, Signed at the upper right, Dreas. : 
nf ’ 
y "A : f % 
Ps ¥, From the Cottier Collection, New York, 1909.- #/8- BI3O- 
fh / 


ih bags | 


ap Charles Emile Jacque 


. Frencu: 1813—1894 en : 
-45—MAN DRIVING.COWS wr 


(Panel) () 
S004 Height, 4 inches; length, 6 inches y 


A suMMER sky is graying with approaching shower- 
clouds, but the sun is still shining, casting upon the 
grass of rolling fields the shadow of a capering dog 
which runs to join a farmer driving his cows home. 
The man is bent, and carries a stick over his shoul- 
der, as he trudges laboriously behind the small herd 
of red, brown and white cows, some of which would lin- 
ger to graze some more. 


Signed at the lower left, Cu. Jacque. 


Purchased from William M. Chase, N.A., 1910. 


% 


rg 


Camille Pissarro 
Frencu: 1831— h we 


46—ENFANTS A TABLE 


(Gouache) Ly Aullnek 


F/O Height, 11%, inches™™tength, 16%, inches 


Two French children are pictured in a typical, and 

humble French interior, in a corner of a room that is 

ee ly flooded with sunlight. In a window embrasure at the ~ 

\y 'W) left a woman’s knitting has been laid aside, beside a 

ee vacant chair which stands by the end of a heavy long ~ 
N table on which are a wine bottle and water pitcher and . | 
some cups. In front of the table are the children, one 

a small girl in green and blue wearing a white cap, 

who sits with back to the spectator, busily amusing 

herself. The other child, older, stands at her left and 

is seen in profile, with long brown hair falling over red 


jacketed shoulders. | 
Signed at the lower left, C. Pissarro, ’89. 4 . 
ae 


Purchased of James P. Silo, New York, 1908. So- 4 100; 


Lett bens backs pr OF 


nlf ] 


ij 


> | 
| 


. 
| 


\ 


Ae 4g Henri J. T. Fantin-Latour 


Frencu: 1836— 


sux a 


# 


47—THE CHAT: TWO WOMEN IN A WOOD 


‘700 4 Height, 1034 inches; length, 1414 inches D. BMeauofean 


Tue spectator is within the shelter of the corner of a 
wood, a road of exit leading from the right foreground 
back through the central middle distance to wild, roll- 
ing fields in soft sunlight. At either side the foliage 
is a rich, deep emerald, denser leafage at the left cast- 
ing a delicate shadow over a dark-haired young woman 
in a crimson gown reclining at the foot of a tree. She 
turns her head to converse with a fair-haired sister who 
lies almost nude on the grass, where she has spread a 
rose mantle, looking out toward the sunshine, and lean- 
ing on her elbows, her head on her hand. 


Signed at the lower left, Fanrtin. 


Purchased ae Se een New York, | 1910. / 
walt! Vepre fay, WUAKK 


ae 
~ 


375% Height, 15 inches; width, 1114 nie Ly bo . . 


~ 


\ 
K> 


Va 
< 
(p 


Pas 


Eugene Louis Gabriel Isabey 
Frencu: 1834—1886 


48—AFTER THE STORM 


Moorep to a pier is a rude bluff-bowed vessel, and 
alongside is a boat with several men who are appar- 
ently taking the cargo from her. Her mast is broken 
short off, her canvas is in disorder and her bowsprit 
is gone. Jagged clouds in the sky suggest further the 
effect of a severe gale. 

Signed at the lower right, E. Isasey. 


From the Alexander Blumenstiel Collection, New York, 1906. #SS— B320 


: Alfred Stevens 
yo” Beician: 1828—1906 


49—VUE DE TREPORT 


Height, 1354 inches; width, 1014 inches 
On Mb. dowel 


A FOREGROUND of dry sand and short seashore herbage, 
silvery-drab and flecked with brown and various low 
colors, extends to a narrow strip of tide-marked sand 
where a single figure stands. Four others are disport- 
ing themselves in shallow water near by. A two-masted 
fishing smack with brown sails is among several craft 
seen farther away, and there is a fiery sky toward the 
right. 

Signed at the lower left, A. Stevens. 


a 
From the Peter A. Schemm Collection, New York, 1911.- 4/7 plto. 


40, bs beh 


on j “s 


| BUGENE FROMENTIN, 


"eee 


neal Nal en re tn 


| 


ce 


Eugene Fromentin 
Frencu: 1820—1876 


50—ALGERIAN WASHERWOMEN 


(Panel) W 
7, VASE Height, 101% inches; length, 13°34 inches J 


On the left is the corner of a wood, its feathery but 
thick foliage rising out of the picture, beyond- some 

dark, athletic women, two of whom bear bundles of linen 

on their backs, while a third is seated on the ground, - 
though at work. Toward the right, two more stout- 
limbed women, one in red and one in blue, are treading 
white garments in a shallow stream of the foreground, 

and one of them, with her seated sister on the bank, 
is regarding the spectator. 


Signed at the lower left, E. Froment1n 


| balunble landing Salo - | _ 
From the Thomas Hitchcock Collection, Néw York, 1914,-#85~ PISO - ‘a 


- 
ve 


= 


PSR SSK eS ae =, Ss oe 


Jean Charles Cazin ' 
Frencu: 1840—1901 


51—THE HARVESTERS yh SY poss 
/ TO0- Height, 12%, inches; width, 914 inches | 


Some distance back in a stubble field a man in a blue | 
blouse stands on a ladder, putting the finishing touches | 
to a haystack. At the right of it is another stack, ) 
and a man is at work on top of it while a fellow laborer | 
unloads a wagon alongside. A white horse is standing 

by. At the left of the foreground a man is carrying | 
a sheaf in each hand and at the right three other fig- | 
ures are busy with sheaves. | 


Signed at the lower left, J. C. Cazrn. 


From the Peter A. Schemm Collection, New York, 1911. Cie ate PIOS- Bd. | 


» 


N. V. Diaz de la Pena 
Frencu: 1807—1876 


52—ENFANT AU CHIEN 


(Panel) YL. Jaman, Agen 


No heen Height, 13°34 inches; width, 1014 inches 


A sMALL girl is seated on the ground at the edge of a 
wood, holding in her lap a white, shaggy-haired pet 
dog. She is dressed in a loose and flowing pink frock, 
short-sleeved and trimmed with black ribbons and white 
lace, and her long golden hair falls about her shoul- 
ders. The light plays full upon her and the dense 
foliage of the wood behind her is dark, with a patch 
of sky visible at one corner. 


Signed at the lower left, N. Draz. 


Purchased from Messrs. Durand-Ruel, Paris, 1896. 
From the J. W. Kauffmann Collection, New York, 1905.-#/9- $/0¢0 ~ 


Gaston la Touche 


FRENCH: CONTEMPORARY 


53—_THE HONEYMOON 


(Panel) 
TSO “{ Height, 15%, inches; width, 18%% inches y ony Utwtiard b 


Aw old-fashioned coach, green trimmed with gold, with 
red wheels and red-upholstered interior, and driven by a 
bewigged coachman in a brown coat, is making rough 
way in a road through brown and yellow woods. With- 
in, a bridegroom rests his head on his bride’s white 
shoulder, and seated on the springs in the rear a nude 
Pan with a green chaplet pipes his merry lay. 


Signed at the lower left, Gaston ta ToucHe. 


Purchased at the Jubilee Exhibition, Mannheim, 1907. 


\ Gaston la Touche 


Frencyo: CONTEMPORARY 


54—PETIT SOUPER 


Height, 1534 inches; width, 13°, inches 


“i © ‘“ Tue evening of a brilliant entertainment in a great 
» ©. ‘~ house is depicted, the elaborately decorated walls and 
a ee Neeiling of a French mansion being brought out in the 
RE eae rich color and surfaces characteristic of the artist. 

The ‘prismatic lights of crystal chandeliers aloft, the 
fo ht of sconces and table lamps below, but par- 


illumine a large company of men and women 


Signed at the lower right, Gaston ta ToucHE. 


Purchased at the Jubilee Exhibition, Mannheim, 1907. 


J/00 4 (Panel) — Muntandlh. : | 


Firmin-Auguste Renoir ve. 
Frencu: 1841— d | yt 


55—BAIGNEUSE 


| 

: 

Height, 16 inches; width, 1234 inches | 

AGSO- Md fellanck | 
| 


A PLUMP young woman with rosy cheeks and lips afd 

Titian hair, is seated, nude, on white and scarlet drap- | 
: eries in a sequestered retreat in a wood, or the shady ! 
corner of a garden, engaged at her bath. Her warm 
hair falls loosely down her back, which is in the cool 
shadow of the feathery foliage about her. She is seated 
back to the observer and turned toward the left, at the | 
moment bathing her left arm, and her face is in profile. \| 


9 Y Sy Bs at the lower right, Renorr. 
ay 


Purchased from JeiuimQshereW ew York, 1907. Tas. O%KK © 


eh, taplaxn : 


Henri J.T. Fantin-Latour 
FrenNcH: 18386— 


\ 56—STILL LIFE: FLOWERS 


In a square glass jar of greenish hue, standing on the 
corner of a brownish table, is a closely bunched bou- 
quet of flowers from a modest garden, in which one 
seems to detect asters and marigolds, in their soft colors 
of rich quality. Yellow, brown, creamy white and deep 


J reddish purple blossoms, flowering above rich green, 
| come out in a softened light against a neutral brown 
wall. 


Signed at the upper left, Fantin; and at the upper 
right is the date, 1861. 


Purchased from A. Preyer, The Hague, Holland. 


S§O+ Height, 17 inches; width, 14 inches 4 Muocttly) bo 
f GS 


Jean Baptiste Camille Coa 
Frencu: 1796—1875 Wwe En 


57—ENVIRONS DE BEAUVAIS, VERS MARIS- 
SEL; LE RUISSEAU A L’ARBRE 10h 


/OKAOOA Height, 18 inches; Be 13 inche 

One of the beautiful, silvery, Corot ae es, of ‘eng 
water, figures, atmosphere and clouds, each and all 
speaking in the soft, sympathetic voice of the poet-art- 
ist, and each emphasizing the charm of its neighbors, 
rather than its own. On the left, a clump of tall, slen- 
der trees, their trunks vagrant and twisted until they 
are well up in the free air aloft, stand as an outpost of 
an open forest, at the edge of a gray, white and silver 
brook. On the bank of a pool, in the brook, in the 
foreground, a figure is. seated, and other figures are 
perceived in the distance on the right, near another 
group or wavering line of young, tall trees with feath- 
ery tops. Through the trees the sunlight from a gray- 
white sky comes down, streaking the water of the brook 
with white, and emphasizing the oiey shadows of the _ 


nearer tree trunks. 
Signed at the lower left, Corot. 


Recorded and reproduced in “L’Giuvre de Corot, par Alfred Ro- 
baut and Etienne Moreau-Nélaton,’ Vol. IT, No. 1005. Painted 
between 1855 and 1865. 


From the Oppenheim sale, Paris, 1877.-¥F.. Gp. (30 De 
From the Oppenheim sale, Paris, 1890. #6-&e SOS ~ 
From M. Bernheim, jeune, Paris. 

Purchased from Messrs. Durand-Ruel & Sons, New York, 1907. 


rn ee 


Se a 


Louis Eugéne Boudin 
Frencu: 1824—1898 


58—LE PORT DE SAINT VALERY, 
; MAREE BASSE | 


G Vik (Panel) Yo thagle yD 


Height, 18 inches; width, 1414 inches 


On the left a fore-shore slopes from green woods to 
a silver-gray stream, a white sandy path descending 
it to the water just in front of a wooden pier on which 
some figures are seen. The tide is low. Beyond the 
pier the brown roofs of buildings come into view below 
the green woods, and in the stream some square-rigged 
vessels are tied up at the shore line. 


Signed at the lower left, E. Bouptn, Sr. Vatery. 


From the A. Augustus Healy Collection, 1907. ¥ $F. C25", , 


VALE Faghh fl Setusmenh (fully 1h 98 «40a SSX- 
Sola. - 4.Q. Zo taly hee 18994 8 OX - 


Fritz Thaulow 


Norwecian: 184'7— 


59-—-SCENE IN VENICE Wh ba : | # 
/000 md Height, 214, inches; width, 1814 inches ‘ ty a 


Tue foreground is taken up with a canal which extends 
half way back through the picture and turns at an ab- 
rupt angle about a red brick wall on heavy stone foun- ; 
dations at the right. The water is rippled and is a > 
mirror of pink and white reflections shimmering on its BA 
green bosom. The buildings reflected occupy the back- ; 
ground, churches of the characteristic Venetian archi- 2 
tecture, and a religious procession is passing from one 4 

building to another. = ia 


Signed at the lower right, Frrrz THavutow. 


Purchased from Messrs. Fischel, Adler & Schwartz, New York, 


btly 1903.—- KZ 4 BIS0 2 


Alfred Stevens 
Bewcian: 1828—1906 


60—IN DEEP THOUGHT 
100~ Height, 181, inches; length, 23 inches In Stnoctly + by 


SEATED at a small round table in a corner of a garden 
overlooking the sea, a young woman in a rose-gray out- 

. door habit is gazing abstractedly into space, lost in her 
thoughts. Her straw hat and her gloves lie on the table 
before her, and a pet dog squats on its haunches at her 
feet. At her back is a dense mass of dark green foliage, 
with the new shoots of pollards visible at the edge, and 
out on the blue-green sea a black steamer shows a 
white “bone in its teeth.” 


Signed at the lower right, A. Stevens, ’81; and on the 
back inscribed, Atrrep STEvENS, Havre, 1881, Srp- 


Qs TEMBRE. 
) Purchased from D. Heinemann, Munich, 1907. 


| wg 


VOSO- 


Firmin-Auguste Renoir 


FRENCH: 1841— At yh 


61—YOUNG GIRL 


(Pastel) 


A youne French girl is portrayed before a background 
of such chromatic luxuriance that she seems embowered 
in the greenery and blossoms and sunshine of a sum- 
mer garden. She is observed head and shoulders, in- 
deed nearly at half-length, in a sitting posture, leaning 
forward on her elbows. Figure turned to the right, 
her face is toward the spectator, and her left hand 
is raised to support her head. Arms and ‘shoulders 
are bare, a thin gown or light drapery falling about 
them, and she wears a yellow hat trimmed with blue. 


Signed at the upper right, Reno. 


Purchased from Julius Oehme, New York, 1906. 


Height, 181% inches; length, 23%, inches f A tial 


a Re Aen EE A ELE ES SEIDEL OIE TOE AAA 


¥ 


T DE PLUIE 


: 62—PLACE DE LA REPUBLIQUE, ROUEN: 


Camille Pissarro i ot? 


Frencu: 1831— Jou 


EFFET DE PLUIE | 


1450-4 Height, 1814 inches; length, 21% inches Mutant th | P 


Ir is a showery day when the sunlight is still strong 
enough to mark shadows of cab wheeis and pedestrians 
on the glistening pavement, and the air, while moist, is _ 
clear. In the place men and women with umbrellas up— 
are walking, or standing beside kiosks. In the mid- 
dle distance the river crosses the scene, gray-white 
with reflections of the lightly clouded sky, and its 
waters gently ruffled. Long black freight boats are 
near its farther bank, and beyond rise the gray, 
creamy, pinkish and brown buildings of the city, with 
slate-gray and red roofs; and near the bridge, which © 
crosses at the left, is a group of flourishing green trees. 


Signed at the lower left, C. Pissarro, 1888. 


Purchased from Messrs. Durand-Ruel & Sons, New York, 1909. 


ft axgn. 


ph bg om 


tl i tt te r a LO a ae 


fae! yr em 
ra ; 


S: RO 


ox < 


S 


we 


e 


BES JAUNES 


BY 


Pe 


H. G. E. DEGAS 


os. tant 


Hilaire Germain Edgar Degas _ 
FRENCH: 1834— aes 


We 


683—DANSEUSES: ROBES JAUNES abe 


(Pastel) 


bs F004 Height, 241, inches; width, 19 inches hie At 


Turee members of the ballet are pictured, putting the 
final touches to their toilets. They are seen at three-— 
quarter length, standing, grouped in intimacy of work 
and gossip, without the suggestion of pose. Not one © a 
is revealed in ‘all her features, yet each is wholly ex- = 
pressed, with the characteristic truth, vigor and deft- 3 
ness of modeling of the artist. One girl is turned to the | 
front and facing the right, a hand raised to her corsage; 
another in front of her, with back to the spectator, 
is adjusting her black hair, both hands up; the third 
girl is seen back of and between the other two, in pro- 
file, with an animated expression. Green skirts and 
purple waists contrast with a fused background of red, 


brown and blue. 
Signed at the upper left, Drcas. 


Purchased from Messrs. Durand-Ruel & Sons, New York, 1909. 


Wd sk, 


cae 
pe. by 


eo 


ON 


A VENEUX-NAD 
BY 


= 


. 


\ 
» 
2 


ALFRED SISLEY 


¥ 
oS Lia 2 Bae 


ecc2 oN Se ern 


Alfred Sisley 
Frencu: 1840— 


64--_NOYER A VENEUX-NADON 


ve. 0004 Height, 1914 inches; length, 251, inches peed 


Trees for the most part bare of leaves, with branches 
some of which take the lines almost of swirls in their 
eccentric courses, mark out boldly odd patterns against 
the sky. To left the sky is still bright with sunset 
lights, while on the right the gray of evening is set- 
ting in. In the afterglow of the sunset a man comes 
forward through lush green grass, from the direction 
of a group of cottages, the deep grass picked out with 
bits of color and bordered by dense flowery growths of 
purplish hue. He is seen near the principal tree of 
the composition, a walnut that has yielded its fruit. 
About the borders of the farmyard, or garden, slight 
trees, closely set, form an enclosure, with the farm — 
buildings which extend irregularly across the back- 
ground. | 


Signed at the lower right, Ststry. 


Purchased from Messrs. Durand-Ruel & Sons, New York, 1907. 


f re ofty- 


ptt. joy? ourfh 


* 


eo ee ee eee ee ee 
4 =a , } 


Leon Augustin L’Hermitte 
Frencu: 1844—_ ce 


65—HARVESTING 


SA (Pastel) ” i a ‘ 
/. 00-7 Height, 21%, inches; width, 17 1 noua a 


A HaARVEsT field, rich brown and golden yellow—yel- ~ 
lowed where the sunshine strikes upon it—is partly © 
reaped. In the foreground, in the delicate shadow of | 
a cloud, a peasant woman is seated on the ground 
among the sheaves, a basket beside her, attending to 
some work of her own, and a vigorous young man has 
paused momentarily at his task and looks down upon 
her, leaning upon his scythe. In the background a 
pond is visible at the foot of a hill, its waters brilliant 
with reflections of colorful herbage and foliage, sun- 
illumined and relieved by grateful shade, which abound 


on its shores. | so Ng 
Signed at the lower right, L. L’Hermirre. 


Purchased from Julius Oehme, New York, 1907. 


NASR Se eon pods corks Sah, 2, 1QSO, 


IN 


- 


> 


SW 


‘CHERBOURG 
BY 


= 
LOUIS EUGENE BOU 


eer See eee ee eee ee 


/ 1h O O =| Height, 161/ inches; length, ap inch 


66—-CHERBOURG 


riggers so thick that their masts and spars seem.aln 
a tangle in the perspective, and fore-and-afters | 
sails up adding to the lively nautical composition. 
background of tall hills is green with summer 
at their foot thickly clustered buildings showing 
left with red, green and brown tiled roofs of 
shapes. The water reflects the hues of shore and | 
cumulus clouds that roll majestically across me sky. 


Signed at the right, E. Bor 983, Cx 


From the Frederic Bonner Collection, New Tork 1912,- 


OCTROI D'ISs 


BY 


JEAN CHARLES CAZIN 


“ 


Jean Charles Cazin 
Frencu: 1840—1901 


67—OCTROI D'ISSY 


4004 Height, 18% inches; length, 24 neg Se 


AN engaging, inviting bit of the French landscape, 
which happens to be at the octrot barrier of Issy, as a | 
sign post at the roadside proclaims. The road, a moist 
gray, runs straight away from the spectator, to van- 
ish over the crest of a low hill against a creamy-gray 
sky that seems resistant to a pinkish flush. At either 
side of the way, on the gentle incline, are green fields, 
beyond gray walls or dilapidated fences, and on the 
right, in the foreground, are a gateway and a gray — 
wall, a pollarded tree, and.the sign which announces 
that here one halts for the octrot formalities. Wild 
flowers with warm yellow blossoms bloom by the road- 
side, and the atmosphere is of that delightfully mys- 
terious quality which leads the artist’s admirers to pre- 
liminary debate as to whether it is the sunlight of late 
afternoon, or early-moonlight, or a commingling of 
both—with a yale yellow orb gleaming at the disputants 
in the languor of the hour. : 


Signed at the lower left, J. C. Cazin. 


From the Julius Oehme Collection, New York, 1911. tha f2000.boduh 


ot eh Sale 1909 4 py «£82004 


“ » 
m 


es _ JEAN FRANCOIS RAFFAELLI 


POE ae 


& 


— iia 


ae 


i 
‘ 
5 
4 


= i —_— . Ti a e ns . sea A - Te 7's 
= 7 Aa te: Sen 7 "y 


Jean Francois Raffaelli 
Frencu: 1850— 


68—BAIN DE MER, TREPORT 


(Panel) 


62S Height, 21 inches; length, 24, why y Lfillich 
fleecy 


A misty day on the Channel, with little win 

clouds all but obscuring the blue of a summer sky; off- 
shore a sailing ship or two, moving lazily. In the shal- 
lows within the life-lines of the bathing grounds, bath- 
ers are dipping and frolicking, their colored suits add- 
ing brightness to the scene. Along the beach are more 
people, and boats and the bathing tents; high above 
them a great bluff of the foreground gives a stretch of 
sober green from which to overlook the fair prospect 
below. Here under the tricolor less eager sojourners 
by the sea lean out and watch the bathers. 


Signed at the lower right, J. F. RarraE.ti. 


From the Tadamasa Hayashi Collection, New York, 1913. “#139. $iloo. 


On the back of the panel is the inscription: 


“Bain de mer, Le Tréport, France. 
Chez M. Raffaélli (Jean Francois), 
né a Paris 1850, 
dans son nouvelle 
atelier, de la rue de 
Courcelles, 202, Paris, 
Samedi, 26 Mars, 1892. 


(Signed) T. Hayashi.” 


? eos 


es wf 


ay, 


a | ’ 


Bx; 


~, 
we 


GUSTAVE COURBET 


Gustave Courbet 
Frencu: 1819—-1877 


69—LANDSCAPE 


Df , Height, 20 inches; length, 2381/2 note ot fn “ 


Sunsutxe falls from the left upon a field or bank in 
the middle distance which slopes gently to the right. 
Beyond the slant of light, yellowing the open field, a 
hillside of dense woods is deep green in shadow. On 
the nearer edge of the field detached trees with thick 
foliage, brown in the warm note of autumn, stand out 
against the light, a short declivity below them reveal- 
ing rocky ledges of soft gray tone and banks of mossy 
green hue, all in transparent shadow. Below, in the 
foreground, the sunshine comes again, illumining a blue 
and silvery brook wandering between boggy, grassy 
borders. 


Signed at the lower right, G. CourBeEt. 


| 4 
Purchased from Messrs. Hermes & Co., Frankfort, 1903. 4 


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70—THE STORM 


Jules Dupre 
Frencu: 1812—1889 


Height, 211% inches; length, 2514 inches Lj 
SGOO 7 OR ae 


A rocxy headland projects from the right, its rug a 7 . . 
and broken nose slanting irregularly and abruptly into 


a sea darkened by an ominous storm cloud. The cloud _ 


lies black and heavy, low over the ocean on the right, 
and behind the bluff. In front of the bluff a large work- 


ing sloop has been driven upon a sand bar which puts y: Ae 


out and crosses the middle distance. It is dotted with 
rocks, and a low surf is breaking on it, while on its — 


hither side, in the foreground, is a quiet cove. Out at iy 


sea on the left some sail are careening in the breeze, anu 
the sky over all is turbulent, with light clouds seen 


above those of the storm, their light reflected on the oc 


pire ee bar. ; 
Signed at the lower right, Jures Dupré. 


/ 


“HALL-KESTI” 


NT GIRL 
BY 


J 


A PEASA 
ANDERS L. ZORN 


J 


Anders Leonhard Zorn — 
Sau 1860— | 


71—A PEASANT GIRL: “HALL-KESTI” nae <a 


Height, 27 inches; width, 201, inches 
6/004 Ws beonth, A. 


A HANDSOME, large-eyed peasant girl, with light hair 
parted at the center and neatly brushed, is seated easily — 
amid studio properties, and her interest-face is studied 
in a strong light. She looks directly at the spectator. 
Sharing interest with her personality, or her features 
and expression, is her rare and oddly constructed cos J 
tume of white waist bedecked with red, and a green 
skirt, the red matched with a band about her fair hair, 
and a touch of orange blending the red and green at — 
the belt line. With her curiously attractive head cen- 
tering attention, the bold beauty of color emphasizes 
the total allure, and the whole has the charm and fresh- 
ness of a work happily, rapidly and successfully ac-_ 
complished. Over the young woman’s shoulder is seen 
an unfinished portrait. 7 


Signed at the upper right, Zorn, 1907. 


Purchased at the Verein Bildender Kiinstler, Munich, 1908. 


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ARO DELVAILLE. 


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oO Height, 29 inches; width, 24 inches, 
| oF 3 


H. Caro Delvaille | 


Frencyo: ConNTEMPORARY 


72—JEUNE FEMME A LA TOILETTE 


Cite 
SEATED on a soft-cushioned stool at her dressing tafe, 
before an oval mirror, a young woman is putting the 
last touches to her coiffure, binding her dark hair with 
a deep-emerald ribbon. Her back is toward the spec- 
tator, with figure turned toward the left, while her 
head is turned to the right to look into the mirror, 
both hands being raised to the carefully dressed hair. 
She is nude, a single filmy white dressing garment dan- — 
gling from one arm and clinging lightly about her 
crossed limbs. The wall of the room is papered in~ 
blue, green and pearl-white, and on the dresser is a 
vase of flowers, and a jewel box from which a coral 
necklace projects. A luminous atmosphere blends the 
manifold elusive variations in the flesh tones with the 
softened colors of the surroundings. 


Signed at the lower right, H. Caro Detvatrrtie, 1912. 


Purchased from Fritz Gurlitt, Berlin, 19138. 


‘SUNSET 


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Claude Monet 
~Frencu: 1840— 


78—ETRETAT: SUNSET “Sa 
THOO 4 Height, 24 inches; length, 3134 inches a 


Boxpiy from the left projects a Hage ridge of dark 
bluish-gray rock, jutting into the sea in the middle 
distance, its back high against the clouds. Toward its — 
seaward end, near the center of the picture, the waves 
have hewn a passage through it, the aperture a tall and 
narrow irregular arch, from a buttress of which on its 
outer side a monolithic pinnacle raises its point heaven- 
ward. Far off the sun is setting, a hot, vermilion orb, — 
in dark banks of summer haze and melting strata of 
horizon clouds, its light lending to the broken -waters 
varying hues of the hour. The upper sky, above the . 
sunset haze, is shot with patches of fleeting, wind-— rs 
driven clouds, yellowish-gray and white. a 
Signed at the lower left, CLaupE Monet, ’83. a 
From the William H. Fuller Cellection, New York, 1908. K/KE.. PE: 706 


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CAMILLE PISSARRO) 


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Camille Pissarro 
Frencu: 1831— | (Wa 


74—FEMME A LA CHEVRE 


L/VOO 7 Height, 82 inches; width, 25%, inches ‘Nao 


A youne French peasant woman, siender but sturdy, f . 
is pictured at full length standing at the foot of a | 
rocky mound in a broken country, facing the observer, | 
with her eyes bent upon the ground. She is clad in a — 
dark emerald waist and pinkish-gray skirt, and wears 
over all a blue hooded cape, which, tied under her chin, 
falls away in front, the hood framing her face and blond 
hair in an oval. In one hand she holds a bunch of yel- 
low-flowered greenery, and a white, shaggy-haired goat 
has come up and is nibbling at it. The background 
of mellow-hued earth, rich grasses, weathered buildings | 
and scraggly trees is bathed in a softened sunlight, 
which plays amid delicate shadows on the maiden’s — 
face. 


ae A , 


Signed at the lower right, C. Pissarro, “81. 


as Purchased from Messrs. Durand-Ruel & . New York, 1907. 


PAL. on 


Ss oe eae as a 
CENE, NORWAY — 


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FRITZ THAULOW 


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Fritz Thaulow 


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[ Norwecian: 1847— 
| 75—WINTER SCENE, NORWAY KIS Chu 


Z 7 Height, 251. inches; length, 82 inches 
O90 


Snow covers exposed hillsides, and weights outreach- 
- ing branches of trees, in a twisted river valley which 4 
runs through a wooded country. Above the white, aes 
stand out the dark woods, green but cold;‘and de- 3 
tached conifers decorate the low shores of the river, ris- 
ing dark and solemn out of the solid snow and occa- 
sionally supporting, still, light masses of the lesser 
flakes. Between the wooded banks the river takes its 
tortuous course, carrying half-melted snow, and break- 
ing up its ice covering which is seen in an irregular 
sweep at the left. On the farther bank in the middle 
distance two great fires are blazing above the snow; 
the sky beyond shows a sunset yellow, and in the con- 
fusion of lights the river takes hues of a weird, strange 

green, curiously varied. 


if, + 
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Signed at the lower left, Frirz TuHavitow. 


Purchased from the artist, 1906. 


ws 


NCOIS RAFFAELLI 


7, ne 20 4 Height, 32 inches; width, 26 inches y,) 


Jean Francois Raffaelli 
Frencu: 1850-—- 


76—A CATHEDRAL: NORTHERN FRANCE | 


A Tatu quadrilateral tower mounts toward a blue sky 
veiled with grayish masses of light cloud faintly sunset- 
tinged. The tower is rose and gray, and pigeons fly 
about its top. Lower down, beyond it, a spire and 
church roof topped by a cross are seen over the roofs 
of buildings in the middle distance, which face upon a 
broad place or square occupying the foreground. They 
are gray and a rich cream color, with steep, red-tiled 
roofs, and with the great tower are in part in the 
sunshine, while the greater part of the square is in 
late afternoon shadow. All sorts of people throng 
the square, some of whom have not left their dogs at 
home, and it is altogether a busy place. | 


Signed at the lower right, J. F. Rarraé xx. 
y 


Purchased at the V erein Bildender Kiinstler, Munich, 1907. 


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F300 Height, 26 inches; length, 36 inches Yn. 4 3 


Claude Monet, 
Frencu: 1840— 


77—WATERLOO BRIDGE: TEMPS GRIS 


On a grayish, misty or foggy day the central part of 
London’s famous and busy bridge is seen, four of the 


- arches being revealed, with Thames barges under or 


near them. The roadway is crowded with traffic, *buses 
and other vehicles, and the pedestrians, all in the 
ceaseless motion of collective London life. In the back- 
ground tall smoking chimneys rise dimly in the mist, 
whose grayish and violet tones are mingled with a pale, 
purplish rose. The moving green water below is 
patched with the lights of these soft atmospheric tones, 
while the traffic on the bridge, generally of sombre 
hue, is relieved in its long line by notes of a quiet red. 
The whole is in the characteristic atmosphere of a gray 
London day, with everything—line and color—softened 


and -indefinite. - 


Signed at the lower right, Craup—E Moner, 1904, 


Purchased from Messrs. Durand-Ruel & Sons, New York, 1907. 


Witt: 


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Anders Leonhard Zorn — 
SwepisH: 1860— 


78—THE BATHER 
F000 + Height, 89 inches; width, 21 inches Woo 


Deep. blue water ruffled in a gentle breeze comes into 
view from the right, in a little cove formed by smooth, 
slanting, gray rocks, which curve around from the back- _ 
ground to the left foreground. ‘Their weather-worn 
and surf-splashed sides reflect various soft colors, and — 
overhanging their tops, across the background, is thick © 
green herbage or low-bending shrubbery. In the fore-_ 
ground a mature young woman with yellow-golden hair 
creeping cautiously down the rocks, pauses at the brink — 
and looks into the water, her last garment, a white 
skirt, grasped in one hand and partly hiding her limbs. 
Her figure is turned three-quarters from the observer, — 
toward the right, and her rosy face is almost in profile. 
The sunlight, slanting low from the right, gleams from — 
outstanding surfaces of her white flesh, and her back 
is relatively in shadow. .Coming toward her around a 
protruding rock is a woman clad wholly in cardinal 
red. 

| Signed at the lower left, Zorn, °92. 
Purchased from the Emily Grigsby Collection, New York, wintis9- Ba 26 
CUETO SINE EL SPHE (4ALe Wek o. 


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Anders Leonhard Zorn 
SweEpisH: 1860— 


79—NUDE AT THE SHORE 


CAREFULLY studied in a fascinating play of light, a 
female figure is observed in the partial shade of low- 
branching green trees at the seashore—a glimpse of 
pearl-gray water at the right, between a brown rocky 
foreground and a farther sandy shore crowned by yel- 
low-green leafage and herbage. The figure, in the fore- 
ground left of center, is observed in back view, reclin- 


ing on the right elbow, with limbs disappearing beneath 


an opened sun umbrella placed on the ground, on which 
are soft gray shadows of leafage. In the background 
at the left appears the reverse of a canvas on an easel; 
it appears to be a noontide resting hour. 


Signed at the lower right, Zorn. 
Purchased in London, 1911. 


re Le Height, 1114 inches; length, 39 inches KL. x feliuch 


ed Pa ts ea Ss A ed “qt /) = p- es ie 6 ee 4) 4 BW Se as Sat ae, Se a a ne! . 


Emile Claus 
Beucian: 1849— 


80—A L’OMBRE 


GA b% Height, 231% inches; length, 36%, inches 


Two women still young, in summer attire, are seated in 
the shade of a huge tree at the side of a broad, wind- 
ing garden path leading to a red house trimmed in 
green. In front of the house and in the immediate fore- . 
ground the sunshine is bright, while through the cen- 

ter of the vista the ground is only dappled with the — 
light as it percolates among the leaves and glints from 
the shoulder of the woman in blue, who is seated on 
the ground and turned three-quarters from the spec- 
tator. Her companion, in white, is sitting on a log or 
stone, her face resting on her hand and turned forward. 


Signed at the lower right, Em1re Cravs. 


Exhibited at the Carnegie Institute, Pittsburgh, 1909. 


No. 81 
DRY ADES 


BY 


RENE MENARD 


he a ee le SN DN RL pal yen 


Rene Menard 
Frencu: 1895-— 


81—DRYADES 
| (Pastel) 


1048 Height, 28 inches; length, B51/, inches 4 f- 


- @ #* & 
ey, 


Two gracile nymphs of the woods are reclining in the 
shade on the grassy bank of a forest pool, one ex- 
tended at length upon the sward, an arm under her 
head and one knee raised, her white discarded drapery 

- on the ground beside her. She seems in slumbrous rey- 
erie; while her yellow-haired companion, resting on the 
bank at her head, watches over her and lays an affec- ee 
tionate hand upon her shoulder. The slender figure of — 
the watcher is seen in back view, her head being in pro- 
file to the left; and the folds of a brown mantle are 
about her limbs. Beyond the pool the woods are a 
wonderfully rich, warm, deep-toned red-brown, with ac- 
cents of dark green. a 


Signed at the lower right, E. R. Méwarp. 


Purchased from iiitrean ermeemn srt fs | New York, 1913. . 


ir Shem Say: OK 


Lae 7 


LOUIS EUGENE BOUDIN| 


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Louis Eugene Boudin 
Frencu: 1824—1898 


82—BEACH AT ETRETAT 
K/O O- Height, 31 inches; length, 43 inches 


Numerous small fishing boats are rangéd alongside 
each other on a broad flat beach of white and gray 
and creamy sand, which here and there is tinged a faint 
green. The beach, filling the foreground, is strewn with 
nets, traps and other fishermen’s apparatus, the boats 
are in soft, old colors—weathered red, brown and blue, - 
and touched with yellow—and their sails are for the 
most part lying within them, folded around their un- 
stepped masts. Beside one, two aged fishermen are at 
work. Out on the gently moving blue sea, touched with 
low white-caps, a sail or two may be seen, and pro- 
jecting far out across the background are the creamy- 
white chalk cliffs of the coast, topped with green grass 
and the characteristic church. 
FS7t 
Signed at the lower right, E. Bovuptn, ’91; and in- 
scribed at the lower left, Errerat. 


From the J. W. Kauffmann Collection, New York, 1905. IN -« $800. 


Ymvdv bacha es Canis 18 9b ihe deo 1960 


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No. 83 
JOUR DE REGATES, MENTON 
BY 


ALFRED STEVENS 


Alfred Stevens 
Beucian: 1828—1906 


83—JOUR DE REGATES, MENTON 


oe oe Height, 32 cnohee width, 26 ys 
Ib. 


Our on a pale turquoise-blue sea, which afar melts into 
a hazy sky of greenish-turquoise hue, are seen numer- 
ous white sail over black hulls, and their reflections in 
the water of a listless bay. On a promontory in the 
foreground a blond woman in white, with a pink sash, 

is seated on a blue-gray rock, her dog beside her. She — 
is looking out over the scene, and across the bay to the 
group of city buildings occupying a point in the mid- 
dle distance. Far away are green hills, and moun- 
tains obscured in a violet haze. 


Signed at the lower left, A. Stevens, Menton, ’04; and 
on the back the artist has inscribed the title, with 
the date, Aprit, 1894, and the point of view from 


which he worked. q yo 


uc 


"Lian 


| BRUNO ANDREAS LILJEFORS 


SwEDIsH: 1860— 


84HEATH GROUSE OUT IN THE FROST 5 


_ Height, 8514, inches; width, 41 inches 

400 WNioh 4. 
PERCHED in the top and upper branches of thick bushes 
are several of the heath grouse, seemingly not at ‘all ee 
uncomfortable in the cold, but quite content. One is 
a warm reddish-brown, one a darker brown, and two are oe 
black, and the foliage ground against which they : are y 
seen is of a pinkish hue, under a cold greenish-blue sky. | 


f. ae ky 


Signed at the lower right, Bruno Lease 1898. ; 


Purchased from Fritz Gurliit, Berlin, 1907. 


SECOND EVENING’S SALE 
WEDNESDAY, JANUARY 19, 1916 


IN THE GRAND BALLROOM OF 
THE PLAZA 
FIFTH AVENUE, 58ru ro 59rH STREET 


BEGINNING AT EIGHT O’CLOCK 


MODERN DUTCH MASTERS ee 


J.H. van Mastenbroek 


Dutcu: ConTEMPORARY 


85—_IN HOLLAND 
(Water Color) 


ob - Height, 8%, inches; length, 10 inches fr pout 


Late afternoon lights, reflected from yellowish-white 
clouds near the horizon, below rolling masses of pur- 
plish-gray clouds, gleam on the waters of a river or 
canal running straight back from the foreground to a 
lock. On either bank are trees and houses, and snow 
covers lightly the roofs, and also the decks of boats 
lying against the right bank of the stream. 


Signed at the lower right, J. H. v. Mastenproeck, 1905. 


Purchased of Boussod, Valadon § Co., The Hague, 1905. 


Hendrick Valkenburg © 
/ pore Durcu: 1826—1896 3 


86—GARDEN SCENE 
(Water Color) 


JiO-7 Height, 1314 inches; length, 191% "DG. ay 


In a green garden beyond a muddy-gray foregro 
peasant in blue and brown is digging, with a measure 
and a bushel basket beside him. Beyond him a broad 

thatched cottage almost fills the background, some 
trees rising over it before a blue sky. a 


Signed at the lower right, Hrxzez, 85, H. VALKENBURG. 


/30- : (Water Color) A Py, V So 


Height, 10 inches; length, 14 inches 


7 ye J.H. van Mastenbroek — | 

| / jo | Dutrcu: ConTEMPORARY F . 4 
| v4 87—SUMMER AFTERNOON IN ROTTERDAM e 
= 


Lone shadows cast across a gray roadway—shadows 
of trees, and of carts and men attending them—tell ss 
that the sun is setting, off to the left. The road runs 
back along a green canal, and brown, gray and rose- 
hued buildings line the banks. The summer sky is a 
hazy blue aloft, and lower down is filled with soft, fleecy 
white clouds. 


Signed at the lower right, J. H. v. MasTensroek, 1905. 


Purchased from Messrs. Boussod, Valadon & Co., The Hague, 1905. 


an Berthold Jongkind 
Dutcu: 1819—1891 


88—MARINE 


/100+4 Height, 91 inches; length, 12%, inches yy) ty y y, 2 


On the left in the middle distance appear indefinite fea- 
tures of a seaport town, the shoreline projected into 
the distance. In the water before it are several sailing 
vessels, some out in the stream, some against the shore. 
There is little air stirring, and while some canvas is 
up there is little movement, and one boat is being 
worked by sweeps. In the foreground are men in 
small-boats. A pale blue sky is spread with white 
clouds and the water is lightly dappled with reflections. 


Signed at the lower right, Joncx1nn, 1866. 


Purchased from Mr. William Chase, N.A., New York, 1910. 


J { OF —— 


Willem Maris 
DutcH: 1844— 


89—DUCKS 
(Water Color) 


Varyine greens of grass and overhanging foliage, in 
sunlight and shadow at the border of a pond, are re- 
flected with delicate gradations, intermingled with re- 
flections of unseen gray clouds and blue sky, on the 
gently agitated surface of the water. Near the fore- 
ground an old white duck, head stretched forward, is 
/swimming toward the shadows, a slant of sunshine il- 
lumining her broad back, and a brood of pale-golden 
fuzzy ducklings are paddling after. 


Signed at the lower left, Wir1em Maris. 


Purchased from Frank, Buffa & Zonen, Amsterdam, 1907. 


B.E.ME2 + Manghh fm hh. faye AbiH/1gob-~ Je OUXKK- 
Lol. “A huffa : Linew Gott 30/1907 4 Lea SAKK- 


o. y we SY’ 


Anton Mauve 
DutcH: 18388—1888 


90—BLE ACHING 
(Water Color) 


In the corner of a field of soft pale green grass, like 
that of the sand dunes by the seaside, a peasant woman 
in white waist, cap and apron, and dark skirt, is hang- 
ing out white linen to dry on a line, while other pieces 
are bleaching on the grass beside her blue tub.  Be- 
yond her on the left a bunch of short and taller green 
trees at the corner of a low and open wood relieve 
with the delicate play of light and shadow in their 
foliage a gray sunlit sky. 


Signed at the lower right, A. Mavve. 


Purchased from Messrs. Boussod, Valadon § Co., The Hague, 1907. 


ey, PG CTs 


Pa 


I, OO 


¢ é 
ff 700- Height, 14 inches; length, 10 inches 4) Mebtarts 


H. van de Sande-Bakhuysen 
Dutcu: 1795—1860 


91—LANDSCAPE: LEADING HOME THE COW 


(Water Color) 


¢ 
AfO 7 Height, 19 inches; width, 1514 inches 6. kw ltw 


BriLuiant sunshine illumines a flat landscape of green 
meadows, characteristic of the Low Countries, and 
light clouds float in a pale blue sky. A broad irregu- 
lar road rambles along the edge of the meadows, lead- 
ing from the foreground and winding to the left in the 
middle distance about the corner of a wood which 
throws its shadow forward. In the road a woman in 
a white jacket and brown skirt is leading a white 


cow. 
Signed at the lower left, Sanpe-BaAKHUYSEN. 


ee ee 


Jozef Israels 


Dutcu: 1824—1911 J 


(Water Color) 


Y; L504 Height, 18 inches; width, 13 inches vote Z 


91A—ALONE 


J O,— 
A uumste Dutch interior painted in the chafacteristic | 1 
manner of the master. Seated in a rush-bottomed chair, 
an old woman leans forward and extends her hands 
toward a fire burning on the hearth. On the wall hangs 
an:old Dutch clock. The prevailing colors are brown 


and gray. 
[ Signed at the lower left, Jozer Israrts. 


(7 wes 


Theophile de Bock 
Durcu: 1850—1904 


92—LANDSCAPE AT TWILIGHT 


(Water Color) 


? 
7. 60 4 Height, 131 inches; length, 1914 west Mituber ge 


At the right of a pool of water in the foreground some A yo D> 
silver birch trees rise, bending over the pond and out- te 


lined against a background of green woodland. The 
figure of a woman is seen, walking through the meadow, 
the meadow being starred with flowers; to the left a 
single tree stands forth. It is the evening hour and the 
sky is filled with primrose light. 


Signed at the lower right, Tutorur1e ve Bock. 


From the Cottier Collection, New York, 1909. #9 $YHO 4q 


Jacob Maris 
DutcH: 18387— 


983—THE YOUNG ARTIST | 


(Water Color) ; 
4500 4 Height, 171% inches; length, 191% inches 3 Aocdlead bb. 


OxssERVED in a softened light, which falls full upon his 
head and face and upon the work before him, a small 
boy with a luxuriant growth of light brown hair, which 
hangs about his collar and shoulders, is busily en- 
gaged at painting in water color. He faces the right 
and is seen in profile. He is seated on a blue-cushioned 
stool and leaning over a broad table on which a large 
white book of pictures for him to fill in with color is 
spread open, his color box resting on top of it. The 
background is a partly darkened interior in neutral 
tones of brown and bluish-green. 


Signed at the lower right, J. Marts. 


Purchased from Messrs. Boussod, Valadon & Co., The Hague, 1907. 


G : oO _ cho 4 


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es 


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J: ~ van Essen 
3 Doren: 1854— 


(Water Color) 


hi oo t + Height 14 inches; length, 22 inches 


: the riglt 3 in the middle distance a grove of brown 
and partly bare trees stands on the crest of a low 
hill, giving an autumn silhouette against a light gray 
oe sky. On the left, opposite, is an all but barren knoll. 
o _ Threading an irregular way up rising land between 
be : ns of them i is a road from the foreground leading to a soli- 

_ tary red-roofed building, and a woman in dark garb 


: and white cap is coming slowly down it. 


‘ 


Signed at the lower left, Jan van Essen. 


Purchased from Messrs. Boussod, Valadon & Co., The Hague. 


renepinnen 


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&. bhedeles 


J.H. van Mastenbroek 


0 2 DutcH: CoNTEMPORARY 
hd ~ 
ag 95—HARBOR OF ROTTERDAM 


(Water Color) é 
GIO qT : Claw 


Height, 20 inches; length, 29 inches 


WuarvVEs in the background come into view on the left, 
and small buildings. Across the rest of the picture the 
wharves are obscured by part of a huge freight steam- 
ship which is tied up alongside, projected into view 
from the right. She is unloading into canal barges and 
harbor boats which crowd up against her in the fore- 
ground. Men are busy about the decks and clouds of 
steam curl about. The sluggish but moving water is 
filled with reflections of soft colors. 


Signed at the lower left, J. H. v. Masrensroex, 1904. 


Purchased from Messrs. Boussod, Valadon & Co., The Hague, 1905. 


Pe oo Pietidy rough shallow water, dark under the ~ 
ag owering sky, and the wash of the waves is brightened 
__ intermittently with reflections of the lighter clouds. The 
‘hearer boats can be seen dragging their nets down the 
wind, their canvas flapping, and men are on the decks, 


. oe others are wading in the shallows, line in hand. 


7 =a : Signed at the lower left, H. W. Mespac. 


Purchased at the Miinchener Kiinstler Genossenschaft, Munich, 
1903. 


\ Mme. S. Mesdag van Houten 


ov DutcH: CoNTEMPORARY 


97—IN GELDERLAND 


3 ‘ ~~, 
(Water Color) A 


b04 Height, 24 inches; length, 32 inches ff 4 : a 


THE spectator is looking upon sheepfold, farmyard and 
humble cottages at once, in a low, flat country. The 
atmosphere is moist, the day is gray and drawing to -~ ~ 
an end, and a couple of young peasants are driving to 

the fold a flock of gray sheep. The sheep approach 
between the irregularly grouped thatched buildings, tak- 

ing a last nibble at the grass before entering the sheep- 

cote, and wandering chickens are pecking at the ground 
around them. 


Signed at the lower left, S. Mespac van HovrTen. 


Purchased at the St. Louis Exposition, Holland Fine Art Depart- 
ment, 1904. 


we 


ISH, SCOTCH AND CONTEMPO- 
RANEOUS ARTISTS 


A. E. John 


ScotcH: CoNTEMPORARY 


& 98—GIR¥Y ON WELSH MOUNTAIN 


ot + 10. Or Height, 173, inches; width, 1434 inches 4. Acct ley + by 


HE mountain is broad of flank, and rugged, and its 
top is high in the left of the picture, the rocky sides 
sloping to right and forward. The sky above is violet- 
ray and a light turquoise. About the top of the moun- 
dark drown notes appear, while lower down the 
puuplish-brown rocks interrupt a soft carpet of green. 
Infthe foreground, against the rocks, a woman of se- 
e type, in an emerald-green dress and with a pink 
tle about shoulder and arms, pauses in solitary re- 
flection with eyes bent upon the ground. 


Signed at the lower right, Joun. 
Purchased from Charles Chenil & Co., Ltd., London, 1914. 


John Lavery, A.R.A. 


—— EncusH: 1856— 


99—AFTERNOON IN THE WOODS, TANGIERS 


) Wece « Height, 25 inches; length, 80 inches 4M. Alt) 


In the interior of an open wood, rich green in partial 
shadow and brightened by flashes of sunshine which 
touch tree trunks and grass, a woman in brown is seated 
with her book at the foot of a tall tree. A little girl in 
red stands near her. Beyond the wood the land falls 
away in glowing sunlight to a deep blue sea, and across 
the water a mountainous coast looms vaguely in a soft 
purplish-brown. 

Signed at the lower right, J. Lavery. 


Purchased from C. W. Kraushaar, 1912. 


Ce Robert Gregory 


4, a ° EncuisH: CONTEMPORARY 


Sez aeary 


100—-LANDSCAPE 


Tagon Height, 24 inches; length, 36 inches Oo btwartl, 


Brown, twisted trunks of pine trees rise at either side 
of the immediate foreground, from among green grass 
and sandstone rocks, all in partial shadow. In the 
middleground, thatched cottages and farm buildings 
placed close together are seen on two sides of a sunny 
green field, which hes along the border of blue water, 
and beyond the water are distant hills. In a cottage 
doorway a figure is seen. 


Signed at the lower right, R. Grecory, 1914. 


Purchased from Chas. Chenil & Co., Ltd., London, 1914. 


; George Sauter 
Af oO EneutsH: 1866— 


101—FROST AND FOG 
Height, 241, inches; length, 32 inches 
400 7 f 4b lb, Scanian, 


From an eminence not included in the picture the spec- 
tator looks over and through the tops of trees, which 
retain their light, feathery foliage, to a curving road on 
which a team and wagon are moving, and on, across a 
depression, to sundry buildings of a city—the whole 
seen vaguely, through misty, frosty air under a dull, 
fog-ridden sky. 


> 


Signed at the lower right, G. Sauvrer, 1907. 


Exhibition Secession, Berlin. 


BRANGWYN, A.R.A 


iy 


; 


Frank Brangwyn, A.R.A. 


ENGLISH: CONTEMPORARY 


102—VENICE 


and close at hand, is lying at a quay, her huge bow- 

sprit mounting high overhead and a rich brown lateen 
st partly hoisted behind it. Beyond her are other 

vessels, with rich red and brown canvas hanging idly 
“1 3 Atom the yards, and along the shore are pink and gray 
Venetian walls. The agitated water is deep blue, 
splashed by sunshine a light green. Aboard the sail- 
ing vessels and in various market boats plying about, — 
— figures are numerous, and a goodly company are to 
be seen on the neighboring quay. 


Signed at the lower right, F. Branewyn, 1910. 


Purchased from Mr. C. L. Hinds, London, 1910. 


x ares 41804 Height, 3734, inches; length, 391, KA. 
ws Ya HEAVY Sailing vessel of the old type, 4:7: « bone 


' be a 
A 4 
i F 
is 
2 
ae 
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s 
x 


Grosvenor Thomas 
AUSTRALIAN: 1856— 


108—LANDSCAPE 


¢ 
OO Height, 28 inches; length, 36 inches vA y,) . ho 
Vi. q YM be O69 


/ In soft, liquid colors of rare delicacy and silvery bril- 
Hsu 4 hance, an ancient mill, well kept up, and its pond and 


‘Ss } U Ps surrounding landscape, are pictured in a manner sug- 
tf gestive, in the feathery foliage and leaf-spots, of Corot. 
? te A foreground of fuzzy grass, pale green, melts into the 
<i water of the pond, which fills the middle distance, its 


surface sparkling with reflections of the soft-toned old 
mill and a pale turquoise sky screened by clouds of 
fluffy white. A peasant woman with a white cap is 
walking in a path along the water toward a gabled cot- 
tage, and beyond her, between two pollarded willow 
trees, a punt is drawn up to the low bank. 


Signed at the lower right, GrosvENor THomas. 


Purchased from Theo. C. Noe, New York, 1906. 


ite pa aeretevn te 
* 


Francesco Giovanni Mancini 
IraLtian: 1829— 


104—PROF. M. WITH HALO FS Oo— 


; | Tbo~« (Water Color and Pastel) Lita ie hoy 


Height, 241, inches; width, 181, inches 


Aw intimate and cheerful head and shoulders portrait 
of a middle-aged man. A loose robe falling about his 
shoulders is open at the throat, and the professor holds 
up in his right hand a bunch of soft white cloth or a 
towel. He faces the spectator, and over his head, a free 
stroke or two, seemingly more or less fortuitous, have 
given him a halo. 


Signed at the lower right, F. Mancini, 1902. 
Purchased at the Goupil Gallery, London, 1910. 


ya 
ae Carl Fredr 


ik Emanuel Larse 
SS 1823—1859 


105—GIRL READING 
(Water Color) 


84 Height, 201% inches; length, 281 , inches 


that is covered with a waneen of books, BAe 
and magazines. She is in profile to the right, head in 
hands and resting on her elbows, and is absorbed in : 
reading. Across the background green Pane line . | - 


window ledge. 7 
| Signed . the lower right, C. Ry 1908. 


= 
bie 


Purchased at the Verein Bildender Kiinstler, Munich, 1908. ‘ 


AQUI SOROLLA, Y BASTIDA : 


e300 7 


Joaquin Sorolla y Bastida 
SpanisH: 1865— 


107—WATER JOY 


Water joy here is the children’s joy at the seaside, a 
favorite theme of Sorolla. Several happy little young- 
sters in a state of nature—one jamming a broad- 
brimmed straw hat over his head—are scampering 
down the sands and into the shallows of spent waves, 
on their way to the real surf which splashes white be- 
yond them. Behind them come two little girls in pink 
one-piece garments, and out in the surf other bathers 
are seen in suits of different colors. Outside the break- 
ers boats are sailing in a fresh breeze. The scene is 
bathed in sunshine, and the play of light and reflec- 
tions on sand and water and glistening flesh yield color 
and atmosphere of variety and charm, with the painter’s 
interest centered in the lithe, active, nude bodies of the 


children. 


Signed at the lower right, J. Sorotra y Basripa, Va- 
LENcIA, 1908. 


Purchased at the Hispanic Society of America, New York, 1909. 


acto ae 


Height, 32 inches; length, 411/, inches G YG , Mba x 


GERMAN, SWISS AND AUSTRIAN ARTISTS 


Gotthard Kuehl 
GERMAN: 1851—1914 


108—_VIEW THROUGH A WINDOW 
(Panel) 


IO4 Height, 914 inches; width, 5° inches dl. thuho 


_ In the corner of a room paneled in a reddish wood, with 
a gray floor, an opened French window looks out upon 
a landscape ending in indeterminate low hills. Near by, 
under the window, are the brown, yellow and reddish 
roofs and high gables of a village. 


Signed at the lower left, Kuru. 


Purchased at the galleries of Oscar Hermes, Munich, 1913. 


YY 


5 ee (ile 


Karl Franz Eduard von Gebhardt 
German: 1888—- 


109—HEAD OF A YOUNG WOMAN 


/4O- Height, 15 inches; width, 13 inches hh. he Lamuare, lige 


Heap and shoulders portrait of a brown-haired young 
woman of serious face, and sad, grayish-blue eyes, who 
is facing the right, three-quarters front, and looking 
steadily in front of her. Her complexion is that of 
the worker out of doors, and she wears a loose grayish 
waist or jacket, edged with dark brown. 


Signed at the lower right, E. vy. GepHarprt. 


Purchased from Messrs. Hermes & Co., Frankfort, 1906. 


Ernst Adolph Meissner 
German: 1837— 


er . 


110—RAM’S HEAD 


Los Height, 1114 inches; width, 101% inches 0) “9 ef 
( a 


Tue head of a proud, sedate, curly-horned ram, pro- 
jected from the left and seen against a background of 
soft yellowish-green. Fleece and horns are an unctuous 
brown, and a ray of sunlight brightens his gray-white 
and pink nose. 


Signed at the upper right, Ernst Meissner, Mincuen. 


Albert von Keller 
Swiss: 1844— 


(Panel) y: Nhs 


| J. 70 4 Height, 15%, inches; width, 73, inches 
t- j . a 


al 
StTanving, full-length / ¥4 oO, 


VL NOUDE 


7a figure of a tall and 
— handsome young wo- 
t man with slender 
a - 


waist and broad back, 
seen against a pink 
hanging mat. She is 
nude, and stands 
with back to the ob- 
server, her figure 
turned very slightly 
to the right and her 
face seen in profile; 
and her arms are ex- 
tended to the top of 
the mat above her 
head. A strong light 
plays upon the pliant 
trunk, while the lower 
limbs and the clean- 
cut features are in 
transparent shadow. 


Signed at the lower right, Arsert Ketzer. 


ye 7 Adolf von Menzel 
aX x if German: 1815—1905 
f/f —-1128_-M AN READING J 


‘ f Te 00 > (Gouache) 


Height, 11 inches; width, 8% inches 


Hau¥F-LencruH portrait of a man of middle age, lean- - 
ing over a table, reading. He faces the left and is 
seen a little more than in profile, his arms resting on 
the table and holding up a long white book. His long 
bowed gold spectacles lie beside him, light striking them 
and his ruddy face. He wears a brown coat with broad 
lapels and a white stock. 

Signed at the lower right, AM (in monogram), ’86. 
Purchased from Messrs. Hermes & Co., Frankfort, 1907. 


Across the picture, in front of the head, is written Erinnerung 


—‘In remembrance.” 
y ! (io Wh 
eee WUD 


= ia gy, . fe Ac: is 

‘oon Ms 
2 rT oe 

Be oie 4 

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Paul Rene Reinicke 
GERMAN: 1860— 


118-—-CATHEDRAL IN SEEFELD 


(Water Color) Wit A. Acie / Ly ty 


Height, 14 inches; width, 1134 inches 


Ar an elaborate wrought-iron screen protecting a 
gilded altar, ablaze with color and light, which enters 
from a stained glass window on the right, are half a 
dozen worshippers, standing, seated or kneeling. They 
are in the dress of humble folk; one woman carries a 
bouquet. On the grayish-pink cathedral walls are 
numerous sacred pictures. 


Signed at bottom, to left af center, René Reinicke, 
M’cHeENn, ’06. 


Purchased at Miinchener Kiinstler Genossenschaft, Munich, 1907. 


Hans von Bartels 
GERMAN: 1856— 


114—ON THE WAY TO MARKET 


yo (Water Color) | D PA L 


Height, 13 inches; length, 18 inches 


In a heavy market boat a pretty and buxom peasant 
girl is beheld seated in the bow, facing the spectator, 
while a sturdy man followed by his faithful dog tows 
the boat away by a line attached to a fixed project- 
ing oar. ‘The boat is in a canal bordered by luxuriant 
herbage and rolling dunes, and its water is brilliant 
with color reflections. The girl, dreamily pensive and 
with a listless smile, in a pretty costume and charac- 
teristic headdress is seated amongst a wealth of shin- 
ing brass milk cans and other receptacles, with a red 
neckyoke and new white sabots lying at one side. 


Signed at the lower left, Hans Barrets. 


Purchased from D. Heinemann, Munich, 1907. 


-_- /JO Otto Piltz 
d 4 a _e-. - German: 1846— 


115—OLD WOMAN DRINKING COFFEE 


; (Panel) 
10 Height, 10 inches; width, 8 inches oe OJ Muby 


Aw aged woman, heavy but shrunken and bent, is seated 
on a low wooden bench against a dark and shadowed 
background, facing the daylight. She is dressed in 

black, with a coarse white cap, and holds on one knee 
a deep coffee cup, while with the other hand she raises 
to her lips a large saucer of the steaming coffee, over 
which she is blowing, to cool it some. 


Signed at the upper right, O. Pirrz. 


From the D. W. Powers Coliection, New York, 1899.-#Z0Z 1J 350 4 


FLO 4 


Mihaly de Munkacsy 
Hunearian: 1846—1900 


116—STUDY OF A HEAD 


(Panel) 


Tue head is the study of type and expression for the 


principal figure in the large picture, “The Last Mo- 
_@ ments of a Condemned Man,” which was probably the 


chef d@cuvre of this artist. The panel is a head and 
shoulders portrait of a sharp-featured, vigorous man, 
facing directly to the front and looking downward with 
hard, concentrated gaze, his brows knit. His single 
rough garment may be a well-worn sheepskin, with the 
fleece inward. Dark background. 


Signed at the lower right, M. pE MunKAcsy. 


Purchased from F. A. Ackerman, Munich, 1890. 


From the J. W. Kauffmann Collection, New York, 1905.-® 35 MISO £S. 


Height, 13 inches; width, 10 inches Aillhabages 


- Max Liebermann 
aes 3 
~ German: 1849— 


117—POLOSPIEL 
: (Panel) 


S250 4 Height, 11%; inches; length, 181/, inches . 


Tue artist has depicted in a bold and sketchy way, 
with a free swing, his impressions of a game of polo 
on a light green field bordered by dark green woods. 
The players and their mounts are in active motion, the 
players in white and red uniforms, the ponies brown, 
_ white, black and bay or sorrel; and the leading players 
‘with arms and sticks extended are maneeuvring about 


the ball. The day is sunny under a light gray sky. 


Signed at the lower right, M. LieserMann. 


Purchased from Paul Cassirer, Berlin, 1908. U- 


ee 


q 
4 


( 
% 


> 


/$0- 


/10 7 


| 


r 


Edmund Harburger 
German: 1846— 


118—A DIVINE DRINK 


Height, 13 inches; length, 161, inches 


Heap and shoulders presentation of a heavy-necked, 
bald-headed man of German type, a fringe of gray hair 
circling the lower part of his head, who clearly has en- 
joyed the good things of life and is observed in the act 
of continuing to do so. A chaplet of leaves hung on 
his head, he raises to welcoming lips a white shell cup, 
which he holds up in both hands as he takes a long, 
well considered and relished drink. He is loosely robed 
in white. 

Signed at the lower right, E. H. 


Purchased at the Miinchener Kimstler Genossenschaft, Munich, 
1907. 


Prof. Hans Looschen 
German: 1859— 


119—DIE BLAUE UHR 


A PORCELAIN clock of glowing blue, with trimmings of 
gold and white and panels of flowers, stands upon a 
mahogany colored base in front of a mass of ribbons 
and flowers. Beside it, on a table, a black-haired little 
Japanese doll dressed in gay colors is leaning with her 
head against it. 


Signed at the lower right, Hans LooscHen. 


Exhibited at the Exhibition of Modern German Art at the Metro- 
politan Museum of Art, New York, 1908-09. 


(Panel) 4; os ‘¢ 


Height, 1614 inches; width, 14 inches 


$212 ee eee 


va 


i 
E 


“(sae 


7-1 


Ludwig von Hofmann 
German: 1861— 


120—NUDE IN OPEN AIR 


(Pastel) VA Z 
/ OO a Height, 17 inches; width, 17 inches j ' 


Tue artist presents a carefully drawn and modeled 
nude figure of a young woman, against a background 
partly in neutral gray and in part highly colored, 
showing warm yellow, vermilion reds, and various blues 
and intermingled greens. She is seated on the green 
of a rich sward, turned toward the left, with left foot 
doubled under and right knee raised, and her face is 
turned from view. Much is made of the effect of full 
daylight in the open upon the supple flesh, and the 
contrast of rose hues with the green. 


Signed at the lower right, L. v. Hormann. 


Purchased from the artist, 1910. 


Carl Hollman 


GERMAN: CONTEMPORARY 


121—SURPRISED 


A ¥Fanrastic conception in which a bacchante and a 
satyr figure in a composition of rich color. The nymph, 
with eager roving eye and far-flying red hair, is within 
the satyr’s grasp, and his swarthy body is seen pong 
her flowing crimson robe. 


Signed at the lower right, Cant Hotiman. 


Purchased at the International Art Exhibition, Munich, 1902. 


Height, 17 inches; width, 111, inches dunt PT 


Johann Sperl 
GERMAN: 1840— 


122—-MOUNTAIN LANDSCAPE 


(Water Color) 7 4 
; ° : (J ' i) 
CKO ct J Height, 19 inches; width, 14 inches Luillbite, 4 L; {% 


Far in the distance the snow-capped peaks of a great — 
mountain range rise high under a mixed sky of gray | 
and white clouds with glimpses of blue. Nearer by, 
| 0 l/ the lesser summits are a deep blue, while the flanks 
cradle small snow masses. Below, at the foot of the 
p range, the red roofs of a village appear in the middle 
Sf distance, and a gray brook comes forward through 
green meadows and vanishes in the right foreground, 
where it makes a bend about a pollard willow. 


Signed at the lower right, J. Spreru, ’96. 


Purchased from Fritz Gurlitt, Berlin, 1906. 


Angelo Jank 
German: 1868— 


123—HORSE RACE 


F004 Height, 1414, inches; length, 19°84 inches 4D Ullah 


Ir is a race on the turf, and four horses are coming 

down the green pretty well bunched, their jockies in 

aA tog yellow, orange and blue. In the foreground a thin line 

Ahh) ff of spectators are looking on over the rail, and beyond 

Uf the turf track the crowd of spectators are indicated in 
front of a background of green hills or woods. 


Signed at the lower right, A. Janx. 


Purchased from Joseph Franz Brakl, Berlin, 1913. 4 


tp 
>» i 
oes 


E. L. Ostermayer 


GERMAN: CONTEMPORARY 


124—THE ORIENTAL MUSICIAN 4) 


Pastel 
a ee OV 
Height, 1934 inches; width, 1134 inches 


A BLACK-BEARDED dark-faced man in a yellow jacket 
and loose, dark, baggy trousers and a festively colored 
turban, stands in the middle of an unpaved Oriental 
street, playing—or at an interval in playing — a 
stringed instrument on the order of the sarinda. In 
front of bazaars which line the street in the background, 
a turbaned company of small merchants and idlers ap- 
pear as pleased as the musician himself with what he 
has been playing. 


Signed at the lower left, KE. L. Osrermayer. 


Gotthard Kuehl 
German: 1851—1914. 


125—SALON ECKE ds .s 
KioS4 Height, 21 inches; width, 1514 inches , bhuwle 


In the corner of a salon the sculptured bust of a woman 
looks out from a tall pedestal over comfortable settees y) >) o° 
upholstered in red, with harmonious cushions, and over ; 

-- a round mahogany table which supports, on a green 
coverlet, a jardiniére of rich yellow, holding an ex- 
pansive bouquet of delicate blossoms. Paintings and 
elaborately framed mirrors are among the further 
adornments of an interior abounding in color. 


Signed at the lower left, GorrHarp KvEHL. 


Verein Bildender Kiinstler, Munich, 1907. 


Franz von Stuck 
j GERMAN: 1863— 


126—TEASING 


G50 Height, 1814 inches; length, 1914 inches a. bvbauam 


1 ¢} { Aur scene is the border of an ancient wood, and the 
4 \v ' # green of the low-hanging foliage and of the moss on 


.\ ~~ the trunk of a huge tree near the center is of a beauti- 


fo fully rich and luscious quality, while the ground around 
Sf is dappled with patches of golden sunlight percolating 
through the leafage. The sinewy figure of a satyr is 
back to the spectator, as, standing astride a root of the 
big tree, he seeks to divine which side to go to get the 
golden-haired nymph whose provocatively smiling face 

peeks out from the opposite side. 


Signed at the lower right, Franz Stuck, MUNcHEN. 


Reproduced in the volume on Stuck by Otto Julius Bierbaum, in 
the “Kiinstlers Monographien.” 


Purchased from D. Heinemann, Munich, 1909. 


Arthur Kampf 
a GERMAN: 1864— 


| eo 
fe: 127—SPANISH DANCER 


JO 7 Height, 1714 inches; width, 131% inches Gz ber, 


FULL-LENGTH figure of a young woman of one of the 
Spanish types, engaged in a characteristic dance. She 
has emerged into view from the right, with a swinging 
step, and at the moment is balanced on her left foot, 
the other being raised lightly before her, while with 
left hand on her hip and the right hand raised gaily to 
her light, broad-brimmed hat, she flings a glance back 
over her shoulder. She is dressed in flame-color and 
white, and has a red bow in her dark hair. 


Signed at the lower right, A. Kamer. 


Purchased from the artist, Berlin, 1906. 


Felix Prosper Eugen Bracht 
GERMAN: 1842— 


128—LANDSCAPE 


137 Be Height, 18 inches; length, 2014 inches TOG 
4 | 


Woops yellow and brown in autumn coloring, before 
their leaves have begun to drop, fill the greater part 
of the picture, extending back from the left foreground 


| / toward the right. until only a glimpse of sunset sky is 

tA visible. At their base a river reflects their shadow, and 
| r~ two people in a boat are fishing. 

3 “ee Signed at the lower right, Eucen Bracur. 


From the International Art Exhibition, Berlin, 1900. — 


Prof. Max Klinger 
German: 1857— 


129—LANDSCAPE 


SA SO 4 Height, 19%; inches; width, 19 inches Yu dh 


~  BeweatuH a sloping, irregular bank are white-capped 

/\ \ © blue waves, and rolling waters reflecting many colors. 
: The bank, which rises out of the picture, is pale sand- 
color and rich, fresh green, and at its foot are russet 


boulders. 
Signed at the upper left, M. K. 


Purchased from Fritz Gurlitt, Berlin, 1908. 


Gustav Schonleber 


, 

; German: 1851— v, 

fe | 

$ 130—COLMAR LANDSCAPE 

3 iy, 00 4 Height, 18 inches; length, 21 inches Julie y,' 

:, a 
‘ ANcIENT houses line the bank of a stream, their mass Ov 

i entering the picture at the left and receding until in 


the distance the last building is overtopped by two 
green poplar trees. Gray and yellow walls and high- 
~ a gabled brown roofs, mellowed by time and weather, 
| give the note of charm to the prospect, and mottle the 
oe water with their shadows. Ducks swim in the stream, 
ig and an old woman stoops to dip into it some cloths. 


Signed at the lower left, G. ScHoOntEBER, 1881. 


Purchased at the Grosse Berliner Kunstausstellung, Berlin, 1906. 


Prof. Max Klinger 
GERMAN: 1857— 


1381—_LANDSCAPE 


TiS Height, 201, inches; width, 181, inches ie 


- Trees on the farther slope of a hilly field project their . 
tops above the crest, and one tree rises out of the pic- ie Ce 
NX 


ture. Below the field is a broad blue stream, with 
white-capped waves; iron-red and spotted rocks, ris- 
ing out of it in huge ledges, fill the foreground. 


Signed at the lower right, M. K. 


Purchased from Fritz Gurlitt, Berlin, 1908. 


Prof. Rudolf Schramm-Zittau | 


GERMAN: 1874— 


132—DUCKS 
J (Panel) 


ff 5604 Height, 13%, inches; length, 231 inches ee Lisette 


Ducks are having a fine time hunting their food on l&nd 
and in water, and their spots of color add engaging 
notes to a homely, sunshiny country landscape. Or- 
chard trees beyond a rickety picket fence project their 
branches to the right across the fence and over a nar- 
row stream that runs along at its foot. Here the 
ducks are just waddling in or swimming, and golden 
sunshine and cool shadows make the landscape live. 


Signed at the upper left, Ruvotry ScHRAMM-ZITTAv. 


Purchased at the German Art Exhibition, New York, 1907. 


. Ernst Oppler 2 |e 
ae: German: 1867— 7B 


1383—TENNIS TOURNEY AT OSTEND 


W/O ‘4 Height, 18 inches; length, 21% mene W Ly ; 
J, 


ke Deep, broad sand dunes form a slightly rolling sky 

| line high across the background, beyond which the ob- 

server feels the presence of the ocean beneath a soft 

¥ ; gray sky traced with white clouds. In front of the 
dunes tennis courts are laid out, and fenced in with high 
protective nettings, and a gaily dressed company of 
summer sojourners at the famous resort are gathered 
on all sides watching the contestants in a game. 


Signed at the lower right, E. Oppter, ’09. 


Purchased from the artist, 1913. 


Wilhelm Leibl 
GERMAN: 1844— 


134—THE ACTOR 


XN/0O 4 Height, 28 inches; width, 17 inches : 


A TALL young man of serious face, clean-shaven and 
with strongly marked features, is portrayed at full 
length, engaged in a lone rehearsal. He is seated in a 
high and heavy, leather-covered, winged armchair, fac- 
ing toward the left and seen two-thirds front. With 
left hand on the arm of the chair, and seated well back 
in it, he extends his right hand at arm’s length, the 
fingers spread and inclined downward, whither his 
steady gaze is directed, as though he were addressing 
a company below him in declaratory speech. A strong 
hight falls upon him. He wears red tights and a sleeve- 
less gray jacket, revealing the shoulder-sleeves of his 
white shirt, his sinewy arms being bare, and he is seen 
against a background of neutral tones, running from a 
warm mahogany-brown to deep green. 


Signed at the lower right, W. Lets, 1867. 
\ — 


Reproduced in “Wilhelm Leibl; eine Darstellung seiner Kunst 
Gesamptverzeichnis seiner Gemdlde,’ von Emil Waldmann. 


Purchased from Fritz Gurlitt, Berlin, 1906. 


The canvas was a study for a composition, “Don Quixote, den 


Balsam des Fierabras brauend.” LZ 
hye 


~ 


3 tre re one 
Pa NARS EE EGE SOIREE 


BY 


~ 


. — * 
. 


‘FRITZ K. H. VON UHDE 


A) 
. 


a high- -back chair reading 1 in a ae bogies a 


Genay: : 1848—1911 


1385—GIRL READI N G 


) 50) Height, 233), sahee: width, 19 14 3 “inches / ‘te 
750 4 Se 


A pLump and fair little German maiden, . Cola ained 
yellowish-blond hair falling over her fo 1 
and stopping short at the back of her neck is sea 


blue wall and soft red portiere and a olen = 


yond the sun-bright window. 


| Signed at the lower pha 


Purchased from the late Herman Schaus, New 4 aa 1905. 


a 


TS AT ee a > 


ee ee oe ee ee ee le 


Ludwig von Hofmann 
GERMAN: 1861— 


1386—DANCING GIRL eS Ys, 


KOO 4 Height, 25 inches; width, 19 inches 


A TALL young woman of free and strong build is pic- 

tured going through dancing steps on the green turf 
of a wooded point beside a body of blue water. She 
is partly nude, screened only by filmy green draperies 
which swirl with the motions of her arms and body, and 
her head is crowned with abundant reddish-brown hair. 
In the sunshine beyond some bathers are seen. 


Signed at the lower right, L. v. Hormann. 


Purchased from Messrs. Hermes & Co., Frankfort, 1908. 


+ 


4 ‘be & 
“ 
4 


Tm, 


Max Liebermann 
GERMAN: 1849— 


187—BOYS IN BATHING 


(Water Color) 


F OO yf Height, 191% inches; length, 251, inches 0d ucts) 


Eicut young boys have gone down to a river for a 
swim. Three of them are nude in the water, which is 
dark blue on the right, and the others are on a low 
green bank on the left, partly or wholly unclad, near 
a line of bushy willows. 


Signed at the lower left, M. LieperMaNnn. 


Purchased from Fritz Gurlitt, Munich, 1906. 


4507 Height, 131%, inches; length, 234, inch 


Constantine Feudel 


GERMAN: CONTEMPORARY 


188—MADONNA, CHILD AND ST. JOHN: 
THE MADONNA OF THE CHAIR 


Height, 281, inches; width, 281, inches et 


A copy of the Madonna de la Sedia in the Pitti Pal- 
ace, Florence. The Madonna, of beautiful young—face 
and warm complexion, is seated in a chair upholstered™ ) 
in red, facing the right and with head turned to the eee 
front and bent over the head of the Child, whom she % 
holds on her knee. She appears at three-quarter length 
and is robed in green and rose; the Child has a single 
garment of soft yellow. The infant St. John, with 


hands clasped on the Mother’s knee, looks up at the 
Child in adoration. 


Signed by the artist on the back, with a statement of 
the subject, and dated at Fuiorence, 1897. 


Purchased from the artist, 1897. 


Prof. Rudolf Schramm-Zittau 
GERMAN: 1874— 


189—DUCKS : 
( Panel) Yo : rE 


Ducks and ducklings, black, brown and yellow, are ae 
sporting in a shallow stream or pond that is brilliant / 
with color in myriad reflections. They themselves add 
color and light as the bright sunshine flashes upon them. 
In the background are green bushes and a sandy bank. 


Signed at the lower left, Rupotr ScurammM-Zitrav. 


Purchased at the German Art Exhibition, New York, 1909. 


Leo Putz 
GERMAN: 1869— 


140—MARA Wawa. 


Height, 22 inches; width, 18 inches . 


1420 4 Mk fullinch 
Heap and shoulders portrait of a young womafi of un- 


usual type, bust turned toward the right and face al- 
most full to the front, with eyes directed over her right 
shoulder. She has black and peculiar eyebrows, and a — 
| 10 strong light from overhead throws shadows below the E 


ign el as ena 


eyes. She wears a broad white collar, and a loose waist 
with wide blue and white stripes. Tapestry background 
of blue, brown and yellow. 


Signed at the upper right, Leo Purz, 12. 


Purchased from Joseph Franz Brakl, Munich, 1912. 


Max Slevogt 
GerMAN: 1868— 


_ 141—LANDSCAPE 
G () ISO 4 Height, 25 inches; length, 30 inches y,) bfurleo 


4 A mass of greenery in a luxuriant garden fills the pic- 
ture, the foliage of trees and shrubbery in varying 
shades crossing the view as a screen and permitting 
glimpses of sunlight and of more verdure beyond. In 
front of the screen, in the foregrourd, a garden path 
winds about a serpentine pond in which a single jet of 
water plays. 

Signed at the lower right, Stevoer, ’09. 


Purchased at the Caspari Galleries, Munich, 1913. 


THE YELLOW BODICE 


BY a 


> . 


___- HANS VON BARTELS 


Hans von Bartels 
GERMAN: 1856— 


}} l) 0 142—THE YELLOW BODICE 


(Water Sine 


NOO 7 Paghin 30 inches; width, 24 me gy Hh, ee y 


THREE-QUARTER length figure of a buxom, heavy-hipped 
young peasant woman, standing, in a field covered with 
| : light verdure. She wears a waist of marvellously bril- 
\ liant yellow, with white dots centered with bright red, 
and a bright blue checked skirt. She stands facing the 
spectator, with figure turned slightly to the right and 
head a little to the left, her blue eyes directed over her 
right shoulder. Her bright, florid face is framed in 
an elaborate white headdress, trimmed with blue and 
set off by brilliant yellow metal ornaments. Beyond 
her a stolid peasant is ambling away, smoking. © 


Signed at the lower left, Hans Barrets, 08. 


Purchased from Fritz Gurlitt, Berlin, 1910. 


2% 
’ ie ahs Dek 


Prof. Rudolf Schramm-Zittau 
GERMAN: 1874— 


143—PARROTS 


A B 0 KLO-y Height, 2134 inches; length, 3114 inches Lo hw hw 


Har a dozen parrots, apparently part of the popula- 
tion of a large open-air cage at a zoological garden, 
are depicted in a bright light in various attitudes. A 
pink one and a white one with pink head are seated 
side by side at the end of a perch, looking down with 
the unblinking dignity of owls, and below them is seen 
the red head of a “Punch and Judy” sort of a parrot, 


looking scornfully wicked. On neighboring perches 


three white birds with yellow crests appear, alert while 


at rest, and all are seen against a background of pale 


green of neutral quality. 


Signed at the upper right, RuvotF ScHramM-ZirTav. 


Purchased at the Verein Bildender Kiinstler, Munich, 1907. 


———e——e—e—ee—eee——eEeEeE—EEEe—EaeEe 


id 


_ ARNOLD BOCKLIN 


6) 
aed 
a 
=a 


Arnold Boecklin 
Swiss: 1827—1901 


144—AT THE SPRING 


0 bi004 Height, 21 inches; length, 3034 inche 
40 A GOLDEN-HAIRED young woman is cooling herself in a 


stream that is fed by a trickling rill, which comes 
down a steep wall of gray rock to join it. She stands 
r ankle-deep in the water, nude, with figure turned 
slightly toward the right and face seen in profile. Her 
golden hair is done high on her head, and she leans e 
with one hand against the rocky wall and extends the ‘ 
other to catch the falling water of the rill. At the 
water’s edge are lying a white drapery, a red cloak, a 
sword, breastplate and shield, and a helmet with red, ‘ 
blue and white plumes. A tree in blossom rises behind 
her against the dark rock wall, both tree and wall 
mounting out of the picture, while at the left in the 
background are pale blue-green willows and other trees, 
blue water of the stream, and white wild flowers grow- 
ing in deep green grass. 
Signed at the lower left, A. B. 
Painted in 1879. } 
Shown at the Exhibition of Modern German Art, Metropolitan 
Museum of Art, New York, 1909. 
Reproduced in the volume on Boecklin, by Fritz von Ostini, in 
the “Kiinstlers Monographien.” 
Purchased from Messrs. Hermes & Co., Frankfort, 1907. 


emi US 


Se ee ee 


Wilhelm Trubner 
GERMAN: 1851— J }d O 


145—LANDSCAPE 


7 7, ‘0 ¥9) A Height, 30 inches; width, 25 inches LA 
Masses of foliage thick on the left and oC out 3 


toward the right form the background, partly screen- 
ing the corner of a garden from the brilliant sunshine, 
which paints the shadow of a green fence on a broad 
sandy path. Climbing over and through the fence are 
brilliant red flowers massed on its farther side. 


Signed at the lower right, W. 'Trusner, 1910. 


Purchased from the Oscar Hermes Gallerie, Munich, 1918. 


Charles Schuch 


GERMAN: CONTEMPORARY 


146—STILL LIFE: FRUIT bya dee 
Jd 40 100 


oe, SOO 4 Height, 291, inches; width, 22Yy inches 


OssERVED against a dark background, half a dozen ripe, 
mellow apples are pictured as they lie appetizingly in 

~the sunlight on the loose folds of a grayish-white table 
covering. They are red and yellow and luscious look- 
ing, and one is freshly peeled, the curling skin and an 
ivory handled knife lying beside it on the table. Be- 
yond the apples is a covered metal pot. 


Signed at the lower left, C. Scnucn. 


Purchased from Edward Schulte, Berlin, 1907. 


Leo Putz 
| b GERMAN: 1869— 


147—JAPANESE STILL LIFE 


00 4 Height, 25 inches; length, 30 inches I. 6 


An interior, vaguely lighted, with more or les%a sense 
of Oriental mystery, in which are pictured some Jap- 
anese ornaments on a partly covered onyx table stand- 
ing before a mirror. One of the ornaments, a figure q 
in green and black robes, riding on a gray toad, stands ee 
just beyond a mildly opalescent conch shell, while to SS 
the left is a statuette of a man, reflected in the mirror. 


Signed. at the lower right, Lxo Putz. 


Purchased from Messrs. Brakl & Thannhauser, Munich, 1908. 


Fritz Osswald 


/ GERMAN: CONTEMPORARY . 5 
9 148—STILL LIFE: PINKS ; 


S/O Height, 30 inches; width, 25 inches Wipe Leutith 


In a room bright with sunshine a white-covered table 
stands against a light wall just tinted with neutral 
stripes. On the table a tall, tapering, glass vase holds 
a large bouquet of pink and white carnations. The 
vase stands beside a brilliant brass tea-set, which is on 
a brass salver, and the play of golden lights contrasts 
with and emphasizes the hues of the flowers. 


Signed at the upper right, Frirrz Osswatp, 708. 


Purchased from Messrs. Brakl & Thannhauser, Munich, 1908. 


ks Kopp 30 


GERMAN: CONTEMPORARY Ws 


149—BATHING SCENE ’ 


ZOO Height, 22 inches; length, 32 inches ree 


A DOZEN or more women and girls have come down to 
the seashore for an informal bath, and are observed 
on a green and sandy foreground, the majority of them 
nude and some in a state of partial dress. Beyond 
them a placid bay shines white, and the sun is “draw- 
ing water” through murky masses of rolling gray vapor. 


Signed at the lower right, Orro Kopp, ’11. 


Verein Bildender Kiinstler, Munich, 1913. 


Max Fleischer /0 0 
German: 1841— 


150—NUDE: STUDY OF A BOY 


JOO A Height, 341, inches; width, 214% inches Ef: J 


FuLuL-LeneTtH figure of a boy with his back to the ob- 
server, turned somewhat toward the right and his face 
_turned three-quarters away. He is standing, nude, with 
arms folded and left hand clasped about his right shoul- 
der. He faces the sunshine, his eyes protected by a blue 
cap, and his back is seen in luminous shadow against a 
background of green woods, the sunlight flashing 
from his shoulder tips and the edge of arm and _leg. 


Signed at the lower right, Max FLetscuer. 


Purchased of A. Preyer, The Hague. 


7 


Geng ” sd og : 


+4) z 


F. Arntzenius 


DutcH: CONTEMPORARY 


151—_OLD HOUSES AT HOOVEN 
(Water Color) : a 


/ J O at | Height, 1714 inches; length, 25 inches D2 VA ify nif, 


Art the left in the middle distance an old gray windwi 

stands at the head of a line of houses which extends 
forward toward the right foreground, along the bor- 
der of some shallow water. The houses are low and 
ancient, but not ramshackle, and in their varied notes 
of brown and gray and the picturesque jumble of their 
gables form an attractive picture, their low colors be- 


ing reflected in the water. 


Signed at the lower right, F. Arnrzentvs. 


Purchased at the Holland Fine Art Department, World’s Fair, 
St. Louis, 1904. 


Se 


ad at THE POOL 


i ; : 


I JOHANN ZiUGEL 


Heinrich Johann Zugel 


F504 Height, 22 inches; length, 34 inches 


Two of the familiar brand of black and white cattle, 

, small but chunky beasts with small heads, and. horn- 

| less, are brought down close to the spectator and are 
seen knee-deep in a pool or eddy of a stream whose 

waters their clumsy progress has churned up. ‘They 

face to the right, three-quarters front, the nearer one 


partly obscuring its companion’s body. The disturbed 
water is gray, black and brown with their reflections, 
and behind them is observed the figure of an attendant, 
while the background is formed of the bed of the stream, 
which winds in irregular blue-gray streaks among 
brown rocks that here and there have a covering of 


green. 
Signed at the lower right, H. Ztcrr, 1903. 


Purchased at the Verein Bildender Kiinstler, Munich, 1906. 


Baur. 


| GERMAN: 1850— 
152—CATTLE AT THE POOL y ol : 


bt 


FE Fie oe 


‘HANS THOMA 


0 6) Hans Thoma 


[ () GERMAN: 1839— 


153—NOON HOUR | a 
/OOO 1 Height, 26%, inches; length, 3234 inches T. Dusan : 


Unver a sky of deep, intense blue in which a single 

patch of light gray cloud floats, in the upper right 

hand corner, a bold landscape stands out in the bril- A 
liant light of the noonday sun. The shadows of some 

chickens pecking in a roadway in the foreground are 

almost directly beneath the birds. The road leads to 
a long, low, brown farmhouse, and winds about trees 
of dense foliage and hillocks of green grass; at a bend, 

in the middle distance, is the figure of a woman in blue, 

with a red cap. Mounting high above the treetops is 

a broad, round-topped hill, whose fields have been 

reaped, and show a warm sunny yellow beneath the 

sky’s strong blue. : 


Signed at the lower right, HT (in monogram), 1907. 


Purchased from E. P. Schneider, Frankfort, 1907. 


oir Aree 


ll t 


$ } és “% ] ai y A 


+ 


Heinrich Johann Zugel 
German: 1850— 


154—-OX EN 
SOOO 4 Height, 21 inches; length, 31%, inches SVjb- ptocttliy » 


In the cool shadows of an open forest a boy is leading 
forward a pair of black and white oxen, the group ap- 
pearing in the near foreground at a bend in a brown 
and winding road. Bright sunlight of a summer day 
percolates amid the leafage, mottling the broad backs 
of the animals, dappling the roadway, and touching 
“bits of the roadside growths to a fair, light green, in 
sharp contrast to the dense green of the shadows. 


Signed at the lower right, H. Ztcerr, 1903. 


Purchased from D. Heinemann, Munich, 1905. 


oo 


Craw Amd nm - 


Max Liebermann 
GERMAN: 1849— 


155—AT THE SEASHORE: TERRACE ON 
THE ELBE, NEAR HAMBURG 


/, 4 00 af. Height, 27 inches; length, 321, inches 8S 


On the right a high green hill enters the picture, slop- 
ing to a broad expanse of grayish water which from 
the left foreground extends to the horizon where it 
meets a grayish-white sky. Part way down the hill, 
on the right, a terrace is arranged for visitors, and a 
woman seated at a table decorated with flowers has 
turned toward the protecting balustrade and looks 


seaward. 
Signed at the lower right, M. Lirsermann. 


Purchased from Hugo Helbing, Munich, 1912. 


UATE PGR DE ea 


hae j ee 


i 


ihe ES 


in 


M0041 


Heinrich Johann Zugel 5 5a 


German: 1850— A call y a 


156—COUNTRY FOLK COMING FROM 
MARKET 


THE scene is a broad dusty road along rough open 
fields. On the right a boy in a market cart is com- 
ing forward, driving a white horse at a heavy trot and 
passing a boy on foot who is attending a couple of 
the artist’s favorite black and white cattle. Bright 
sunshine glistens on the backs of the beasts and throws 
their shadows ahead of them. Behind the cart comes 
a heavy wagon drawn by an ox team and holding a 
man and two women, and back of that is another wagon 
with a single figure. 


Signed at bottom to left of center, H. Zicer, 1907. 


Purchased from the artist, Munich, 1907. 


Cre ct ee 


10° 


Height, 22 inches; asthe 34 inches Db. 4 Zt A é 


Arthur Kampf 
German: 1864— 


rh 157—MAN AT WORK 
2 Lan sible 4 Height, 35 inches; width, 25 inches 

4 THREE-QUARTER length figure of a laborer, walking, ~— 

with a load on his shoulder. He is within a partly com- 
pleted building and seems to be carrying mortar; a tub 
in which something has been mixed stands in front of 
him and some brick are seen near a ladder beyond a 
doorway. He is in blue overalls and nude above the 
waist, and with his face in shadow the hard muscles 
of arm and back are studied in a light from above. — 


Signed at the lower right, A. Kampr. 


Purchased from the artist, Berlin, 1906. 


- 


Max Liebermann 
GERMAN: 1849— a 


‘a 158—NORDWIJK S 
F f 1000 7 Height, 28 inches; length, 351/, inches : thule 4 


A BROAD sweep of sandy shore leads to a wide stretch 
of placid blue water, under a light gray sky. The day 
is warm and sunny, and women and children amuse 
4 themselves or rest among the mellow-toned sands of the 
dunes, which are dotted with covered beach chairs and 
bright-colored banners. 


Signed at the lower left, M. LirpermMann. 


Purchased from H. Thannhauser, Munich, 1912. 


jo S00, ‘oc | 


Ludwig Dill 
GERMAN: 1848— 


159—LANDSCAPE: ABEND IM MOOR — 


Height, 28°, inches; length, 3614, inches 


Lorry trees growing alone or in groups of two and 
more are viewed near at hand at the close of a sunny 
day. Their trunks, more or less bunched, form some- 
thing of an open-work screen across the picture, their 
commingled foliage aloft shutting out the sky, which 
below is filled with light cloud billows, the sun having 
but just gone. A stream wanders and winds through 
flat, brownish-green meadows plenteously dotted with 


yellow wild flowers. 


Purchased at the Deutsche Kunst Verband, 1905. 


Signed at the lower right, W. Dru. 


ie 


ha 


Franz Skarbina 
GERMAN: 1849—1910 


160—DAS ROTE SERVICE 


WO Height, 38°34 inches; width, om inches 
ne Db. Basile 


A RED china set, of tray, teapot, cup and other pieces, 
P which gives its title to the picture, is being carried or 

¢ my,” 
() held by a tall young woman who stands very straight 
b before a carved mantel. She faces the left and is seen 
in profile, and wears a short-sleeved gown whose sur- 
faces reflect mauve, and pale grayish-blue and pinkish- 
brown hues. Chinese and Buddhistic ornaments and 
statuettes adorn the mantel. The service is a deep 


vermilion red. 
Signed at the lower right, F. Skarpina. 


Purchased at the Grosse Berliner Kunstausstellung, Berlin, 1907. 


¥ 


ANISH LANDSCAPE 


7 ; z f Ly 


a aa rege 


Ly 


eS 


ps7 OZSG ge hee 29% inches; sa a0, 4 ‘nel 


oe 


7 of trees. They nearly fl the pick <7 


Walther Leist iko 


Grams 1865— 


161—DANI SH LAN DSCAPE 


an extensive landscape. Rigid and Ree 


leaves. om : 


Purchased from the artist, 1906. 


Charles Schuch 


GERMAN: CONTEMPORARY 


162—LANDSCAPE yor Sto 


J00 % Height, 83 inches; width, 21 inches 


Au in shadow, a section of a rocky land is pictured 
for the pleasure of studying the subtle variations of 
light and color to be noted under this restricted lumi- 
-nosity. <A bold cliff gives the high horizon, the uneven 
rocky line receding toward the right. Above it is a 
glimpse of blue sky, with cloud edges white in the light 
of a setting or rising sun. The jagged wall of the cliff 
is gray and dark, and a few trees growing at its foot 
project their tops above its summit, their dense foliage 
making them still darker in shadow, almost black. 


Signed at the lower right, C. Scuucn. 


Purchased at the galleries of Oscar Hermes, Munich, 1913. 


Adolf Munzer 
GERMAN: 1870— 


163—GIRL WITH PUPPET Lo Lilith, 


; o's } B71, in 
LOO 1 Height, 2914 inches; length, 371, inches 


A youne girl, clad in a short-sleeved white dress, sits Z 0 Y 
beside a white-covered table with her back against a : 

wall or screen, looking toward the spectator. Her 

hands are carelessly clasped, one elbow resting on the 

table and the other on a plush-covered spindle rail, and 

beside her on the table are a bowl of bright flowers and 

a fantastically clad doll of humorous expression. 


Signed at the lower right, Av. Minzmr, ’07. 


Purchased at the Grosse Kunstausstellung, Dresden, 1908. 


Wilhelm Trubner 
GERMAN: 1851— 


164—CASTLE HEIMSBACH y ' y) 
VALE Height, 31 inches; length, 37 inches 


Turee tall trees, with handsome, drooping branches, 
stand near the foreground, which they partly shade. 
y 44 3 Between their trunks one looks beyond to a sunny gar- 


den and close, bordered by pink flowers, on the right 
of which rises a great house or castle. The foliage, 
and the herbage of the foreground, are of a deep, rich 
green; the building is of a grayish cream color. 


Signed at the lower right, W. TruBner. 


Purchased from Fritz Gurlitt, Berlin, 1907. 


Paul Crodel y 
GERMAN: 1862— +3 


165—MOUNT'AIN VILLAGE IN WINTER Wi, 
AIF Height, 28 inches; length, 40 inches 


#& Massive mountains with rounded summits recede in 
5 the background, their peaks shining white as the sun- 
A y| light from a clear sky slants across their covering of 
snow. In the middle distance a lower mountain ridge, 
entering the picture from the right, throws into cool, 
transparent shadow the whole foreground, where the 
clustered cottages of a snowed-in village are grouped 
around the village church. 


Signed at the lower right, Paut Cropet. 


Purchased at the German Art Exhibition, New York, 1909. 


? 


ULRICH HUBN 


aets & - 
a 
yee, 


¥ 
ae 7 
. ae 
Dud vic bt 


qi 


Height, 31 incheae length, 40 inches 
ie LN Bi ey 


Ulrich iabeen 


GERMAN: CONTEMPORARY 


ey 
166—M ARINE | 


Tossine waters of a broad harbor are green anéwhite, 
blue and brown, with changing lights and reflections, | 
under a windy sky in which light clouds are actively 
passing across the blue. In the middle distance, on 
the right, a dark point of woods comes out in shadow, 
and in the left foreground is a large red buoy. With- 
in the harbor steamboats are plying, and sailing boats 
with brown and white canvas, and in the distance the 
blue ocean is suggested. e 


Signed at the lower left, Utrica Hisner. 


Verein Bildender Kiinstler, Munich, 1912. 


oat ts 


5 


ae 


ALFRED MOHRBUTTER > 


[s 


_167—NUDE 


| behind her a white coverlet falls over the eee foot tee 


or 
ey 
ia 


Alfeed. Mohrbutter 


German: ConTeMrorary — : 


(Pastel) 


ee has taken up a cup or other similar sbiee ae 
she is examining intently. She faces the Sperta es 


Her discarded white drapery cushions her chines ae 


yield a dark background with colorful suggestions in 
low, rich tones. 


- rs ss : 
T fA. ‘su 
Al - 5 Wieck 


7 


HUGO VON HABERMANN. 


P 


Hugo 


‘168—IN THE STUDIO - “\] ae e 
TEO q Height, 393, inches; width, 37 4 i inches 


THE spectator looks into a roomy tadion 
artist is at work from a young woman mod 
seated high in a large armchair, on crumple 
his head being concealed by the canvas on 1 
at work. The model, in green-blue skirt and 
gée waist, stands in careless pose, leaning ag 
shelf, with hands on hips. She faces the sp 
with her head turned toward the pees at 


the high window, screened below with a green, cu 
one looks at a gray-white sky. Rea 


Signed at the lower right, HABERMANN, 


Purchased from D. Heinemann, Munich, 1907. 


<e J ~~ Ge . 
, ae ~) 
+ 


are ow 


Lt 


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ae 


ie 
Wy 


U} Prof. Franz von Lenbach 
GERMAN: 1886—1904 


169—IN ECSTASY 


Be joe q Height, 45 inches; width, 3334 inches Aale thnk 


Sranpine figure of a young woman, demi-nue, depicted 
ao? in ecstatic emotion. She is observed at somewhat more 
yi J than half-length, her hips wound with folds of trans- 
parent draperies in delicate tints of rose, green and 
yellow, with white. The upper figure, nude, is turned 
slightly to the right, and she has raised both arms 
above her head, the hands not meeting but the fingers 
extended and bent in a tense will to grasp, as with 
head thrown back and eyes raised in rapturous long- — 
ing she looks upward between her hands, her lips lightly 
parted. Abundant reddish hair enwinds her head and 
falls at will down her back. The mobile flesh reveals 
many modulations of tone, seen in a soft light per- 
mitting the play of delicate color influences. 


Signed at the lower right, F. Lenspacu, 1908. 


Purchased from Albert Riegner, Munich, 1905. 


hoo 


RICH JOHANN ZiiGEL fs 


‘ 
ul 


ye? 


Heinrich Johann Zugel 
— German: 1850— 


170—_SHEEP HOMEWARD BOUND 


re 
Height, 8544 inches; length, 48 i nes yz 
/KSO 4 cig \, inches; leng inche © Wf, Me) 


Comrne toward the spectator, their leader close in the 


foreground, a goodly flock of fat, horned sheep spread 
out in a broad wedge, though closely packed together, 


their shepherd bringing up the rear on the left, his dog 
accompanying him. The broad woolly backs, so closely — 


massed, seem to form a gray and white, fleecy plateau, 
which is mottled by slanting rays of golden sunset 
light and accented by the recurrent and projected black 
faces and the boldly-curving horns. Their way is down 
a hillock in a bleak country, the herbage through which 
they are making their slow way a deep reddish-brown, 
mingled with green and bits of red and yellow field 


flowers. | 
Signed at the lower right, H. Ztcexr, 1907. 
Purchased from the artist, 1907. | 


AMNMe, - 


ee 
ete, 


Y 


‘ 
yet s 
La . 

4 


ci tcc a ditch o- 


(yo? 


| blah, 
J b OO + Height, 36 inches; length, 48 inches. d LOS yi 


Heinrich Johann Zugel — 
German: 1850— : 


171_SHEEP GOING TO PASTURE =) 


Mornine is bene bright, and a shepherd i is oe 
out with his charges for another day of feeding afield. 
Dressed in brown, with a gray slouch hat, he is see 
closing some heavy wooden doors at the corner of ¢ 
stable sheltered in a grove of birches. His flock, broad — 
of back, and corpulent in their ample coats of curling — 
fleece, are huddled close together between the trees, 
around him, while his dog in the foreground guards © 
them with a schoolmaster’s eye. The sheep are of the 
horned variety, with black faces. The sunshine oe 
streaming through from the left plays in varying color 
on their unctuous mats of fleece, while beyond the ~ 
grove the distant country is scarcely yet alight. 


Signed at the lower right, H. Zier, 1907. 


Purchased from the artist, Munich, 1907. 


Cot ee 


| 


LEO PUTZ © 


Pea Wes. 


L0° 


Leo Putz 
GERMAN: 1869— 


172—HOCHSOMMER 


Height, 451/, inches; length, 491, inches 


Tus example of one of the most conspicuous of mod- / 
ern )German artists who has given many demonstra- 


ions of his proficiency, and of the amplitude of his 


dark-haired woman partially disrobed, reclining out of 
doors on a hot and sunshiny mid-summer day. A robe 
or a wrap of plum-colored lining is spread upon the 
ground in the kindly, transparent shade of unseen, — 


suggested trees, through whose foliage the sunlight pen- 2 2 


etrates in fleeting dashes, dappling ground and fabrics 
and the supple flesh exposed to its inquisitive rays. 


With a white pillow under her head and a small parasol 


back of it, the object of the painting lies at full length 
upon the ground, on the robe. One hand is at the handle 
of the parasol, and the other is holding the cord of a 
white fan and the loosened gray skirt, with dark blue 
stripes, which lightly covers her waist and limbs, the 
upper body being nude. 


Signed at the lower left, Lxo Purz, 06. 


Reproduced in “Leo Putz, ein Deutscher Kiinstler der Gegenwart, 
mit Text von Wilhelm Michel;” Verlag von Klinkhardt & Bier- 
man, Leipzig. 


Purchased at Miinchener Kiinstler Genossenschaft, Munich, 1907. 


cyto 


imagination, in the painting of the nude, portrays a _ 


THIRD AND LAST EVENING’S SALE 


THURSDAY, JANUARY 20, 1916 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH 


“BEGINNING AT EIGHT O'CLOCK 


| sony vpatum freon adalor ait 


tiered} 


WATER COLORS AND OTHER PICTURES 


George Alfred Williams 


AMERICAN: 1875— 


4 i 178—F ASCINATION 


| ee (Water Color) I y}; bib, 


Height, 584 inches; width, 11% inches 


1 penance hina 


StTanpine figure of a tall, slender young woman, in a 
clinging négligé robe of yellowish tint. 


Signed at the lower right, GAW (monogram), 1904, 


Purchased from N. E. Montross, New York, 1918. Ck le Ons 


AMERICAN: 1875— .- 
174—THE AURA ay oe 


AOA 


we 


(Water Color) 


Height, 6 inches; width, 2 inches — 


oth wee 
a 
Sranpine figure of mystical mien and aspect—a_ yor be 


in white and black, with head shrouded but face 
vealed; and about her head an ethereal white aura. 


A Mosaic Painting 


175—ROMAN RUINS 


Height, 4 inches; length, 614 inches 


A picture of classical ruins, in mosaic minutely inlaid 

in horizontal and vertical courses, in the colors of paint- 

ing. | | 

On the back is written: “Manufactured at the Vatican 
workshop.” 


+ wenger the a ptt — pee ‘ wea : 


ha hiesecmag! 


V.Tessavi 


ITALIAN: CoNTEMPORARY 


176—_SHEPHERDESS 


(Water Color) 


Os" “‘ - Height, 11 inches; width, 8 inches 2 D F tt 


_A SWEET-FACED young peasant girl with broad cheeks 
and the firm hands of toil is carrying homeward a 
small yellowish-white lamb, which she holds in her left 
arm. She is going away from the spectator. She is 
in blue, brown, yellow and red. 


Signed at the lower right, V. Tessavi. 


Fritz Althaus 


GERMAN: CONTEMPORARY 


177—_SCENE IN DEVONSHIRE 


(Water Color) fp dD. db 


654 Height, 101% inches; length, 121% inches 


Between conifortable-looking cottages with gray plas- 
tered walls and tile roofs, the spectator looks out across 
a blue river, dotted with sail, to a hazy farther shore 
that is overhung by cumulus cloud masses. Seated 
upon or leaning over embankment walls, between the 
cottages, are several persons in neighborly gossip. 


Signed at the lower right, Frrrz Aurmaus, ’05. 


Purchased from the artist. 


Paul Rene Reinicke 
German: 1860— 


178—ON THE TERRACE 


(Gouache) 


7 : e Wi 
0 “id Height, 91, inches; length, 161, inches 


Tue terrace of a European watering place curves 
from the left foreground around to the right, border- 
ing a cool gray sea. Men and women strolling, seated 
on benches or in rolling chairs, are enjoying the keen 
sea breeze, conversing, reading, or gazing at the surf 
breaking over offshore rocks. 


Signed at the bottom, center, René Reinicxe, ’07. 


From the Exhibition of German Modern Art, New York, 1909. 


Fritz Althaus 


GERMAN: CONTEMPORARY : — 


179—MARKET PLACE IN VILLAGE 


S51, (Water Color) 0 A Ja 


Height, 13% inches; width, 10 inches 


In a stone-paved market place in ris! of a village 
church are gathered peasants and villagers who stand 
about booths of green vegetables and flowers, which 
are protected by awnings from a brilliant sun. 


Signed at the lower right, Frrvrz Atrnavus, ’04. 


Purchased from the artist. 


Gustav Schonleber . 
German: 1851— 
180—AUTUMN 


(Gouache) i y g : 
M0 Height, 8 inches; length, 1534 inches pp 


Suort trees are viewed against the sunlight, in the 
early autumn, their feathery silhouettes brown against 
a light sky strewn with white clouds. Beyond, in the 
middle distance, several women are working in a green 
vegetable garden, and in the foreground the light sky 
ca is reflected in a pool or stream. 


Ji er mw agen i te arte a ae hie een eet 


Signed at the lower right, G. ScHONtEBER, 91. 


Purchased of R. Lepke, Berlin, 1909. 


Hans von Bartels 
GERMAN: 1856— 


181—FISH MARKET AT CONCARNEAU 


i TA (Water Color) Gf ' 
ig On Height, 1234 inches; length, 1734 inches : Lif 


Tue interior of a very large and light building with 
creamy-white and pinkish-gray walls, characteristic of 
France, occupies all of the picture. Here on broad 
quays or platforms separated by wide alleys are quan- 
tities of fish in indiscriminate variety, and large num- 
bers of blue-clad women with white headdresses are 
busily at work or are waiting the arrival of more fish, 
while some men in brown are lugging large baskets to 


and fro. 
Signed at the lower left, Hans Barrets, ’07. 


Shown at the Exhibition of Modern German Art at the Metropoli- 
tan Museum of Art, New York, 1908-09. 


Albert Sterner 


AMERICAN: CONTEMPORARY 


F meer 
‘ad (Monorype, oN JAPANESE PAPER) A 5 PS 
TOA A. pill Zi 


182—_THE ECHO 


Height, 1914 inches; width, 1134 inches 
A woman almost Amazonian in her muscular propor- 
tions is seated, nude, in the deep green grass at the foot 
of some massive trees. Between them one glimpses . a 
rolling fields of verdure, beneath a blue sky in which = 
hang puffy masses of white cloud. The young woman 
sits facing the right. She has turned her face full = 
to the front, and with open mouth sounds a call and ms) 
listens, or herself expresses the alluring echo—as one 
may think. ; an 


vo 
: iy 
> oe 
A 
hs 
a 


Signed at the lower right, Arpert STERNER. 


Purchased from the Berlin Photographic Company, New York, 
1911. 


ie. « “ } ee = ~ — = si - : ‘ . = , ~ al — _ =. 2 
ih =i a haha ee a ee 
“2 ia a % 


Paul René Reinicke 


FE German: 1860— 

3 

ze 1883—THE ARTISTIC TEMPERAMENT 

| B (Gouache) 

Z OA Height, 16%/, inches; width, 181% inches WUaMCCI eH 


In a studio bedecked with sketches and infantile lingerie, 
ge an artist mother with disheveled hair and racked 

fi countenance is trying to fix upon canvas the fea- 
| tures of a youngster unwillingly posed and bawling. 
Father, a violinist with rare raven locks, instrument 
and portfolio in hand, is about to leave sweet home 
in spiritual distraction. “Can one play... ?” 
“Sha’n’t one paint . . . ?” And the child of united 
genius goes on bawling. 


Signed at the lower right, René Reinicke. 


From the Exhibition of Modern German Art, New York, 1909. 


Gotthard Kuehl 
German: 1851—1914 


184-—AUGUSTUS BRIDGE IN DRESDEN 


(Gouache) 


et 
J40 cat f Height, 131 inches; length, 181, inches 


Usine various media with mingled water color and pas- 
tel effect, the artist has produced a pleasing ensemble 
of color in presenting a many-arched stone bridge 
across a broad river, in winter time when street and 
house roofs are lightly covered with snow. Sunlight 
reflected from a yellow building spots the water amid 
the shadows of the arches, and there is color in the 
stream of traffic crossing the bridge. 


Signed at the lower left, GorrHarp KueEunt, 2/1, ’06. 


From the Modern Kunsthandlung, Munich, 1907. 


Paul René Reinicke 
GERMAN: 1860-— 


185—A CALLER 
(Water Color) 2 
AS] Height, 1614 inches; length, 1114, inches Uf. Wy 


In a studio ante-room a smiling lady in a house gown, 
seated beside a refreshment table, looks gleefully in the 
direction of the spectator, doubtless at the painter. 
In an armchair, looking across the table most seri- 
ously at the hostess, a large woman in black street 
attire seems weighted with something solemn to say. 


Signed at the lower left, René Retnicxe, 93. , 


Exhibited at the German Art Exhibition, New York, 1909. 


H. Paul Arntzenius 


GERMAN: CONTEMPORARY 


186—STREET SCENE 
{On Height, 1914 inches; width, 15 inches D. D : 


Narrow streets are filled with foot passengers, their 
numbers including Parisians of various sort, from a 
baker’s boy with a large basket to a silk-hatted man 
accompanied by a young woman; the motive was found 
probably in the Latin Quarter or Montmartre. 


Signed at the lower right, HP (in monogram) ArNTZENIUS. 


_ From the Alexander Blumenstiel Collection, New York, 1906. -#/6 +£/504 


S. Simoni 


Iranian: ConTEMPORARY 
187—_CAVALIER AND JESTER 


(Water Color) wy 4 LB 
/3 O- Height, 141%, inches; length, 201, inches 7 y, 


SEATED on a heavily carved cassone, in a great hall 
flooded with sunlight, a lithe jester all in red is sing- 


ing for the benefit of a gaily clad cavalier, and strum- - 


ming his own accompaniment. He is leaning back 
against a delicately colored grand tapestry which pic- 
tures a combat of horsemen. 


Signed at the lower right, S. Stmon1, Roma, 1879. 


From the D. W. Powers Collection, New York, 1899. PEMD. f/O5. 


Paul René Reinicke 
German: 1860— 


188—IN THE STUDIO 


(Water Color) — 4. 
en Height, 2114 inches; width, 15%, inches ; 


A woman artist, independent in dressing her person 
and her hair, in green striped and checked gown and 
black painter’s apron, has turned from her easel to- 
ward the spectator. She looks over her left shoulder, 
with an equivocal smile, in greeting to a young man, 
who has just entered. 


Signed at the lower right, René Rernicxe, ’06. 


Evhibited at the German Art Exhibition, New York, 1909. 


C. Van der Windt 


Dutcu: ConTEMPORARY 


189—FARM HOUSE 


aire - (Water Color) 
/104 0b. 


Height, 161, inches; length, 2614, inches 


Back in a yard where grass and weeds grow wild and 
green, and chickens hunt their food, and linen lies 
bleaching, stands a rambling gray farmhouse with 
steeply sloping roof and ragged lean-tos. A bent old 
woman in a white cap is entering its door, and to left 
of it the corner of a wood comes into view. 


Signed at the lower left, C. v. d. Wrnopt. 


Purchased from Boussod, Valadon & Co., The Hague, 1905. 


Arnold Mare Gorter 


DutcH: CoNnTEMPORARY 


190—NOVEMBER 
(Water Color) 


_— FO Height, 181% inches; length, 25 inches ° 


ie _ A narrow river comes straight forward through a flat 
country, between two lines of bare trees—only here 
and there a yellow leaf clinging to a branch. In the 
distance are more trees, denuded of their foliage, and 
on the left is a lone house. 


Signed at the lower right, A. M. Gorter. 


From the Holland Fine Arts Department, World’s Fair, St. Louis, 
F 1904. | 


Arthur Feudel 
GERMAN: 1857— 


1 _ 191—MOONLIGHT IN KATWIJK, HOLLAND 


(Water Color) lb uck 
GO rf 251/, inches 


Height, 181/, inches; length, 


In the depths of a dark blue sky are brilliant stars, seen 

_ over the red-tile roofs of a group of ancient Dutch 
dwellings. The buildings are low and of numerous 
gables, and their walls are a soft gray white in the di- 
rect light of a bright moon. A light burns in the 
nearer cottage, and a man and woman are talking at 
a doorway. 


Signed at the lower left, ArTHUR FrevupeL, Katwisk. 


Paul Rene Reinicke 
GERMAN: 1860-— 


192—THE DISAGREEMENT 


(Water Color) 
Ki $0 
Height, 2314 inches; width, 19%, inches GA Sodan b 


A mAN and woman in evening dress, she prepared to 
go out, with a black boa drooping from her shoul- 
ders, are at odds in their purposes. Seated at the left, 
her fan in his hand and an elbow on her fauteuil, he 
glares in displeasure and she gazes ponderingly at the 
floor. 


Signed at the lower right, René Reinicke, 1904. 


Exhibited at the German Art Exhibition, New York, 1909. a 


H. Paul Arntzenius 


Dutrcu: CoNTEMPORARY 


193—CART AND HORSE 


(Water Color) _f-: 


Height, 21 inches; length, 251% inches 


Tue trunks and all-but-barren branches of a group 
of trees at the end of a wood form the background; 
a cool, sunless gray sky, as of a “raw” day, is visible 
between them. In a road in front of them a dark 
horse drawing a load of sand is halted, the breath 
coming gray from his nostrils in the crisp air, and 
his blue-bloused driver is busy at the back of the wagon. 


Signed at the lower right, P. ARNTzENTIUs. 


Purchased from Boussod, Valadon & Co., The Hague, 1905. 


James G. Laing, R.S.W. | 


ScorrisH: CoNTEMPORARY 
(1944-THE STORM AT SEA 


| 4 Sneha S50 4 Height, 24 inches; width, 20 inches Sea UWzee fp 
Jf Tue day is gray and somewhat misty, but with strong 
light pervading the haze, and grayish vaporous clouds 
eve driven across the sky. In the foreground on the 
left, in the lee of an old hulk lying on the sands, a 
group of Dutch peasants and fisherfolk are gazing out 
over a tossing gray-white sea at two sailing boats 
under way, and beyond the dark hulk which is their 
shelter may be seen a smother of spray. 


~ —™ Signed at the lower right, James G. Laine. 


From the International Art Exhibition, Munich, 1902. 


ETCHINGS AND COLOR PRINTS 


eo. , Auelilile 
BRANGWYN, FRANK (Enexisu ) 


196—A Gate or Naples 
Original etching. Fine Arts Catalogue 
No. 170. Signed proof in slightly varied 
tints on Whatman paper. Extremely fine. 
Framed in 1-inch bronzed composition. 


BRANGWYN, FRANK (Encus) By 
197—Tue Inn oF THE Parrot, DixmupENn — 
Original etching. Fine Arts Catalogue No. 

65% 131. Signed proof on Whatman paper. : 
The plate has been destroyed. Large Folio. 


Framed in l-inch bronzed composition. 


BRANGWYN, FRANK ME uk 


198—Tue Riarto, VENICE 

Original etching. Fine a No. 7. a 

/. vA shit proof on Whatman paper, limited to 150 im- 

7 pressions and the plate destroyed. Folio. 
Framed in %-inch gilt composition. 


Lek halla 


HADEN, SIR FRANCIS SEYMOUR  (EneutsH) 


199—SunseEt 1n IrEtanp. 18638. 
Original Drypoint. H. N. Harrington No. 


XN, GE So 51. Second state. Signed proof on Japa-_ 
nese Paper. Framed in 34-inch gilt chest-_ 


nut. : ie eal 


HOKKEI, UWOYA. 1780—1859 ( JAPANESE) 
Hokusai’s best pupil. 


—~ 


200—Fatcon on a PERCH 
Color print. Framed in 1l-inch bronzed 


Ahr composition. 


HOKUSAI, KATSUSHIKA. 1760—1849 0 fe ity 
APANESE) 


201—Trers, Rocks anp a Heap 
y at Color print. Framed in 1-inch bronzed — 
4 . 


composition. 


btn.b K, leildeene 


ISRAELS, JOZEF | (Durcn) 
202—Tue Cuitp or THE Sra (Dutch girl with 

3 basket, seated on the beach) 
J On Original etching. Signed proof on Japa- 


nese paper. Framed in %-inch bronzed 


chestnut. 
ISRAELS, JOZEF (DutcH) 
203—Saitine THE Boat (Dutch children on the 
beach) 


/10 4 Original etching. Signed proof on Dutch 
paper. Framed in %@-inch bronzed chest- 
nut. 


LIEBERMANN, MAX y ( Grmaas ) 


204—A BrEERGARDEN 
Original etching. Signed proof on Dutch 
70 1 paper. Framed in 8¢-inch gilt composition. 


LIEBERMANN, MAX ; es 


205—Boys Batutne 
a Original etching. Proof on Dutch paper. 
J5% Framed in %-inch og es 


LIEBERMANN, MAX beitiy stohatl thee (GERMAN) 


206—Mennpine THE NETs 
a Original etching. Proof on Dutch paper. 
df. O-7 Framed in 5g-inch bronzed chestnut. 


TMsllnitiinr. 


LIEBERMANN, MAX (GERMAN) 
207—Potato Harvest 
Original etching. Signed proof on Dutch 
AhO-t paper. Framed in %¢-inch gilt chestnut. 


LUND, HENRICK (NorWeEcian) © 


208—Portrair or THomas A. Enpison 
JO Original lithograph. Signed proof No. — 
© 12. Framed in 3/,-inch ebony. 


LUND, HENRICK ‘(Norwectan) 


209—Porrrairt oF THEODORE RoosEVELT 
Original lithograph. Signed proof No. 12. 
Kee 4 Dedicated to Mr. Hugo Reisinger. Framed 


in 34-inch ebony. 
Janes 3 


MENZEL, ADOLF VON CE, | 
210—‘Das Letzte” (Taking the last piece to the 
pawnbroker) 


/NSG Proof on India paper. Framed in 34-inch 


bronzed chestnut. 


MEID, HANS $itte e 


rERMAN 
211—Unrer pen Linpen, BEruw 
SO Original etching. Signed proof No. 10. On fe 
I Je Dutch paper. Framed in %-inch bronzed “ 


chestnut. F } 


MILLET, JEAN FRANCOIS (Frencn) a 


212—A Woman CuvuRNING . 
Original etching. Lebrun No. 11. Second Es 
state, with Delatre’s address. Proof on | 

4 Dutch paper. A tear in the right margin, 
starting from the platemark. Framed in 


34-inch gilt chestnut. 


MILLET, JEAN FRANCOIS (Frencnw) ( 


213—PerasanT WITH A WHEELBARROW 
Original etching. Lebrun No. 12. Second . 
/00 + state, with Delatre’s address. Proof on 
Dutch paper. Framed in 84-inch gilt chest- 
nut. 


MUNCH, EDWARD (NorweEcian) 
214—Heap or a Giri 


Lb ft Original lithograph printed in colors. Signed 
4 proof. Framed in 184-inches bronzed wood. 


PENNELL, JOSEPH Z Le bene: dig 


-215—Lonpon From My Winpow 
Original mezzotint. Signed proof on old 
4 104 Dutch paper. Framed in 34-inch gilt chest- 


oe 4.2 leek 
PENNELL, JOSEPH (American) 
16—Tue “L” ann tHE Trinity Buritpine 


g Original etching. Signed proof on Dutch 
paper. Framed in %-inch gilt chestnut. 


fiw AF. 
PENNELL, JOSEPH (AMERICAN ) 


217—Mitus, OLtp ann New 
Original etching. Signed proof on old Dutch 
MO + paper. Framed in %-inch gilt chestnut. 
PENNELL, JOSEPH (AmERIC 
218—TuHe New RuIne 
RA $2  Originaletching. Signed proof on old Dutch 
~~ paper. Framed in 34-inch gilt chestnut. 


: Yio Gf. é 
PENNELL, JOSEPH (AMERICAN) 


219—New YorK FROM THE STANDARD Ort Co.’s 
Works, Bercen Pornt, N. J. 


65% Original etching. Signed proof on Dutch 
paper. Framed in %-inch gilt chestnut. 


a a 
PENNELL, JOSEPH (AMERICAN) 


220—PatisapES AND PaLAcEs 
Original etching. Signed proof on old Dutch 
$0 ‘{ paper. Framed in 3-inch gilt chestnut. 


Win ACK 


PENNELL, JOSEPH ( AMERIC | 
221. —Triniry CHURCH FROM THE RIVER 
O q Original etching. Signed proof on Japanese 


paper. Framed in %-inch gilt chestnut. 


PENNELL, JOSEPH 4itee foo helhiteeeo 


222—Union Square 
gt Original etching. Signed proof on old Dutch 
Z q paper. Framed in %-inch gilt chestnut, 


REMBRANDT VAN RIJN 1 Lb. OICH 


223—Nercress Lyrine Down 
1658. Original etching. Bartsch No. 205. 
Second state, showing the white spaces along 
AO the upper edge, where the acid failed to 
t bite. Fine. A small piece of paper has 
been replaced in the |. lower corner. Framed 
in 14-inch gilt composition. | 


SCHINNERER, ADOLF Keer, 


224—Der Trico Betuespa (The Pool of Beth- 
_esda ) 
A set of ten original etchings on Japanese 
oh O- paper signed by the artist, in original cloth- 
covered portfolio with a design by the etcher. 
This set is No.. 112. 


‘SLEVOGT, MAX Yo . Sing reseeepe 


225—GrorcirITTER ATTENDING Mass 
Original etching. Signed proof on What- 
SS man paper. Framed in %-inch bronzed 


chestnut. : Sua el 


SLEVOGT, MAX (German) 
226—L’AnprapE as Don Juan 

Original etching. Signed proof on Dutch 

S Gee paper. Framed in %-inch bronzed chest- 


nut. 


STRUCK, HERMANN (GERMAN) , 


227—A JewisH Rass (Bust) : 
y 4 Original etching. Signed proof on Dutch 
t paper. Framed in %-inch gilt chestnut. 
STRUCK, HERMANN 4. ERMAN 
228—New York From THE East River 
Original etching. Signed proof on Japanese 
KO am Dare Dedicated to Mr. Hugo Reisinger, 
2 April 8, 1918. Framed in 54-inch gilt chest- 
nut. 


STRUCK, HERMANN (Gyuwan) 
_ 229—ScurerKxe 1n WINTER ZZ) Luda Lo. 


1912. Original etching. Signed proof on 
Z Dutch paper. Framed in 34-inch bronzed 
O-4 ! 
chestnut. 


WHISTLER, JAMES ABBOTT McNEILL 


ae: nN) : 
230—Tuer Scurtpror Drovet 3 Wield 


Soe 1859. Original etching. Kennedy No. 55. 
| [s- Third state. Fine proof on Dutch paper. 


Framed in 14-inch gilt composition. 


WHISTLER, JAMES ABBOTT McNEILL 

(AMERICAN ) 
231—Tue Force @ « * 
1861. Original drypoint. Kennedy No. 68. 
Third state, before the small white spot be- 
hind the smith’s head was darkened. Ex- 
: tremely rare; probably not more than a 
3 KOO -dozen printed in this state. One of the 
_ “Sixteen Etchings.” Superb early impres- 
sion on thin Japanese paper. Framed in 
84-inch gilt chestnut. 


ZORN, ANDERS LEONHARD (SwepisH) 


232—Inrerior oF A Paristan Omnizsus 
1891. L. Delteil No. 71. Third state; with © 
horizontal lines crossing the verticals on the 
SG OO-., face of the woman in the background to the 
a. left. Signed proof in a brownish black ink 
on light creamish Whatman paper. Very 
rare. Framed in ®4-inch bronzed chestnut, 


ZORN, ANDERS LEONHARD y, VEDISH ) 
a 


233—TuE Toast 
1898. L. Delteil No. 80. Fourth state; there 
Ke is additional work on the face. Signed proof 
q O J in black ink on light creamish Whatman 
paper. Very brilliant impression and rare. 
Framed in 1-inch bronzed chestnut. 


ZORN, ANDERS LEONHARD (SwepIsH ; 
234—Sunpay Mornine 1n Daarne ; Se 
1894. L. Delteil No. 85. Second sta bs 

y, AG showing delicate crosslines on the shirt of = < 
7 ? the woman in the foreground. Signed proof i 


in a brownish ink on creamish Whatman 
paper. Rare; only twenty-five impressions 
were pulled. Framed in 3@-inch gilt chest- 
nut. 


ZORN, ANDERS LEONHARD WEDIS 2 


235—Nicutr Errect, Paris c 
Second plate. 1897. L. Delteil No. 109. . 
Second state; the plate edges are beveled. 
J; 5, O 4 Signed proof in black ink on light creamish 
Whatman paper. Framed in 34-inch bronzed 
chestnut. 


ZORN, ANDERS LEONHARD 


(Swepisn) | | 
(236—Aveustus Sarnt-GAUDENS yi lopeanhe 


1897. L. Delteil No. 112. Second state; 

/30+4 there are crosshatchings on the cloak of 
statue. Signed proof in brownish ink on 
a bluish white Dutch paper. Framed in 
3e-inch gilt chestnut. 


ZORN, ANDERS LEONHARD UU Se 


237—Hon. Grover CLEVELAND Son ae y Mire 
First plate. 1899. L. Delteil No. 141. Sec- 
ond state; the plate_is finished. Signed 
J, eae proof in black ink on creamish Whatman 
paper. Very rare; only twenty impressions 


having been taken. Framed in %4-inch gilt 
composition. 


ZORN, ANDERS LEONHARD (SwepisH ) 
238—Zorn anv His Moper 4H. Kt, Nee natae tipo 
Second plate. 1899. L. Delteil No. 148. 
Sixth state; with the retouch on the mus- 
wo5 tache. Signed proof in a deep black ink on 
white Dutch paper. Very fine. Framed in 
34-inch gilt chestnut. 


| ZORN, ANDERS LEONHARD (SwepisH) 
239—A SwepisH Maponna Ao tb Jat l, 7 
| 1900. L. Delteil No. 150. Second ee 
before the third line in the contour of the 
490 1 left sleeve. Signed proof, in a deep black 
ink on white Dutch paper. Very fine. 
Framed in 34-inch gilt chestnut. : 


In-S. an 
ZORN, ANDERS LEONHARD (SwepisH) — - 
240—Ar THE Piano (Miss Anna Burnett) 

1900. L. Delteil No. 159. Second state; 
a y, oO the left shoulder is completely shaded. 
7 ~~ Signed proof in black ink on a greenish white 
Dutch paper. Framed in 34-inch gilt chest- 
nut. 


ZORN, ANDERS LEONHARD (SwepisH) 


241—Awnwna, a Girt or Mora 5 
19038. L. Delteil No. 170. First state; 
YO with the three horizontal lines defining the 
7 lower lip. Signed proof in black ink on 
creamish Whatman paper. Extremely rare. 
Framed in 34-inch gilt composition. 


242—BetTty Nansen 
1905. lL. Delteil No. 189. Fourth state; 
the plate is finished. Signed proof in a 
704 slightly greenish ink on creamish Whatman 
paper. Framed in %-inch bronzed chest- 


ZORN, ANDERS LEONHARD ison a 


nut. | ; 
ZORN, ANDERS LEONHARD (Sweviso) - “2 
243—Ipa 2, ri 
1906. L. Delteil No. 195. Second state; the a 
J y/ 14) foreground is finished. Signed proof in a ty 
7 greenish black ink on old Dutch paper. Su- - 
perb impression—early printing. Framed in - 
3/,-inch bronzed chestnut. 
ZORN, ANDERS LEONHARD (SwepisH) k 
24.4—MENDING 7 
1906. L. Delteil No. 198. Only one state. a 


b. Jt Signed proof in brownish black ink on cream- 
1 ish Whatman paper. A rich impression. 
Framed in 34-inch bronzed composition. 


ZORN, ANDERS LEONHARD Min 4. 


245—AvucustE Ropin 
1906. L. Delteil No. 2038. Mio F- ee 


1004 


showing the row of dots defining the right 
temple. Signed proof in black ink on cream- 
ish Whatman paper. Framed in 34-inch 
bronzed chestnut. 


ZORN, ANDERS LEONHARD (SwepisH) 


246—A SanpHamMn (liith Ulla 
1906. L. Delteil No. 207. Only one state. 


JO 


Signed proof in greenish black ink on cream- 
ish Whatman paper. Framed in 34-inch gilt 
chestnut. 


XQ 


* ZORN, ANDERS LEONHARD ~ Mette 


247 


oO 


Crercies D’ Kau 
1907. L. Delteil No. 212. one one 7h. (4 Meu 


Signed proof in black ink on light creamish | 
Whatman paper. Framed in 34-inch 
bronzed chestnut. 


ZORN, ANDERS LEONHARD ee 
248—Epo “a on 6 


L/0 4 


1907. L. Delteil No. 218. Only one fe 
Signed proof in black ink on creamish What- 
man paper. A small imperfection in the 
paper covered with chalk. Framed in %4- 
inch bronzed chestnut. 


ZORN, ANDERS LEONHARD (SwepisH) 
249—TueE PrEcIPICcE Pe Mifificl 
1910. Not in L. Delteil’s catalogue. Signed 


Ala 


proof in black ink on creamish Whatman 
paper. Very fine. Framed in 14-inch 
bronzed composition. 


ZORN, ANDERS LEONHARD (Swrftso) © 
250—Two BatTuHers 
1910. Not in L. Delteil’s Catalogue. Signed — 
J. KO proof in brownish ink on a light gray old 
| t Dutch paper. Framed in %-inch gilt chest- 
nut. ; 


ZORN, ANDERS LEONHARD Var EDISH ) 
251—Wert Min Ch dtocony Le 
1911. Not in L. Delteil’s Catalogue. 
/GO Signed proof in a brownish ink on cream- -~ 


ish Whatman paper. Framed in %-inch 
bronzed chestnut. 


ZORN, ANDERS LEONHARD (SwepisH ) 
252—DacMmar a a a 
1912. Notin L. Delteil’s Catalogue. Signed 
J OO q proof in a warm brownish ink on creamish 
Whatman paper. Framed in 14-inch 

bronzed composition. 


ZORN, ANDERS LEONHARD (Swepisn) i 
253—FrIGHTENED : Q. 4 + 
1912. Not in L. Delteil’s Catalogue. Signed ¥ 

2 / O proof in a warm brownish ink on creamish | ae 
( Whatman paper. Framed in 55-inch hi 


bronzed chestnut. 


ZORN, ANDERS LEONHARD (Swepisx ) 4 
254—Girt with Hair Rippon z | 
1912. Not in L. Delteil’s Catalogue. ned. a 
proof in brownish ink on creamish What- , 

Uf Or man paper. Framed in 3%4-inch bronzed 


chestnut. 


| 
} 


ZORN, ANDERS LEONHARD (Swepisn) 


255—VALLKULLA Jittk RA 
1912. Not in L. Delteil’s Catalo Signed 


J 4LO~ proof in a brownish ink on creamish What- 
man paper. Framed in 34-inch bronzed 
composition. 


ZORN, ANDERS LEONHARD (SwenpisH) 


256—E in Yew A cS tigen 
1913. Not in L. Delteil’s Catalogue. Signed)” 


V4) proof in brownish ink on creamish What- 
TF man paper. Very fine. Framed in 34-inch 
bronzed chestnut. 


ZORN, ANDERS LEONHARD (SwepisH) 
257—SEAWARD SKERRIES 
19138. Not in L. Delteil’s Catalogue.“Signed 
/b0 A proof in a brownish ink on creamish What- 
man paper. Framed in %-inch bronzed 
chestnut. 


ZORN, ANDERS LEONHARD (SwepisH ) 
258—Tue Lerrer ' 
1913. Not in L. Delteil’s Catalogue. Sign 
LS proof in a warm brown ink on creamish 
© Whatman paper. Framed in %&-inch 
bronzed composition. 


ZORN, ANDERS LEONHARD (SwepisH) 


259—Ear Ly DB. ag, 
1914. Not in L. Delteil’s Catalogue. Signed 


proof in brownish ink on creamish What- 


L104 man paper. A very fine impression. Framed 


in 84-inch bronzed chestnut. 


AMERICAN ART ASSOCIATION, 
MANAGERS. 
THOMAS E. KIRBY, 


AUCTIONEER. 


ST OF ARTISTS REPRESENTED _ 
_ AND THEIR WORKS 


5 


LIST OF ARTISTS REPRESENTED 
AND THEIR WORKS 


CATALOGUE 
NUMBER 

ALTHAUS, Frirz 

Scene in Devonshire by ges 

Market Place in Village 179 
ARNTZENIUS, F. 

Old Houses at Hooven 151 
ARNTZENIUS, H. Pavr 

Street Scene 186 

Cart and Horse | 193 
BARTELS, Hans von 

On the Way to Market 114 

The Yellow Bodice 142 

Fish Market at Concarneau 181 
BELLOWS, GerorceE 

A Morning Snow 39 
BOCK, THrornILE DE 

Landscape at Twilight 92 

“BOCKLIN, ARNOLD 

At the Spring 14.4 
BOUDIN, Louis Evcine 

Le Port de Saint Valery, Marée basse 58 

Cherbourg 66 


Beach at Etretat 82 


BRACHT, Fe.ix Peoeer Evcen a = 
Landscape | 


BRANGWYN, Frank, 4.R.A. — 
Venice @ | 
A Gate of Naples i ig am 
The Inn of the Parrot, Dixmuden 
The Rialto, Venice 


BROWNE, Georce Eimer 
Silver Mist 


' CAZIN, Jean CHARLES 


The Harvesters 
Octroi d’Issy 


CHASE, Wituiam Merrirt, N.A. 
English Cod 


CLAUS, Eire 


a 


A Ombre 


ET 


COROT, Jean Baptiste CAMILLE 


Environs de Beauvais vers Marissel; le Rui 
seau a l’Arbre tordu 


COURBET, Gustave 
Landscape | 69 


CRODEL, Pavut : 
Mountain Village in Winter —-:165 


-DABO, Lxox 


Evening on the Hudson 
The Palisades, Hudson River 


DAVIES, Arruvr B. 
At the Waterfall 


DEARTH, Henry Gorpen 
Flecks of Foam - 


DEGAS, Hizvarre Germain Enpcar 


Ballet Girls Dressing 
Danseuses: Robes jaunes 


DELVAILLE, H. Caro 


Jeune Femme a la Toilette 


DEWING, Tuomas W., N.A. 


The Musician 
Girl Playing the Lute 
Lady in Black and Rose 


DIAZ DE LA PENA, N. V. 
Enfant au Chien 


DILL, Lupwic 


Landscape: Abend im Moor 


DOUGHERTY, Paut, N.A. 
The Cleft. 


DUPRE, JULES 
The Storm 


CATALOGUE 
NUMBER 


30 
31 


63 


12 


52 


159 


19 


70 


ESSEN, Jan van bls Pie — | 
Landscape c aa 


FANTIN-LATOUR, Henzi J. T. 


Aurora 
The Chat: Two Women in a Wood 
Still Life: Flowers Z 


FEUDEL, Artruur 
Moonlight in Katwijk, Holland 


FEUDEL, ConstantTINE wee 
Madonna, Child and St. John: The Madonna eee | 
of the Chair na 


FLEISCHER, Max 
Nude: Study of a Boy 


FRIESEKE, Frepericx C. 
In the Doorway 


FROMENTIN, Evcene 


Algerian Washerwomen 


~ GEBHARDT, Karu Franz Epvarp von 
Head of a Young Woman 


GORTER, Arnoup Marc 


November 


GREGORY, Roserr 
Landscape 


HABERMANN, Huvco von 
In the Studio | 


HADEN, Sir Francis Srymour 
Sunset in Ireland 


HARBURGER, Epvmunp 
A Divine Drink 


HARPIGNIES, Henri 
French Landscape 


HASSAM, Cuzz, N.A. 
Dryads 


Sunset 

Morning: Seville 

Leda and the Swan 
Brooklyn Bridge in Winter 


HITCHCOCK, Gerorce 
Flowering Holland 


HOFMANN, Lupwic von 


Nude in Open Air 
Dancing Girl 


HOKKEI, Uwoya 


Falcon on a Perch 


HHOKUSAI, Karsusuika 
Trees, Rocks and a Head 


HOLLMAN, Car. 
Surprised 


HOMER, Winstow, N.A. 
Rocky Coast 


CATALOGUE 
NUMBER 


199 
118 


40 


200 
201 
121 


12 


HORTON, Witiuiam SaMvuEL 
Whitby Sands 


Aigue-marine 


HUBN ER, Unies 


Marine 


ISABEY, Evctne Louis Gaprien 
After the Storm 


ISRAELS, Jozer 


Alone 
The Child of the Sea (Dutch girl with bas- 
ket, seated on the beach) 


Sailing the Boat (Dutch children on the 
beach) 


JACQUE, CuHar es Emite 
Man Driving Cows 


JANK, ANGELO 


Horse Race 


JOHN, A. E. 
Girl on Welsh Mundie 


JONGKIND, Jean Berruorp 


Marine 


KAMPF, Arruur 


Spanish Dancer 
Man at Work 


KELLER, Arzsertr von 
Nude 


KLINGER, Pror. Max 


Landscape ° 
Landscape 


KOPP, Orro 
Bathing Scene 


KRONBERG, Louts 
Ballet Girl in Pink 


KUEHL, Gorruarp 


View through a Window 
Salon Ecke ~ 
Augustus Bridge in Dresden 


LAING, James G., R.S.W. 


Storm at Sea 


LARSEN, Cari Freprix EMANUEL 
Girl Reading , 


LAVERY, Joun, 4.R.A. 
Afternoon in the Woods, Tangiers 


LAWSON, Ernest, A.N.A. 


Abandoned Graveyard in Spring 
Road at the Palisades 


LEIBL, WitHELM 
The Actor 


CATALOGUE 
NUMBER 


Ep 


129 
131 


149 


13 


108 
125 
184 


194 


105 


99 


17 
38 


134 


CATALOGUE 
NUMBER 

LEISTIKOW, Waturuer 

Danish Landscape 161 
LENBACH, Pror. Franz von 

In Ecstasy | ee . 169 — 
LEPINE, Sranisuas Victor Epovarp 

Le Port d’Anderine | 42 
L’HERMITTE, Lton Aveustin 

Harvesting 65 
LIEBERMANN, Max 

Polospiel ; LB Me 

Boys in Bathing - 187 

At the Seashore: Terrace on the Elbe, near 

Hamburg 155 

Nordwijk 158 

A Beergarden 204 

Boys Bathing : 205 

Mending the Nets 206 

Potato Harvest — 207 
LILJEFORS, Bruno Anpreas 

Heath Grouse out in the Frost 84 
LOOSCHEN, Pror. Hans 

Die Blaue Uhr 119 


LUND, Hewricx 


Portrait of Thomas A. Edison 208 
Portrait of Theodore Roosevelt 209 


MANCINI, Francesco Giovanni 
Prof. M. with Halo 


MARIS, Jacos 
The Young Artist 


MARIS, Witiem 
Ducks | 


MARR, Caru 
Portrait of Prince Luitpold of Bavaria 


MASTENBROEK, J. H. van 
In Holland 


Summer Afternoon in Rotterdam 
Harbor of Rotterdam 


MAUVE, Anton 
Bleaching 


MEID, Hans 
Unter den Linden, Berlin 


MEISSNER, Ernst Apvo.ru 
Ram’s Head 


MENARD, Revé 
Dryades 


CATALOGUE 
NUMBER 


104 


93 


89 


35 


85 
87 
95 


90 


211 


110 


81 


| NUMBER ;: 

CATALOGUE 
MENZEL, Apo.tF von aa 
Man Reading | ~ AS 


“Das Letzte” (Taking the last piece to the 7 
pawnbroker ) — 210 


MESDAG, Henprix WILLEM 
Marine 7 | 96 


_MESDAG VAN HOUTEN, Mme. S. 
In Gelderland | 97 


METCALF, Wixiuarp Leroy 
Dogwood Blossoms a ie 


MILLER, Ricuarp E., A.N.A. 


Summer Reverie 32 


MILLET, Jean Francois 


A Woman Churning 212 
Peasant with a Wheelbarrow 213 


MOHRBUTTER, Atrrep 
Nude 167 


MONET, Cravupe 


Etretat: Sunset | ., 7 
Waterloo Bridge: Temps gris 77 


MOSAIC PAINTING (A) 
Roman Ruins. 175 


CATALOGUE 


NUMBER 

MUNCH, Epwarp 

Head of a Girl 214 
MUNKACSY, MInHALY DE 

Study of a Head 116 
MUNZER, Avo.r 

Girl with Puppet 163 
MURPHY, J. Francis, N.A. 

Landscape 27 
OPPLER, Ernst 

Tennis Tourney at Ostend 133 
OSSWALD, Frirz 

Still Life: Pinks 148 
OSTERMAYER, E. L. 

The Oriental Musician 124 
PENNELL, Josreru 

London from My Window 215 

The “L” and the Trinity Building 216 

Mills, Old and New 217 

The New Rhine 218 

New York from the Standard Oil Co.’s 

Works, Bergen Point, N. J. 219 
Palisades and Palaces 220. 
Trinity Church from the River 221 


Union Square 222 


PILTZ, Orrto 
Old Woman Drinking Coffee 


PISSARRO, CamiLue 


Enfants a Table 46. - 
Place de la République, Rouen: Effet de Pluie 62 a 


Femme a la Chévre Tae 
PUTZ, Lro peie 

Mara f- 140 

Japanese Still Life j 147— 


Hochsommer 172 


RAFFAELLI, Jean Francois | 
Bain de Mer, Tréport ~—6«668 
A Cathedral: Northern France : —%6 


REDFIELD, Epwarp Wi111s . 
December 37 


REID, Rosert, N.A. 
Meditation Abe 3 


REINICKE, Paurt René 
Cathedral in Seefeld 113 


On the Terrace . 178 
The Artistic Temperament, 183 
A Caller 185 
In the Studio 188 
The Disagreement 192 


REMBRANDT VAN RIJN 
_ Negress Lying Down 223 


- CATALOGUE 


NUMBER 
RENOIR, Firmin-Aveuste 
Baigneuse 55 
Young Girl 61 


ROBINSON, Tueoporr, §.4.A. 
In the Orchard 9 


SANDE-BAKHUYSEN, H. vaw vx 
Landscape: Leading Home the Cow 91 


SAUTER, Grorcr 
Frost and Fog 101 


SCHINNERER, Avotr 
Der Teich Bethesda (The Pool of Bethesda) 224 


SCHOFIELD, Watrer Extmer 
A Pennsylvania Farm 34 


SCHONLEBER, Gustav 
Colmar Landscape 130 
Autumn 180 


SCHRAMM-ZITTAU, Pror. Rupour 


Ducks 132 
Ducks 139 
Parrots 143, 


SCHUCH, Cuartes 


Still Life: Fruit 146 
Landscape 162 
SIMONI, S. 


Cavalier and Jester 187 


SISLEY, Arrrep 
Noyer a Veneux-Nadon ~ 


SKARBINA, Franz 
Das Rote Service 


SLEVOGT, Max 


Landscape 
Georgiritter Attending Mass 
L’ Andrade as Don Juan 


SOROLLA Y BASTIDA, Joaquin 
Water Joy 


SPERL, JoHann 
Mountain Landscape 


STERNER, Axserr 
The Echo 


STEVENS, Atrrep 


Marine 

Vue de Tréport 

In Deep Thought 

Jour de Régates, Menton 


STRUCK, Hermann 


A Jewish Rabbi (Bust) 
New York from the East River 
Schierke in Winter 


STUCK, Franz von 
Teasing — 


~a “aot 
a a! 


: a tl 2 
af a 


2g f 


CATALOGUE 
NUMBER 


64 


141 
225 
226 


107 


122 
182 


40 
49 
60 
83 


227 
228 
229 


126 


2 
v 


CATALOGUE 


NUMBER 

TESSAVI, V. 

Shepherdess i 176 
THAULOW, Fairz 

Scene in Venice 59 

Winter Scene, Norway 75 
THOMA, Hans 

Noon Hour 1538 
THOMAS, Grosvenor 

Landscape 103 
TOUCHE, Gastron 1a . 

The Honeymoon 53 

Petit Souper 54 
TRUBNER, WILHELM 

Landscape 145 

Castle Heimsbach 164 

© 

TUCKER, ALLEN 

Corn Stacks 29 
TWACHTMAN, Joun HEnNry 

Water Fall, Yellowstone Park 24 

Wild Cherry Tree 28 

‘ UHDE, Frirz Kart Hermann von 
Girl Reading 135 


VALKENBURG, Henpricx 
| Garden Scene 86 


_——S- ao 


VAN DER WINDT, C. 


Farm House 


WAUGH, Frepericx J. 
Sea and Foam 


WEIR, Jurtian ApEn, P.N.A. 
~ Moonlight 
Willimantic Thread Factory 
Midday 


WHISTLER, James Aszsotr McNEILu 


The Sculptor Drouet 
The Forge 


WILLIAMS, Georcre ALFrep 


Fascination 


The Aura 


ZORN, Anvers Leonyarp 
A Peasant Girl: “Hall-Kesti’” - 
The Batier _ 
Nude at the Shore 
Interior of a Parisian Omnibus 
The Toast 
Sunday Morning in Dalarne 
Night Effect, Paris 
Augustus Saint-Gaudens 
Hon. Grover Cleveland 
Zorn and His Model 
A Swedish Madonna 


At the Piano (Miss Anna Burnett) 


Anna, a Girl of Mora 
Betty Nansen 


CATALOGUE > 
NUMBER — 

r j “i 7) F 

a! 

189 igi 7 


—6(B6 


230 
231 


1738 
174 


gi 

78 

719 
232 
233 
234 
235 
236 
237 
238 
239 
240 
241 | 
242 


: ; CATALOGUE 
ZORN, Anpvers Leonnarp—Continued NUMBER 


Ida 243 
Mending 24:4 
Auguste Rodin 245 
A Sandhamn 246 
Cercles d’Eau 247 
Edo 248 
The Precipice 249 
Two Bathers 250 
Wet 251 
Dagmar 252 
Frightened 253 
Girl with Hair Ribbon 254 
Vallkulla 255 
Elin 256 
Seaward Skerries 257 
The Letter 258 


Early . 259 


ZUGEL, Hertnricu JOHANN 


Cattle at the Pool 152 
Oxen 154 
Country Folk Coming from Market 156 
Sheep Homeward Bound 170 


Sheep Going to Pasture 171 


FOR INHERITANCE TAX 


AND OTHER PURPOSES 


THE AMERICAN ART ASSOCIATION 


IS EXCEPTIONALLY WELL EQUIPPED 
TO FURNISH 


INTELLIGENT APPRAISEMENTS 


OF 


ART AND LITERARY PROPERTY 
JEWELS AND PERSONAL EFFECTS OF EVERY 
DESCRIPTION 


IN CASES WHERE 


PUBLIC SALES ARE EFFECTED 
A NOMINAL CHARGE ONLY WILL BE MADE 


THE AMERICAN ART ASSOCIATION 
MADISON SQUARE SOUTH 
_ NEW YORK 


TELEPHONE, 3346 GRAMERCY 


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